Tag Archives: White House Down

YOU’LL NEVER SEE WILE E. COYOTE THE SAME

14 Mar

ryan-reynolds-gq-magazine-photoshoot-by-peggy-sirota_2 1. Zootopia/Disney Wknd/$ 50.0 Total/$ 142.6
2. 10 Cloverfield Lane/Paramount Wknd/$ 25.2 Total/$ 25.2
3. Deadpool/Paramount Wknd/$ 10.8 Total/$ 328.1
4. London Has Fallen/Focus Wknd/$ 10.7 Total/$ 38.9
5. Whiskey Tango Foxtrot/Paramount Wknd/$ 4.6 Total/$ 14.6
6. The Perfect Match/Lions Gate Wknd/$ 4.2 Total/$ 4.2
7. The Young Messiah/Focus Wknd/$ 3.2 Total/$ 3.4
8. The Brothers Grimsby/Sony Wknd/$ 3.2 Total/$ 3.2
9. Gods of Egypt/Lions Gate Wknd/$ 2.5 Total/$ 27.3
10. Risen/Sony Wknd/$ 2.3 Total/$ 2.3

WHAT WE TALK ABOUT WHEN CARTOON ANIMALS TALK
Zootopia holds at number one and the rumors you have heard are true: Disney’s animated wing has finally caught up to Pixar. Of course it’s under the control of Pixar that it’s happened, but nonetheless it has. Aside from being technically gorgeous, Zootopia not only comes up with good characters, but works on a level aside from funny talking animals because Zootopia is all about race and gender discrimination. Seriously. It’s about a bunny (Judy Hops) wants to be a cop all her life despite everyone telling her she can’t be and that there are no bunny cops because only predators can be cops and bunnies are prey. That predators are “masculine” and “prey” are feminine is pretty obvious. Especially when Judy actually does become a cop it is a clear mandate of a “diversity program” and she’s promptly assigned to be a meter maid. But it doesn’t stop there as the actual plot of the film is how some predators are de-evolving to walk on all fours and want to hunt fellow prey citizens. We learn then that predators are actually a “minority” in Zootopia and are seen as aggressive and dangerous. Get it? This is crystalized in the form of the fox, Nick Wilde, who first outwits Judy but is later outwitted and blackmailed by her into helping with the case. Like Judy, he wanted to break outside of society’s conventions about what a “minority” could be and like her was violently rebuffed as a child. Do I even have to point out that foxes are seen as deceitful and untrustworthy? This leads to a scene I thought I’d never see in an animated Disney movie where Nick confronts Judy about what she erroneously said about predators and she blurts out, “But you’re not like the others.” As someone who has actually had this said to his face (thank you, Georgia upbringing) it was beyond stunning. I’m actually surprised the same idiots who slowly realized the Ice Queen in Frozen was a lesbian haven’t attacked the lessons of this movie. And while I wish I could praise it for being yet another animated film that wasn’t a fucking musical, we do have a song by animal superstar, Gazelle (voiced by Shakira). But luckily it’s at the very end. And yes, the sloth joke still works.

JUST…NO
10 Cloverfield Lane opens at number two and since I hated the first Cloverfield, this was never going to get a moment of my time.

THIS IS WHY YOU’LL SEE WONDER WOMAN’S BOOBS ONE DAY
Deadpool is down to number three and finally Ryan Reynolds is successful just being Ryan Reynolds as he’s done in almost every role in his career from Van Wilder to this. In fact, this is just superpowered Van Wilder. Deadpool is a character that gained success after I’d walked away from X-Men books, but in my meager knowledge of the character I know exactly why he’s such a fan favorite: he’s a 14-year-old boy’s dream. He’s vulgar, indestructible, with a dark origin and hangs out with Wolverine. Also he breaks the fourth wall in the comics as he does in the movie (there’s even a joke about how Reynolds’ career has lasted only because of his good looks) and while the chorus chants how this is exactly the kind of shake up superhero needs, I have to point out its just being loyal to the source material. That’s why it succeeded. Yes, being an R-rated comedy helped distinguish it from the pack, but that’s what the books were (or so I’m told). All the most successful superhero movies are loyal to their source material in spirit. The failures are from assholes who are ashamed of comics and think those ties need to be abandoned for something more “realistic.” How’s that realism treating The Fantastic Four? Exactly. Of course Hollywood took only the worst lesson from this and now the next Wolverine movie will be R-rated. And while it does make sense that a guy whose primary power is slicing people up will get an R-rating, that’s not why they’re doing it. And there’s simply no reason ever for Superman to be in a movie with an R-rating but apparently that’s going to be a thing that happens too when Superman v. Batman is released on DVD. Please note that Marvel, the studio that gets it so right it sold you Ant Man, has flat out declared it won’t be making R-rated superhero movies.

INTELLIGENCE HAS FALLEN AND CAN’T GET UP
London Has Fallen is down to number four and how this got made is astonishing to be as the first one sucked and didn’t do that well. Granted it did better than White House Down, but at least there was fun to be had in White House Down. Olympus Has Fallen took itself seriously if you can believe that shit. But numbers don’t lie and relative to its cost, it was the better performer and clearly had a life on home video that garnered a sequel. Granted, this is more fun than the previous version and unlike that one is a serviceable action movie and by that I mean I wouldn’t turn the channel if it were on cable and I do that to Olympus Has Fallen (there’s not one second of that film I want to see again). But as dumb as OHF was, this is even dumber. The British Prime Minister has died so all the actual heads of government gather in London for the funeral where terrorists attack, killing the heads of Japan, Italy and France. Apparently none of the other heads of state who clearly would have been in attendance—especially the European Union—mattered enough to kill. Speaking of the European Union, serious shade is thrown at Italy and France in this. First off, the head of Italy is a middle-aged man showing his new wife around Westminster Abbey as a present for her 29th birthday. No, I’m not kidding. So you know what this movie thinks of Italians. Second, the French PM dies because he makes a conscious decision to arrive late. I’m not kidding. If he leaves on time, he lives, period. Better still we see later that the US is scrambling to get its nearest forces in from Italy because the terrorists shut London down by disguising themselves as police so there’s no way any force in London will be able to distinguish good guys from bad and will be slaughtered. No, this doesn’t stand up under any logical examination (like simply officially ordering all police off the street so anyone who remains is clearly a terrorist), but go with it. France is the closest of all, but not once do we hear of them making a move to avenge their fallen leader. Guess they were too busy smoking cigarettes and hating America. And you say you want some racism and xenophobia with your stupid action? Well, you got it as the terrorists are Arab Muslims, the head of which is avenging the death of his daughter whose wedding was hit by a drone strike ordered by the G8. Oh, did you think that includes Russia? Well, not in this movie as there is no Russian PM to be seen. The plot point about civilian loss is important because at the end when they get the bad guy—hardly a spoiler now—and after Gerard Butler gives a little speech about how “they” will never beat “us” as he beats on one of the terrorists, WE ARE SHOWN CIVILIANS BEING KILLED IN A DRONE STRIKE. I’m not kidding. God bless this stupid fucking movie and God Bless America!

I’M HERE FOR YOU, BABY…ONCE I WAKE UP
Whiskey Tango Foxtrot is down to number five and I will see this. I loves me some Tina Fey and will do my best to support her. Unfortunately Daylight Savings Time and some mild food poisoning screwed up my weekend and daddy needed sleep.

THERE MUST BE BETTER LOOKING BRUTHAS OUT THERE
The Perfect Match opens at number six, followed by Young Messiah at number seven and this makes sense because both are aimed at niche audience. The former is Black people and the latter is Jesus freaks. And that’s not a bad thing. Every film can’t be all things to all people and they shouldn’t always have to try. Work for your audience and fuck everyone else. The Perfect Match is yet another variation on the lothario who meets his match theme and Young Messiah is Adventures of Young Jesus. While I do maintain a soft spot in my heart for romantic comedies the formula has grown tiresome for me as I’ve gotten older. It needs to be changed up a little. And while I don’t know who the fuck Terrence Jenkins is I do know that he’s not good looking enough to pulling women like Cassie (yes, I know she was dating P. Diddy, but he’s rich and gave her a music career she didn’t deserve). I need my romantic leading men to be good looking, especially if they’re playing ladykillers. And Judeo-Christian mythology has never held my interest so Young Messiah was never happening. Yeah, I said it!

SERIOUSLY, THAT SHIT HURTS
The Brothers Grimsby open at number eight and Mark Strong inches just a tad closer to actually being the good guy lead in an action movie. That’s all I can say about this as I find Sacha Baron Cohen as funny as an ingrown hair on my nutsack.

UP NEXT: GODS OF JAPAN STARRING JENNIFER LAWRENCE AND BRADLEY COOPER
Gods of Egypt is down to number nine and when was this ever a good idea!?! Did someone stupidly see Thor and think you could plug in any mythological gods and make a dollar? Or were they just a decade late for the whole Mummy franchise? And then the casting… It’s the Gods of Egypt, not Switzerland. Who the fuck makes a movie about Egyptian gods and casts White people? Yes, Idris Elba was Heimdall in Thor. But he was one, not the star and the majority and most powerful gods were all White. Here only one of the Egyptian gods is Black and none are Arabic and is not the star (and if you need more proof this was probably based on Thor, know that they also have a single Asian in the mix). And the logic is as racist as the casting. You won’t invest $140M in a minority led cast, but you would in Gerard Butler and Nikolaj Coster-Waldau? Are you fucking kidding me!?! They wouldn’t cough up that money for him for the goddamn Olympus is Fallen sequel. And if you didn’t that was sad enough, director Alex Proyas (who has made 1 ½ good movies between The Crow and Dark City) blamed the critics for the hate this film received. Not that it had a bunch of brown people worshiping white people or anything. It was the critics.

YOU KNOW, SHAKESPEARE IN LOVE STILL HOLDS UP
Finally, it’s a good time to be a Jesus-loving movie goer because you have not just Young Messiah, but Rising, which tells the tale of the resurrection of Jesus from the point of view of Roman Soldier sent out to investigate. Of course he’s changed by the experience. If they had any real balls they’d show him catching up to Jesus now living in France with Mary Magdeline under a different name with their kids. I see the name of Joseph Fiennes in this and I wonder how much he misses the 90’s when he had that white-hot moment of fame. And his hairline.

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CLARK KENT’S MOM HAS GOT IT GOING ON…

7 Jul

mrskent

 1. Despicable Me 2/Universal                    Wknd/$  82.5            Total/$ 142.1

 2. The Lone Ranger/Disney                        Wknd/$  29.4            Total/$  48.9

 3. The Heat/Fox                                            Wknd/$  25.0            Total/$  86.4

 4. Monsters University/Disney                   Wknd/$  19.6            Total/$ 216.1

 5. World War Z/Paramount                        Wknd/$  18.2            Total/$ 158.8

 6. White House Down/Sony                        Wknd/$  13.5            Total/$  50.5

 7. Man of Steel/Warners                               Wknd/$  11.4            Total/$ 271.2

 8. Kevin Hart: Let Me Explain/LGF           Wknd/$  10.0            Total/$  17.5

 9. This Is The End/Sony                                Wknd/$   5.8             Total/$  85.6

10. Now You See Me/LGF                              Wknd/$   2.8             Total/$ 110.4

 

SHOULDN’T THIS STAR DAFFY DUCK?

Despicable Me 2 opens at number one and I didn’t care too much for the first one, finding it more style than substance and was going to give this one a pass as a result.  Then I saw that damn commercial with the minions as the Village People doing “YMCA.”  Everyone who came up with that gets a raise because if it got even me into the theater I don’t want to think about how many others followed suit.  Of course that wound up being one of the high points of the movie as this suffers from all the flaws of the first, thinking a few cute jokes and nice style makes up for a complete and utter lack of depth for the characters.  This is why Pixar continues to leave all its competitors in the dust as despite all the cute animation all their films are nothing but character driven. Strip away the fantastic and Monsters University is about two college freshmen.  Strip away the fantastic and Brave is about a mother and daughter.  Strip away the fantastic and Finding Nemo is about a father and son.  What is Despicable Me 2 without the fantastic?  It doesn’t exist.  This time around Gru is a devoted single father having given up super-villainy to start a jam and jelly business and occasionally fending off being set up by other moms in the neighborhood.  He’s approached by The Anti-Villain League to help them catch a new an unknown supervillain and after initially refusing, is prompted to take the job after his head scientist quits because he misses being a bad guy (and hates making jelly) leaving Gru at loose ends.  There’s so much here to play with and all of it goes unused.  That Gru is an eligible bachelor as a single dad is just used for cheap jokes about blowing off the woman trying to set him up and her bad choices.  That Anti-Villain League was nowhere to be seen when Gru was stealing the moon is never broached though it would be funny to point out that super-villains in fact do outmatch the heroes simply by virtue of numbers.  The girls have no personalities other than cute youngest, tomboy middle, and smart eldest. How do you know she’s smart? Because she wears glasses, duh. Not because of anything she actually does. Just when the film looks like it might go somewhere when she discovers boys, it’s only for the blandest type of sitcom humor.  The minions are wisely used to sell this movie because they are the only things worth watching.  Like the penguins in the otherwise mediocre Madagascar movies, they are a jolt of refreshing, anarchistic fun that keeps the film from dying on the table.

 

MOCK WITH US NOW THOSE THRILLING DAYS OF YESTERYEAR

Opening at number two is The Lone Ranger which had disaster written all over it the moment Johnny Depp’s name came up as Tonto and it doesn’t disappoint in being disappointing.  This is one of those movies that makes so many wrong choices you can’t believe no one noticed while they were filming it.  You can’t believe anyone saw this script and EVER thought it was a good idea. I’m assuming there was a script because if we found out there really wasn’t one it actually would explain a lot. The film’s biggest mistake is assuming that we want to laugh at the very idea of The Lone Ranger, that he’s too much of an anachronistic stiff to ever be taken seriously, therefore he must be mocked. He’s basically played as an idiot for most of the movie, starting off with the first scene where he’s basically Jimmy Stewart in the Man Who Shot Liberty Valance, as a tenderfoot lawyer returning to Texas from the east and he just happens to be on the same train where Butch Cavendish is being transported to be hanged. Next to Cavendish? Johnny Depp camping it up as Tonto. Their first meeting as a result of Cavendish’s escape is the first big action scene and is needless drawn out and utterly uninteresting. It’s downhill from there starting with an odd love triangle involving his soon-to-be departed brother and sister-in-law (we learn from Tonto that this time around “Kemo sabe” means wrong brother as the brother who dies is an ass-kicking Texas Ranger) that amounts to nothing. I mean you can’t have a love triangle if one of them is dead in the first act.  It’s so boring it’s boring me to even try and re-account it and I’m questioning wasting yet another second on a movie that already stole 2+ hours from my life. Basically nothing works. Not the script, not the directing, not the acting not even the too little, too late use of “The William Tell Overture.” Somewhere, Klinton Spilsbury whose career crashed and burned in the last attempt at a big screen Lone Ranger movie feels a sense of redemption.

 

BECAUSE PIXAR IS TOO CLASSY TO TELL YOU

The Heat is down to three followed by Monsters at number four and along for the ride this time doing voices are Helen Mirren, Nathan Fillion, Alfred Molina, Dave Foley, Sean Hayes, Bonnie Hunt, John Krasinski, Bill Hader Bobby Moynihan, Charlie Day and of course Pixar mainstay, John Ratzenberger who returns as the Yeti.

 

WAR IS UGLY, BUT YOU DON’T HAVE TO BE

World War Z is down to number five and also in this as the cute Israeli soldier who becomes Brad Pitt’s badass sidekick is Daniella Kertesz who is actually Israeli, meaning at one point she actually was a soldier as service is mandatory. So anyone who tells you that no soldiers look like this doesn’t know what they’re talking about.

 

SECRET SERVICE SCREENINGS NEED WORK

White House Down drops to number six and also in this is James Woods as the traitorous Secret Service Agent about to retire.  Not to be confused with Dylan McDermott from Olympus Has Fallen as the traitorous already retired Secret Service Agent.  Both oddly love their country so much they betray it to start World War III.  Not sure how that works, but at least James Woods’ character has the virtue of a brain tumor to explain why his logic centers aren’t working.  Woods is doing it because of a Middle East Peace treaty he hates.  Dylan McDermott was doing it because no bankers went to jail during the financial crisis. No, I’m not kidding.

 

“CLARK KENT’S MOM HAS GOT IT GOING ON…”

Man of Steel is down to number seven and also in this is Diane Lane as Martha Kent and while she has a very nice moment with Clark as a young boy helping him to navigate his powers by virtue of her love, she spends the rest of the film in lousy old age makeup begging the question, why the hell did you hire Diane Lane to begin with if you were going to do that to her!?!  She’s 18 years older than Henry Caville.  That’s old enough to be his mother without needing to tip the scales with crummy make up.  Again, it’s not just that it was old age makeup, but that it was crummy old age makeup.  Annette O’Toole was perfectly fine (literally) as being Clark Kent’s severely hot mom on Smallville untouched by the makeup artist’s brush.

 

HOW MANY SIZE JOKES ABOUT HIM CAN I MAKE?

Kevin Hart: Let Me Explain opens well (relatively speaking) at number eight and this is when you know you’re one of the “comics of the moment.”  You get a concert film.  The irony here is, if you’re really, really white hot, you actually get an HBO special. More people will actually see you on cable than will actually go to a movie.  So yes, while he has a show on BET and has hosted Saturday Night Live, Kevin Hart isn’t big enough for HBO.  The greater irony is that I won’t see this until it’s on cable, because while I do like Kevin Hart, I’m not making a trip to the movies to see him. Not to mention a little goes a long way with him.  Being short, funny and borderline annoying, he was born to be the wacky sidekick in a movie.

 

THE END

This Is The End is down to number nine, followed by Now You See Me closing out the top ten at number ten.

IT’S FALLEN AND CAN’T GET UP

30 Jun

This_World

 1. Monsters University/Disney           Wknd/$  46.2            Total/$ 171.0

 2. The Heat/Fox                                     Wknd/$  40.0           Total/$  40.0

 3. World War Z/Paramount                Wknd/$  29.8            Total/$ 123.7

 4. White House Down/Sony                Wknd/$  25.7            Total/$  25.7

 5. Man of Steel/Warners                       Wknd/$  20.8           Total/$ 248.7

 6. This Is The End/Sony                       Wknd/$   8.7             Total/$  74.7

 7. Now You See Me/LGF                       Wknd/$   5.5             Total/$ 104.7

 8. Fast & Furious 6/Universal              Wknd/$   2.4            Total/$ 233.3

 9. Star Trek Into Darkness/Par            Wknd/$   3.0            Total/$ 216.6

10. The Internship/Fox                           Wknd?$   1.4             Total/$  41.7

 

IT’LL BE DIFFERENT EXCEPT WHEN IT’S THE SAME

Monsters University holds onto the number one slot and Pixar announced that their new strategy is one year an original film, then the following year a sequel to an original film and so on and so on.  So yeah, the golden age of Pixar pretty much ended how it started: with Toy Story. Number one kicked it off and number three was its beautiful closer. Since then it’s been lesser efforts (Brave) and sequels like Cars 2 and this one, which honestly I prefer to the original, but that’s only because Monsters, Inc. wasn’t one of their A-list films to begin with.  I won’t lie: I’m dying to see Finding Dorry, but I could have lived with just Finding Nemo, which is my absolute favorite Pixar film and proof that not including animated features in the Best Picture category at the Oscars is just Hollywood protecting its own ass, because Pixar would have owned it for years.  No one and I mean not even Pixar itself was hot on a Cars sequel, but the merchandising just made so much money they basically had to, which is sad and that was the beginning of the end. Again, I’ll see an Incredibles sequel, but Ratatouille 2: This Time It’s Roaches is going to have a hard time finding an audience.

 

GLORIA STEINEM WILL UNDERSTAND

The Heat opens strong at number two and while the feminist in me is delighted to see a female led film doing well in the summer where dudes are failing (yes, I’m still laughing at the failure of Vince Vaughn and Owen Wilson) I personally gave it a pass, because I so hated the original, unfunny trailers even though the final batch of commercials contained some genuinely funny moments. Too little, too late.  Oh, and I don’t like Sandra Bullock to begin with so there was that hurdle to overcome and they didn’t get it done.

 

SORRY, GEORGE A. ROMERO, BUT THAT’S HOW I FEEL

World War Z is down to number three and one of my all time favorite science fiction films is The Andromeda Strain, which is basically about scientists trying to fight an alien invasion…of a virus.  Yep, no ships or monsters, just virus from space that wipes out a small town leaving only an infant and an old man alive and they race against the clock to find out how to beat it.  This is why I enjoyed World War Z because it is to zombie movies what that was to alien invasion movies.  I don’t want to call it a “thinking man’s” zombie movie, because it’s still plenty dumb (civilization is collapsing but somehow everyone still has power) but it’s not your typical game of “10 Little Indians” with zombies picking off a group of people one by one.  Ironically, I could still give a crap about The Walking Dead.

 

YEP, IT’S DOWN AGAIN

White House Down opens at a disappointing number three and I honestly don’t understand why. It’s no worse than your average Hollywood action film and certainly better than anything Michael Bay does, not to mention the latest Die Hard movie.  Of course we have to compare this to Olympus Has Fallen, the first “Die Hard In The White House” movie released earlier this year.  It’s better in some ways and worse in others.  Better because the villain is not some evil minority from a nation we could defeat in our sleep and that we’re mercifully spared having to watch the hero’s backstory. Worse in that even without having to watch the hero’s backstory it’s still over two hours long and Roland Emmerich is a shitty director, while Antoine Fuqua knows how to make an action flick.  This follows the Die Hard formula more closely in that Channing Tatum has a woman in his life that he needs to please then save. In this case it’s his 11-year-old daughter, who just so happens to be a political—and specifically Executive Office and very specifically this president—junkie.  The president is played by Jamie Foxx who is still…Jamie Foxx and while you could buy Aaron Eckhart being the president, Jamie Foxx is something else again. Also the president’s son plot line in Olympus Has Fallen was so useless you wonder why it was even there. Here Channing Tatum’s daughter is a vital part of the story for better or worse.  It’s a matter of personal taste whether or not the relatively bloodless carnage of White House Down is better than the full on R-rated violence of Olympus Has Fallen.  I’m good either way, but I’m pretty sure when this kind of thing happens there’s a lot more cursing.  There are also fewer wasted actors here. While you know Angela Bassett, Morgan Freeman, Aaron Eckhart, etc all could and should be doing better things than Olympus Has Fallen, but with the exception of Maggie Gyllenhaal you know pretty much everyone else here is right where they belong.  The stories are basically the same: bad guys take the White House with some help from within (apparently no one retires gracefully from the Secret Service) with stupefying ease, the president get lectured how he’s actually betrayed the nation and the ex-solider now a cop in DC is the rogue element who steps in to save the day.  Channing Tatum is much more appealing as the younger man trying to save his daughter than Gerard Butler was as the older man looking for redemption.  Also, it’s a buddy film so he doesn’t have to carry the full weight on his shoulders. It works for me because a little Jamie Foxx goes a long way. Plus, as president he has to play the straight man so he’s less Jamie Foxx than usual (in case you haven’t guessed I’m not a fan).  Both films are ridiculous and require massive suspensions of disbelief (one wants you to believe you could take the White House without an army while the other wants you to believe that one was imported from Korea without being noticed), but White House Down, coming from the man who brought you Independence Day of course has to kick it up to 11 with a high speed chase. On the White House Lawn.  In circles around the fountain.  Yeah. That pretty much sums this movie up.

 

A ROSE BY ANY OTHER NAME…

Man of Steel, which is down to number five this week is like World War Z in that the only thing this it has in common with the source material is the name.  The difference being if they’d called World War Z something else it would still be a decent movie, but even if you’d called Man of Steel  “Ultraman” or “Stupendousman” it would still be a bad movie. It’s not just a failure to understand the source material, it’s just a flat out bad execution. The film is overlong, joyless and ends in an orgy of CGI for the sake of it and not much else.  Yes, I’m going to rip on it until it goes away because so long as this damn movie is in the top ten I’m unable to wear any of my 20 Superman T-shirts because if I do I’ll have to talk about it to strangers every time I go out! Seriously, you’d think I was the first person they’d ever seen in a Superman t-shirt.

 

YOU TOO, CHELSEA HANDLER!

This Is The End is down to number six and looking at this and seeing all the cast members is like a party of all the coolest kids in high school, so if you’re not in it, then you’re nobody.  In this case the high school is the world of comedy, so take a hint, Whitney Cummings.

 

BACK TO THE FUTURE

Now You See Me is down to number seven with Fast & The Furious 6 still here at number eight and with us for the last time is Sung Kang, as Han Seoul-Oh. Seriously, that’s his name.  If you stick around after the credits the final scene is his demise in Tokyo Drift setting up the next film with a surprise guest star who is no stranger to movies about cars. Yes, that means. Fast & The Furious 4, 5 and 6 ALL took place before number three.  And now Vin Diesel’s appearance at the end of Tokyo Drift now will formally tie into 7.  The only question is will the stars of Tokyo Drift now finally be able to tap into some of this F&F sequel money?  Apparently Lil Bow Wow needs a check from what I hear?

 

SPACE ADVENTURE II: THE RETRIBUTION OF BAHN

Star Trek Into Darkness is down to number nine so let’s go through the numbers. It had a $190M budget and the basic rule of thumb is that due to marketing costs you need to make twice your budget to break even and 3x your budget to turn a profit theatrically.  It’s hit $438M worldwide so breaking even is assured, but it’s not even going to come close to the $570M needed to turn a profit theatrically.  That will probably come from Pay-per-view and DVD sales.  The only upside here is JJ Abrams is now gone to screw up Star Wars so maybe the next Star Trek movie might actually be a Star Trek. As it stands if you called these movies “Space Adventure” they wouldn’t be awful, but they are failures as Star Trek films.

 

THE SCHADENFREUDE

Finally, The Internship closes out the top ten at number ten and yes, I’m still laughing at its abject failure.