Tag Archives: Transcendence

BITCHES BE CRAZY THE MOVIE

27 Apr

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1. The Other Woman/Fox                                  Wknd/$ 25.7      Total/$ 24.7
2. Captain America: The Winter Soldier        Wknd/$ 16.1       Total/$ 224.9
3. Heaven is for Real/TriStar                            Wknd/$ 13.7      Total/$ 51.9
4. Rio 2/Fox                                                          Wknd/$ 13.7      Total/$ 96.2
5. Brick Mansions/Relativity                            Wknd/$ 9.6        Total/$ 9.6
6. Transendence/Warners                                 Wknd/$ 4.1        Total/$ 18.5
7. The Quiet Ones/LGF                                      Wknd/$ 4.0        Total/$ 4.0
8. Bears/Disney                                                   Wknd/$ 3.6        Total/$ 11.2
9. Divergent/LGF                                                Wknd/$ 3.6        Total/$ 139.5
10. A Haunted House 2/ORF                            Wknd/$ 3.3        Total/$ 9.1

AMIRITE FELLAS? THE MOVIE
The Other Woman opens at number one and this is some sadness right here. A movie about three attractive women whose only focal point in life is getting back at some dude? Really? Even The First Wives Club was at least partially about trying to move on, with living well being the best revenge, not you, know actual freaking revenge. And these were actual wives with a lifetime of a investment including kids, whereas two of these three are just girlfriends, who had to be dumb as rocks for him to as unavailable as he was not to have noticed something was amiss. I swear this movie was made by a bunch of dudes who’d never met a woman in their lives and wanted an excuse to meet Cameron Diaz and Kate Upton. Sorry, Leslie Mann, but that’s just how it is. Your first clue was being offered the wife role and not either of the girlfriends. And honestly this is a Cameron Diaz joint. It’s another feather in her cap to have success with an utterly crappy movie wherein she is clearly the biggest star.

FATHER TIME, UNDEFEATED
Captain America: The Winter Soldier is down to number two and can we talk about how much it hurts to see Robert Redford so visibly old onscreen? Well, it does. Kinda makes you glad Sean Connery retired before he got to the point where he looked frail so you can still remember him as somewhat vibrant. And it’s not like Redford has action scenes. He’s just stands there and talks and still he looks a tad thin. Heavy sigh. And yes, there’s a scene where you see a bottle of Paul Newman’s Salad Dressing behind him, so they’re reunited one more time.

TURN THE OTHER CHEEK MY ASS
Heaven is For Real is down to number three, but is still making waves as success due to a $51M return on a $12M budget. I’d make joke about that’s typical for films about the supernatural, but I don’t want those Christians coming after me. They’re scary and ironically unforgiving.

IT ALL COMES BACK TO MY COMIC BOOK COLLECTION
Rio 2 is down to number four and returning as the voices to keep their names in the game without having to expend too much effort are Anne Hathaway and Jessie Eisenberg. It’s a win-win situation. They get a hit without necessarily being openly tied to it if it fails. But you know it’s killing Anne Hathaway that she’s in this and not Frozen. Killing. Her. And because I’m a geek I have to point out that she played Catwoman and he’ll be playing Lex Luthor.

SOME THINGS JUST DON’T TRANSLATE
Brick Mansions opens at number five and this is a remake of a French film called District B13, from the same producers who realized that Americans won’t even watch an action movie in another language. Even grunts have to be in English. It’s the final completed film from Paul Walker as he died before Fast & The Furious 7 could be finished. That kinda puts a damper on it for me (whereas the darker theme of The Crow was only unaffected by Brandon Lee’s death but maybe even enhanced by it), not that I’d have seen it anyway mainly because I find parkour—the French activity (it’s not a sport) of acrobatically jumping on, off and around buildings—pretty stupid and that’s actually the selling point of the original. All I can think about is the massive amount of undue stress they’re putting on their joints with all that jumping on concrete. Concrete is so unyielding it’s actually better for you to run on the street, because asphalt has more give.

IT’S NOT OFFICIAL UNTIL CHRISTOPHER LEE SHOWS UP
Transcendence is down to number six followed by The Quiet Ones opening at number seven and this is disappointing in more ways than one because this is the first film from the newly revived Hammer Films, who brought back as type of classic horror in the early 60’s (after a decade of science fiction monsters in the 50’s) by adding blood and cleavage. Honestly, I couldn’t tell you why the same people who went to see Oculus or Paranormal Activity gave this a pass. It falls squarely under my “I don’t do the scary rule” but how those people that do pick and choose is totally beyond me. I’m sure the makers of this are scratching their heads as well.

BUY AN SUV AND SAVE THE BEARS!
Bears is up to number eight and I just find all nature documentaries depressing now knowing we’re basically killing the planet. Then I remember we aren’t really killing the planet so much as killing our ability to live on it and once we’re dead all the animals that survive us will live happily ever after. So ironically, if you love animals you shouldn’t do anything to you’re supposed to do to protect them because that stuff is killing us too!

WHO MISSES THE 00’S ALREADY? PART 1.
Divergent is down to number nine with A Haunted House closing out the top ten at number ten having made more than 3x its budget, so there’ll probably be a third one. Also in this is Jamie Pressly, best known to most of you as Joy, the mean ex-wife on My Name Is Earl, but my first awareness of her came from the sequel to Poison Ivy that nobody wanted. She spent most of her life training as a gymnast and nowhere is it I more evident than in one of my favorite guilty pleasures: DOA: Dead or Alive. Or as I call it “Camel Toe Kung Fu.”

VISIT:

The Original: Angrygeek.com

The Pictures: FormerBoyWonderPhoto.com

GIRL YOU’LL BE A WOMAN…ONE DAY

20 Apr

blackwidows 1. Captain America: The Winter Soldier        Wknd/$ 26.6     Total/$ 201.5
2. Rio 2/Fox                                                         Wknd/$ 22.5     Total/$ 75.4
3. Heaven is for Real/TriStar                           Wknd/$ 21. 5     Total/$ 28.5
4. Transendence/Warners                                Wknd/$ 11.2      Total/$ 11.2
5. A Haunted House 2/ORF                             Wknd/$ 9.1        Total/$ 9.1
6. Draft Day/LG                                                  Wknd/$ 5.9        Total/$ 19.5
7. Divergent/LGF                                                Wknd/$ 5.8       Total/$ 133.9
8. Oculus/Relativity                                           Wknd/$ 5.2        Total/$ 21.0
9. Noah/Paramount                                           Wknd/$ 5.0        Total/$ 93.3
10. God’s Not Dead/Free                                   Wknd/$ 4.8       Total/$ 48.3

THERE’S JUST NO PLEASING A GEEK
Captain America: The Winter Soldier holds onto the number one slot for the third week, which is great for me because I’m a Cap fan, but sad for me because I think this success should have been for a better Cap movie. I’m also not thrilled that this cements Scarlett Johansson as the Black Widow. Yeah, I know this is the third time she’s played the role, but she’s still horribly miscast. The Black Widow is a woman, not a girl and even though she’s 30 now, ScarJo (as she hates to be called) still looks like a girl and I’m supposed to buy her as the best spy in the world (which is what she’s referred to in the comics). It’s still painful to think that Emily Blunt was in consideration for this role and we got stuck with someone who was cast for obvious reasons (blonde hair, boobs). It’s not to say she doesn’t make a decent sidekick. She is and gets some great lines, most of them at the expense of Captain America whom she gently teases throughout the film, but she’s just not The Black Widow as shown in Marvel Comics for the last 50 years. Now, if they made her the character in the comics who was the successor to The Black Widow, using her name and who was in fact a young blonde, the angrygeek in me would be fine with that. But they didn’t so I’m not. Grrrrrrr….

GET IT?
Rio 2 holds at number two and it’s still too little too late for me to see or care about it.

GUESS WHO MISSES THE FIRST DECADE OF THIS CENTURY?
It’s somehow fitting that Heaven is For Real is opening at number three in front of Transcendence at number four because “transcendence” is achieving at type of heaven, no? The former is just the latest in a stream of Christian movies that its target audience is only too happy to turn out and support, turning a profit almost immediately in defiance of all reviews. What’s surprising is that Greg Kinnear is in this one, as these movies are usually for no-name actors or those who need work and are in no position to be picky. While Kinnear is far from his glory days as an Oscar nominee (utterly undeserved for his stereotypical portrayal of a gay man) he still manages to be enough of a name to get cast as a male lead in A-list films and on television. How is a mystery, given he hasn’t be in a hit since Baby Mama which was a Tina Fey/Amy Poelher success. He was just the guy lucky enough to be in it. Yeah, he was in Anchorman 2, but no one saw it for him. Same for this film. It’s a success, but he has nothing to do with it. The failure of Rake is closer to reality. It’s also becoming a reality for Johnny Depp who hasn’t had a hit without special effects, Tim Burton or a pirate hat since Finding Neverland in ’04 and now even with special effects (The Lone Ranger and this) and Tim Burton (Dark Shadows) it’s slim pickings so look for him to put that pirate hat back on in the next 15-20 minutes. In fact, he’s the main reason I didn’t bother seeing this. I likes me some science fiction and have no problem the trope of the scientist who loses his humanity when he achieves some degree of omnipotence of omniscience, so I was ripe for this. Honestly, it’s the casting of Johnny Depp that put me off. I have such a dislike of him that even with commercials every day I still didn’t remember it opened this weekend. It seems many people felt the same. I, for one, have been insisting for years that the Emperor of Cool has no clothes but now that he’s openly the pathetic stereotype of a middle-aged man, hooked up with a 20-something former model now actress (who was gay before Depp, so make of that what you will), others are seeing it as well. Such a shame too, as there’s no shortage of good actors I do like in it from crusty old Morgan Freeman to relatively fresh and new Kate Mara and people like Paul Bettany, Cole Hauser (how is this man not as star) and Cillian Murphy in between.

SEIZING THE MEANS OF PRODUCTION
A Haunted House 2 opens at number five and this is the franchise that spun out of the Scary Movie franchise when the Wayans family realized that even though they launched it, they didn’t own it and decided to just make their own and keep all the money. And given the first Haunted House basically went head-to-head with Scary Movie 5 and made about the same but at literally 1/10 the cost, I’d say it was a wise decision. Releasing this in April rather than October? Now that decision I question. But it only cost $4M and already made $9M so clearly the Wayans family knows more than I do.

SUPERMAN FAMILY
Draft Day is down to number six and also in this is none other than Tom Welling, who played Clark Kent on the show Smallville, not to mention Frank Langella who played Perry White in Superman Returns. I like to think they both looked at Costner with pity for being in Man of Steel. And all three of them looked at Jennifer Garner with pity for being in Daredevil and Elektra.

YOU AIN’T JENNIFER LAWRENCE YET, GIRL
Divergent is down to number seven and even with a $200M+ worldwide box office, this isn’t a rock solid franchise success, given it had an $85M budget. Even by conservative estimates, it’s gonna have to hit at least $255M, which seems less and less likely as we approach the summer releases.

GOD COULD MAKE IT RAIN ON THE BOX OFFICE JUST A BIT MORE
Oculus is down to number eight and it’s already turned a profit so the producers could care less as they prep Oculus 2, while Noah—down to nine—faces the same issue as Divergent in that it cost so much, it’s$290M box office still isn’t enough to be profitable.

NO, BUT THIS FINALLY IS
Finally God’s Not Dead closes out this very Christian friendly top ten.

VISIT:

THE ORIGINAL SITE

THE PICTURES