Tag Archives: smallville


20 Apr

blackwidows 1. Captain America: The Winter Soldier        Wknd/$ 26.6     Total/$ 201.5
2. Rio 2/Fox                                                         Wknd/$ 22.5     Total/$ 75.4
3. Heaven is for Real/TriStar                           Wknd/$ 21. 5     Total/$ 28.5
4. Transendence/Warners                                Wknd/$ 11.2      Total/$ 11.2
5. A Haunted House 2/ORF                             Wknd/$ 9.1        Total/$ 9.1
6. Draft Day/LG                                                  Wknd/$ 5.9        Total/$ 19.5
7. Divergent/LGF                                                Wknd/$ 5.8       Total/$ 133.9
8. Oculus/Relativity                                           Wknd/$ 5.2        Total/$ 21.0
9. Noah/Paramount                                           Wknd/$ 5.0        Total/$ 93.3
10. God’s Not Dead/Free                                   Wknd/$ 4.8       Total/$ 48.3

Captain America: The Winter Soldier holds onto the number one slot for the third week, which is great for me because I’m a Cap fan, but sad for me because I think this success should have been for a better Cap movie. I’m also not thrilled that this cements Scarlett Johansson as the Black Widow. Yeah, I know this is the third time she’s played the role, but she’s still horribly miscast. The Black Widow is a woman, not a girl and even though she’s 30 now, ScarJo (as she hates to be called) still looks like a girl and I’m supposed to buy her as the best spy in the world (which is what she’s referred to in the comics). It’s still painful to think that Emily Blunt was in consideration for this role and we got stuck with someone who was cast for obvious reasons (blonde hair, boobs). It’s not to say she doesn’t make a decent sidekick. She is and gets some great lines, most of them at the expense of Captain America whom she gently teases throughout the film, but she’s just not The Black Widow as shown in Marvel Comics for the last 50 years. Now, if they made her the character in the comics who was the successor to The Black Widow, using her name and who was in fact a young blonde, the angrygeek in me would be fine with that. But they didn’t so I’m not. Grrrrrrr….

Rio 2 holds at number two and it’s still too little too late for me to see or care about it.

It’s somehow fitting that Heaven is For Real is opening at number three in front of Transcendence at number four because “transcendence” is achieving at type of heaven, no? The former is just the latest in a stream of Christian movies that its target audience is only too happy to turn out and support, turning a profit almost immediately in defiance of all reviews. What’s surprising is that Greg Kinnear is in this one, as these movies are usually for no-name actors or those who need work and are in no position to be picky. While Kinnear is far from his glory days as an Oscar nominee (utterly undeserved for his stereotypical portrayal of a gay man) he still manages to be enough of a name to get cast as a male lead in A-list films and on television. How is a mystery, given he hasn’t be in a hit since Baby Mama which was a Tina Fey/Amy Poelher success. He was just the guy lucky enough to be in it. Yeah, he was in Anchorman 2, but no one saw it for him. Same for this film. It’s a success, but he has nothing to do with it. The failure of Rake is closer to reality. It’s also becoming a reality for Johnny Depp who hasn’t had a hit without special effects, Tim Burton or a pirate hat since Finding Neverland in ’04 and now even with special effects (The Lone Ranger and this) and Tim Burton (Dark Shadows) it’s slim pickings so look for him to put that pirate hat back on in the next 15-20 minutes. In fact, he’s the main reason I didn’t bother seeing this. I likes me some science fiction and have no problem the trope of the scientist who loses his humanity when he achieves some degree of omnipotence of omniscience, so I was ripe for this. Honestly, it’s the casting of Johnny Depp that put me off. I have such a dislike of him that even with commercials every day I still didn’t remember it opened this weekend. It seems many people felt the same. I, for one, have been insisting for years that the Emperor of Cool has no clothes but now that he’s openly the pathetic stereotype of a middle-aged man, hooked up with a 20-something former model now actress (who was gay before Depp, so make of that what you will), others are seeing it as well. Such a shame too, as there’s no shortage of good actors I do like in it from crusty old Morgan Freeman to relatively fresh and new Kate Mara and people like Paul Bettany, Cole Hauser (how is this man not as star) and Cillian Murphy in between.

A Haunted House 2 opens at number five and this is the franchise that spun out of the Scary Movie franchise when the Wayans family realized that even though they launched it, they didn’t own it and decided to just make their own and keep all the money. And given the first Haunted House basically went head-to-head with Scary Movie 5 and made about the same but at literally 1/10 the cost, I’d say it was a wise decision. Releasing this in April rather than October? Now that decision I question. But it only cost $4M and already made $9M so clearly the Wayans family knows more than I do.

Draft Day is down to number six and also in this is none other than Tom Welling, who played Clark Kent on the show Smallville, not to mention Frank Langella who played Perry White in Superman Returns. I like to think they both looked at Costner with pity for being in Man of Steel. And all three of them looked at Jennifer Garner with pity for being in Daredevil and Elektra.

Divergent is down to number seven and even with a $200M+ worldwide box office, this isn’t a rock solid franchise success, given it had an $85M budget. Even by conservative estimates, it’s gonna have to hit at least $255M, which seems less and less likely as we approach the summer releases.

Oculus is down to number eight and it’s already turned a profit so the producers could care less as they prep Oculus 2, while Noah—down to nine—faces the same issue as Divergent in that it cost so much, it’s$290M box office still isn’t enough to be profitable.

Finally God’s Not Dead closes out this very Christian friendly top ten.





29 Apr

1. Think Like a Man/SGem                             Wknd/$  18.0            Total/$  60.9

2. The Pirates! Band of Misfits/Sony            Wknd/$  11.4             Total/$   11.4

3. The Lucky One/Warners                            Wknd?$  11.3              Total/$  39.9

4. The Hunger Games/LionsGate                  Wknd/$  11.3             Total/$ 372.5

5. The 5 Year Engagement/Universal           Wknd/$  11.2             Total/$   11.2

6. Safe/Lion’s Gate                                            Wknd/$    7.7            Total/$     7.7

7. The Raven/Relativity                                    Wknd/$    7.3            Total/$     7.3

8. Chimpanzee/Disney                                      Wknd/$    5.5            Total/$   19.2

9. The Three Stooges/Fox                                 Wknd/$    5.4            Total/$   37.1

10. The Cabin In The Woods/LionsG              Wknd/$    4.5            Total/$   34.7


Think Like A Man holds at number one, which is shocking ‘cause usually when a Black film opens big at number one it drops like a rock the following week.  Whoever chose this release date is getting a raise, because they guessed right about the competition. “Look, people are gonna be tired of watching that girl kill people, claymation scares kids as much as it attracts them, Nicholas Sparks is the same-old-same-old and are you kidding me with a movie about the Three Stooges?  We could own this bitch!”  This is the person you take with you to Vegas.


The Pirates! Band of Misfits opens at number two and honestly this has taken so long to come out I thought it was actually a sequel to itself.  Seriously, haven’t they been advertising this for six months?  This comes from the people who bought you Wallace & Gromit, one of those English comedies that certain friends of yours swear by but then you watch it and wonder what the fuck is wrong with them (also on this list Faulty Towers and anything with Rowan Atkinson).  Part of the problem is they seem unconcerned that their stop-motion animation figures are ugly, but then again they are English so perhaps in their minds this is attractive.


The Lucky One is down to number three and one constant in all the Nicholas Sparks movies is that a surprisingly talented actor shows up as the parent of one of the characters, clearly slumming it.  This time it’s Blythe Danner.  In The Vow it was Jessica Lange and Sam Neil. In The Notebook it was my fave, Joan Allen and none other than Paul Newman was Kevin Costner’s dad in Message in A Bottle (in a reversal James Franco shows up as Richard Gere’s son in Nights in Rodanthe).  What’s funny is that each one was probably convinced by their agents due to the presence of those before them.  “Hey, who are you to turn down what Paul Newman did? You think you’re special!?!”


The Hunger Games is down to number four, followed by The Five Year Engagement at number five and I get that Jason Segel is more the “everyman” type of lead but you know what? I don’t go to the movies to see “the everyman” and instantly knew I wouldn’t be seeing this.  He, Seth Rogen and Jonah Hill are polluting my movie screens far too much as leading men and I fully support the movie exec who told him to lose some fucking weight to play Emily Blunt’s love interest.  All three of them have had to deal with slimming down and while it may seem unfair it’s only a taste of what women deal with daily and there are still lots of fat guys onscreen with women much too hot for them so it’s hardly a step forward.  Not mention losing weight doesn’t make you better looking and they’re still getting paired with hot women so no tears for them.


Safe opens at number seven and this is the best Jason Statham action movie in a long time, but opening poorly and Statham has no one but himself to blame by trying to get gritty and serious recently with the far-too-dour Killer Elite and The Mechanic.  He built his rep on fun action movies like The Transporter and Crank not movies where there’s no room for wisecracks when you snap a bad guy’s neck. Not to mention there’s just too many with little-to-no difference in them because Statham refuses to go outside his wheelhouse and do science fiction because he hates greenscreen (you know his agent’s losing his mind over that).  So it’s understandable that people decide they’ll skip one comfortable that they’re not missing anything, but in this case they’re wrong.  Not that this is a great movie. Oh, no.  But it’s great in its use of all the cheesy things we love about action movies.  The aforementioned wisecracking, seriously illogical plot points (Statham is being punished by the Russian mob who are willing to expend the time and energy to kill every one he’s nice to instead of just killing him), painfully expository dialogue from more talented actors like Chris Sarandon and Robert John Burke who actually seem embarrassed about having to say it and the unstoppable action lead who never misses a shot while bullets fly around him.  Bear in mind this comes from the guy who wrote Prince of Persia and Dirty Dancing 2 so you’re clearly in cheese country.  But all movies are clichés so it’s more a matter of how effectively you use them and this one does a pretty good job with a few interesting touches.  For example, the movie begins initially with a series of flashbacks between Statham and the small girl upon their first meeting in a subway. It’s a tad clumsy at first, but actually manages to build up some degree of momentum and suspense so when they finally meet it appropriately kicks into high gear.   And there’s unexpected and actually very clever twist at the end I won’t spoil for you.  If Boaz Yakin—who wrote the equally entertaining 80’s low-budget Punisher movie and once had the chance to ruin Batman —can continue along these lines he might finally become a decent action auteur.


Opening at number seven is The Raven and the idea of Edgar Allen Poe who created the detective story having to solve a crime isn’t a bad one. It’s just when they decided to make the crimes come from his novels that they screwed up.  This has been done before with writers but the one thing they got right that this missed is that it’s usually an adventure that happens beforehand that inspires the work. This looked far too much like Se7en and I’m sure it’s no coincidence, which brings forth the other problem. The “hook” is watching people being killed by various horrible methods from Poe’s work, which means for most of the movie Poe has to fail!  Otherwise you don’t get to see the various gruesome deaths.  Again, who wants to see a movie where the hero spends most of the time not catching the villain while he covers the screen in blood?  Oh, yeah. You fucking morons who loved Se7en.  Poor John Cusack (the Ryan Gosling of Gen X). He’s seemingly been wandering in the wilderness for a few years now (High Fidelity was in 2000).  This will only  serve to continue it.


Chimpanzee is down to number eight, followed by The Three Stooges at number nine and also in this is the “hot” model of the moment, Kate Upton and for the love of god, please stop saying she’s “curved.” She’s a skinny girl with big tits.  Aside from them her body is a straight line that needs poses and Photoshop to prevent her from looking like a 10-year-old boy with tits.  Now genuinely curved is Sofia Vergara who is also in this (marketing fail for not emphasizing them both and maybe some concerns about casting requirements) and her appearance on Saturday Night Live showed her comic skills on Modern Family are no fluke.  She’s got the chops and hopefully will move on to better work, far away from people like The Farrelly Brothers who directed this in what is almost a comeback for them both critically and financially.


Finally, The Cabin in The Woods closes out the top ten at number ten and I stand corrected. A fellow geek has pointed out this isn’t an abandoned episode of Buffy, but in fact pretty much a remake of one of the episodes: “Restless” the season four finale. I couldn’t tell you. I loved Buffy, but once it went up against Smallville there was no choice as to where my loyalties lay.  The irony being, despite the comparisons to Dawson’s Creek, Smallville was actually little more than Buffy with the Superman mythos laid over it.  A superpowered teen (Buffy/Clark) and their buddies (Willow & Xander/Pete & Chloe) battle villains who are metaphors for teen anxieties (a literally predatory older woman/a girl whose eating disorder causes her to suck the life out of people) in their small town (Sunnydale/Smallville) and the cause is a common source (The Hellmouth/radiation from kryptonite over 16 years).  This has been your geek observation of the day.