Tag Archives: Noah Baumbach


13 Apr

1. Furious 7/Universal Wknd/$ 60.6 Total/$ 252.5
2. Home/Fox Wknd/$ 19.0 Total/$ 129.6
3. The Longest Ride/Fox Wknd/$ 13.5 Total/$ 13.5
4. Get Hard/WB Wknd/$ 8.6 Total/$ 71.2
5. Cinderella/Disney Wknd/$ 7.2 Total/$ 180.8
6. The Divergent Series: Insurgent Wknd/$ 6.9 Total/$ 114.8
7. Woman in Gold/Weinstein Wknd/$ 5.9 Total/$ 9.3
8. It Follows/RTWC Wknd/$ 2.0 Total/$ 11.8
9. Danny Collins/BST Wknd/$ 1.6 Total/$ 2.5
10. While We’re Young/A24 Wknd/$ 1.4 Total/$ 1.4

Furious 7 holds at number 1 and in addition to Tony Jaa the other martial artist in this is MMA Champion, Ronda Rousey. Like Jaa she has to pretend that her opponent wouldn’t be toast in 30 seconds. Just as Paul Walker’s character suddenly became a master of hand-to-hand combat, Michelle Rodriguez’s character also developed martial skills. Not only does she take on Rousey, but a team of female Arab bodyguards before that. And in the previous installment she took on Gina Carano. But like Carano and Tony Jaa and Bruce Lee before her Rousey clearly made it part of her deal that she wasn’t going to lose in a straight-on fight to some actor. Yes, Jaa loses, but not because Walker punches him out or anything. Similarly, Rousey’s fight with Rodriguez ends in a draw, which is good, because if my eyes had rolled back any further in my head I’d have seen my own brainstem. But don’t get me wrong. I am perverse enough to enjoy a good chick fight and I’m not alone considering this was twice as long as the Carano fight. Though the fact they were in evening gowns is clearly someone else’s fetish. Seriously, you just know that’s his kink because he views it as some kind of clever irony. It’s not.

Home holds at number two, followed by The Longest Ride opening at number one and the most notable thing about this is that the male lead is Scott Eastwood. Yes, it’s his son, if you couldn’t tell simply by looking at him. Now I will give him credit for at least attempting a career without using his famous name (he used his mother’s surname), but he quickly realized that it’s stupid not to use every advantage you have. Especially when you actually like your dad unlike say, Angelina Jolie Voight. But let’s face it, if a name really did anything for you, Tyrone Power Jr. would have been a giant star, as would Jennifer Grant (yes, Cary Grant’s daughter). And do we have to once again bring up the sad story of the other son of Kirk Douglas who was an actor? Not everyone can be Jeff and Beau Bridges either. Needless to say the simple fact it’s based on a Nicholas Sparks novel guarantees this a place on the crap list, but I’ll never know because I will never, ever see it. In fact, I’m still angry I was tricked into seeing The Notebook (and by “tricked” I mean a really pretty girl I knew named Jennifer wanted to see it). But being in one has never hurt a career if you’re young (Ryan Gosling, Rachel McAdams, Channing Tatum, Miley Cyrus, Amand Seyfried), so it’s a smart move on his part. Another smart move is getting into a comic book movie. Learning that he’s going to play Steve Trevor actually made me interested in a Wonder Woman movie for the first time.

Get Hard is down to number four, followed by Cinderella at number five and yes, they are making live action versions of everything now, including Winnie The Pooh and Dumbo. Now, Pinocchio I get, because that has been made into live action features before, but Winnie The Pooh and Dumbo? Why!?! Simply because CGI means you can doesn’t mean you should. May god have mercy on their money grubbing souls…which they clearly gave up long ago.

The Divergent Series: Insurgent is down to number six and let’s rundown the adult cast in this thing: Oscar winner Kate Winslet, Oscar winner Octavia Spencer, two time Oscar nominee Naomi Watts, Ashley Judd, Ray Stevenson, Maggie Q, Tony Goldwyn, Daniel Dae Kim and Mekhi Phifer. Remember when he played the male lead to Beyonce in MTV’s version of Carmen? Me neither. Though judging by his size on House of Lies last season, brutha hasn’t missed many meals.

The Woman in Gold holds at number seven and also in this is…Katie Holmes? Well, it makes sense given this is little more than a TV movie that escaped into theaters, though the smart move would have been to be an adult in one of the YA novel film adaptations. I also recommend taking that “hot mom” role on a TV show. After all, it’s where you began. Dawson and Pacey have already accepted their small screen fates. Time to join them, Joey.

It Follows is down to number eight and yes, I still refuse to see this.

Entering the top ten at number nine is Danny Collins, which is based on the true story of a folk singer to whom John Lennon once wrote a letter of encouragement, but since no one really gives a crap about a folk singer, the movie makes it a rock singer and if you’re having trouble seeing Al Pacino as an aging rock singer, come sit right next to me. Yes, he was the same age as John Lennon, but still it doesn’t seem to fit. That said, the movie follows this fictional character who like the real life folk singer never received the letter until 40 years later and it makes him reevaluate his life. Honestly, though I still don’t give a crap about folk singing, I’m more interested in how the real life guy handled it, not this clichéd story of about a man trying to re-connect with the son he’s basically ignored for almost 40 years. Not helping is that his growth is also indicated by him dumping his 20-something girlfriend and becoming more interested in the older manager of the hotel where he’s staying, played by Annette Benning. Pacino is 74. Benning is 56. That’s not age appropriate. Not even close. God forbid you give an actress his age a job. Last I heard Julie Christie is still working. How about giving her some fucking work?

Speaking of age appropriate casting, Ben Stiller is forced to submit to it in While We’re Young, entering the top ten at number ten, since age is kinda the focus of the movie. It’s about two 40-somethings played by Stiller and Naomi Watts (two movies in the top ten this week) who reevaluate their lives after striking up a friendship with two 20-somethings, played by Amana Seyfried and the actor, Adam Driver, who plays Hanna’s creepy boyfriend, Adam, on Girls. This is from writer/director, Noah Baumbach (whom I’ve loved since Kicking & Screaming) who’s banging a 20-something in real life while getting divorced from Jennifer Jason Leigh so like most of his work it’s drawn from his real life. I’m not going to say what’s keeping me from seeing this is because it strikes a little too close to home (not the banging a 20-something part), because it’s not. I’m just lazy. That’s the real reason.






1 Dec

hemsworths 1. The Hunger Games: Mockingjay Pt.1   Wknd/$ 56.9   Total/$ 225.7
2. Penguins of Madagascar/Fox                Wknd/$ 25.8   Total/$ 36.0
3. Big Hero 6/Disney                                   Wknd/$ 18.8   Total/$ 167.2
4. Interstellar/Paramount                          Wknd/$ 15.8    Total/$ 147.1
5. Horrible Bosses 2/WB                             Wknd/$ 15.7    Total/$ 23.0
6. Dumb and Dumber To/Universal         Wknd/$ 8.3     Total/$ 72.2
7.The Theory of Everything/Focus            Wknd/$ 5.1      Total/$ 9.6
8. Gone Girl/Fox                                           Wknd/$ 2.5      Total/$ 160.8
9. Birdman/FoxS                                           Wknd/$ 1.9      Total/$ 17.2
10. St. Vincent/Weinstein                            Wknd/$ 1.8      Total/$ 36.6

The Hunger Games: Mockingjay: Pt 1 holds the stop spot and also in this is the other Hemsworth, Liam. So that’s two brothers with major franchises (there’s a third brother, but he ain’t pretty so I hope he has modest goals). The difference being this one is coming to an end and there’s no separate franchise for him for this character. He’s gonna have to go out and get a job. He was in the first Expendables movie, but was killed off almost immediately, but given how that crashed an burned by actually trying to go younger he may have dodged a bullet there, not to mention enjoying the sweet taste of schadenfreude. It’s never too early in you career to take a swig.

Penguins of Madagascar opens at number two and I hated Madagascar. It was typical, uninspired DreamWorks product, which means all cute surface with celebrity voices and ultimately neither heart nor soul. The best parts of it were the Penguins, who were manic and inspired in a way no other part of the film was. While I refused to put myself through the sequel just to see them again I did wind up getting trapped on a bus where Madagascar 3 was playing…and I have to admit I found it delightfully silly and irreverent in away the previous film (and probably its sequel had lacked). Wondering why, I checked the credits and found a noticeable difference. Co-writer and co-director Tom McGrath was no longer writing and instead the duties had gone to none other than indie darling, Noah Baumbach. Also added as a director was Conrad Vernon. I think that makes it clear who was the problem because Eric Darnell, who has been co-director on every film is still here, neither he nor McGrath is credited as writer, which is the other clear problem. No, it doesn’t get nearly as weird as Madagascar 3 (I’m gonna say it once: cross-dressing tiny dogs with Cockney accents), and now they are burdened with teaching a lesson about love and family which normally fell to the other characters, but it is still as frantic and as irreverent in the way that made the Penguins the best part of every movie. Let me put it his way: Warner Herzog shows up as a voice here. You can’t get more irreverent than freaking Warner Herzog voicing a kids animated film. That they even reached out to him says it all. No, it’s not Pixar but not everything can be steak. Sometimes you just want a good burger and this is a good burger.

Big Hero 6 is down to number three and much in the way the Asian returns saved Pacific Rim, I’m dying to see how this does in China and Japan given its primary characters and overall subject matter. We may like robots here, but they love them over there. Not to mention Kung Fu Panda did well in China to the point they were complaining why the idea hadn’t come to them first. And the only place Kung Fu Panda 2 did better than the US was China. Not that it’s doing badly here. It’s actually doing better than Wreck-It Ralph did two years ago and has already made budget in the US.

Speaking of international returns, Interstellar is up to almost $400M overseas. Now, this used to be impressive until I learned that studios never receive more than 40% of overseas profits and sometimes as low as 14% so what still matters most is its domestic take…where it has yet to make its $165M budget (not counting prints and advertising) and every week there’s a new article slamming it. The latest is when to take your bathroom breaks. Here’s my advice: don’t go at all and watch it at home where you can stop it anytime you like. But now that it’s been out a month I think we can talk about the third act where it gets really, really stupid, as opposed to the first two acts which were just stupid. Now, Nolan’s been open about how 2001: A Space Odyssey was the biggest influence on this and nowhere is it more obvious (aside from being overlong) than when a character freaks out and starts killing people. In 2001 it was the computer, HAL, who reacted to being given conflicting orders with homicide (or so it was explained in 2010, which I won’t apologize for enjoying). Here it’s secret guest star, Matt Damon as one of the earlier scientists, who reacts to being sent to a dead world by basically trying to kill everyone who rescues him. His plan to kill everyone then take the ship back home makes no sense but I’m going to let it go because he’s clearly been driven insane by his ordeal. Besides, the real point of it is to prove that “love” is what makes the universe work. All the B.S. about hard science being used is just that, because the planet where Anne Hathaway’s boyfriend has landed, the one Matthew McConughey chooses not go to is the inhabitable one. If they’d followed her heart rather than logic, then they could have avoided Good Will Hunting Humans. Man, I dislike this movie more every time I have to think about it.

Speaking of wasting my time, Horrible Bosses 2 opens at number five and this is actually too good for it. Committing the age-old sequel sin of missing just what made the first film work (beyond it being shamelessly derivative of The Hangover characters by the same writers) which the Horrible Bosses of the title. Here the previously tormented characters are the bosses so the basic concept has been thrown out the window and all you have left is the riffing between Jason Bateman, Jason Sudekis and Charlie Day, which was fine as a part of the film, but here as the meat it gets really annoying really fast. It’s telling that the best parts about the film are the only two horrible bosses back for the sequel, Kevin Spacey and Jennifer Anniston (obviously Colin Farrell couldn’t make it because Kevin Spacey killed him in the first one). Maybe if they’d been allowed to actually be under the thumb of Christoph Waltz and Chris Pine (who clearly relish being horrible as much as the previous bosses did) for awhile there might have been something, but as Kevin Spacey points out, by stupidly getting screwed over by Waltz, they are actually the horrible bosses now. And honestly why are they bosses? With Kevin Spacey and Colin Farrell gone, two of the three characters should now have good jobs. I guarantee you I just thought about this more than anyone involved in this film did.

Dumb and Dumber To is down to number six, followed by The Theory of Everything rising to number seven and Gone Girl Down to number eight.

Holding at number nine is Birdman and I’m now embarrassed not to have seen it when I’m clearly making time to see crap like Horrible Bosses 2…and Interstellar.

Finally, St. Vincent is down to number ten and also in this is Terrence Howard and one of the producers of this is Don Cheadle. This may seem like nothing, but I’m smelling a little guilt from Cheadle over taking over the role of War Machine in Iron Man 2 which has not only lead to Iron Man 3, but he’s also going to be in Avengers: Age of Ultron and since Iron Man will be in the third Captain America film he might show up there too. All this could have and should have been Terrence Howard who is still the better Rhodey to me. Howard has said he’s not angry with Cheadle because Cheadle also got him into Crash. Hell, I’d say that means Cheadle owes him twice as much. I think Don agrees.