Tag Archives: Last Vegas

YOU’RE AS COLD AS ICE

1 Dec

020_rene_russo_theredlist

 1. The Hunger Games 2/LGF                       Wknd/$  74.5            Total/$ 296.5

 2. Frozen/Disney                                            Wknd/$  66.7            Total/$   93.4

 3. Thor: The Dark World/BV                        Wknd/$  11.1             Total/$ 186.7

 4. The Best Man Holiday/Universal            Wknd/$    8.5            Total/$  63.4

 5. Homefront/ORF                                          Wknd/$    7.0            Total/$     7.0

 6. Delivery Man/BV                                         Wknd/$    6.9            Total/$   19.5

 7. The Book Thief/Fox                                    Wknd/$    4.9            Total/$     7.9

 8. Black Nativity/FoxS                                    Wknd/$    3.9            Total/$     5.0

 9. Philomena/Weinstein                                 Wknd/$    3.8            Total/$    4.8

10. Last Vegas/CBS                                           Wknd/$    2.8            Total/$  58.7

 

GIVEN NEW MEANING TO THE EXPRESSION “BASED UPON…”

The Hunger Games: Catching Fire holds at number one and opening at number two is Frozen, which continues Disney’s newer tradition of adapting classic fairy tales but making them into buddy-romantic-comedies with spunky girl leads and hunky dudes who accompany them on their journey only to fall for them.  First was Rapunzel, redone as Tangled and now we have The Snow Queen redone as Frozen. Looking for the story of a boy and a girl and slivers of a magical mirror?  Look elsewhere. This movie is about two sisters, the older one with magical snow powers, and as a child she accidentally injures her younger sister with them and is taught by her parents to hide them stay isolated. Her younger sister is made to forget about this as part of the healing by the rock trolls and doesn’t understand why her sister suddenly became so distant. Don’t remember any rock trolls from the original story? Get used to it.  When their parents die in a shipwreck (it’s Disney; you cannot have two loving, living parents) the older sister becomes queen and at her coronation ball, her powers are revealed and go out of control throwing the land into eternal winter and causing her to run away and create a palace for herself.  Her younger sister sets off with a handsome ice dealer (just roll with with it) and his reindeer to find her sister and save the land.  Not a bad story, but not “The Snow Queen” even in the slightest except for the fact there is a “snow queen” of some sort.  Certainly not a comic relief living snowman, who doesn’t show up until midway through the film, despite what the ads show you. You can see why they use him as selling point because the irreverent humor he brings is the high point of the movie.  Overall, it’s not a bad animated film, but the lack of shading of the characters (everyone is either good or bad, period) shows the difference between a regular Disney film and a Pixar film.

 

THIS WEEK’S LESSON IN FEMINISM

Thor: The Dark World is down to number three and speaking of queens, who wasn’t shocked when Renee Russo popped in the first as the Queen of Asgard?  She’s back here as the butt-kicking queen of Asgard who almost ends the movie before it starts when the main bad guy makes the mistake of taking her on in single combat and gets his ass handed to him.  This isn’t archetypal for Thor which oddly enough does well by women passing the Bechdel Test in both films. For those unfamiliar with it, the Bechdel Test is so named for a cartoonist Alison Bechdel who asked three questions to determine whether or not women have a meaningful presence in films: 1) are there two or more women in it that have names? 2) Do they talk to each other? 3) Do they talk to each other about something other than a man?  When you think about it you’ll be shocked at how few films pass this test (not that you can’t break it and still work, because Renee Russo is in The Thomas Crown Affair, never really speaks to another woman and is totally awesome). Thor however does, thanks to Natalie Portman and Kat Dennings who have names and talk about their actual work. Not boys, not shoes, not make-up. Their work. For a comic book fantasy film, it’s positively revolutionary.  Ironic enough, warrior goddess Sif never has a conversation that isn’t about Thor. Small steps, it seems.

 

THIS WEEK’S LESSON IN FEMINISM PT. 2

The Best Man Holiday, however would not past The Bechdel Test and doubles down against it by making Sanaa Lathan, who plays the wife of Taye Diggs dislike Nia Long, who was the girl he always liked in college but never got together with. Because god forbid two successful, intelligent women—who clearly share some mutual traits for him to love them both—get along.  It’s probably the weakest part of this otherwise enjoyable film.

 

IT’S CALLED “GETTING IN YOUR OWN WAY”

Homefront opens at number five and Jason Staham may want to rethink his opposition to working in films with special effects as he’s not getting any younger and his films are start to do worse and worse.  Bruce Willis, Arnold Schwarzenegger, Sylvester Stallone, Tom Cruise, Harrison Ford, etc. Name the A-list action star and I’ll name the big-budget special effects film. Jason Staham however is B-list in danger of sinking to C if he doesn’t wise up. Let me put it this way: this has got to be the first major release from him that I didn’t automatically see.  That they’re all the same isn’t an issue; all action films are dangerously similar.  That much I accept.  It’s that they’ve been too disappointing too many times. And I don’t know why the producers thought that “written by Sylvester Stallone” would be a selling point. If anything that guarantees even more plot holes and illogic than your average action film and honestly was the deciding factor for me.  Clearly more than a few people felt the same.

 

THIS TOO WILL PASS, YOUNG MAN

Delivery Man is down to number six giving Vince Vaughn two flops this year and you can’t prove I’m smiling.  Also in this is Chris Pratt whose star is actually rising in comedy (Park & Recreation) and drama (Zero Dark Thirty) and will be in the next big Marvel offshoot, Guardians of the Galaxy and his casting while clearly calculated to bring down the age curve is actually a mistake given the plot hinges on Vince Vaughn being in his 40’s. The best friend who fulfills the straight man role of the married family man is not going to be in his early 30’s. It needs to be someone of a similar age. I can only think his frequent partner, Jon Favreau saw the writing on the wall and turned this down.

 

NAZIS, HOLOCAUST, CRITICALLY ACCLAIMED NOVEL = OSCAR BAIT

The Book Thief enters the top ten at number seven and I know nothing of the novel this is based upon, only that it stinks of Oscar bait but also wants to be a heartwarming family film and you can only serve one master.  Trying for both risks sucking on two fronts.

 

WHY WAIT UNTIL CHRISTMAS TO IGNORE SOMETHING?

Black Nativity opens at number eight and I’ve got “zero” interest in seeing this.  I cannot deal with the hamfisted religious thing, even at Christmas.  Not to mention is this a musical or what?  Jennifer Hudson is shown doing the only thing she should ever do onscreen and that’s sing (her Oscar win remains an embarrassment), but it’s when she’s just walking down the street.  No one else seems to do it and I think that confusion contributed to its low opening (other than having Jesus shoved in your face over Thanksgiving). The Book Thief is in fewer theaters, has been out longer and has even a smaller niche audience and still did better.  I’m a little sad because I like Kasi Lemmons and hoped that Eve’s Bayou would lead to bigger and better things for her as a director. You know her best as Jodie Foster’s roommate in Silence of the Lambs. Yeah, that’s her.

 

QUEEN OF THE GRAY DOLLAR

Opening very well even though it’s at number nine is Philomena.  To even break the top ten with less than a thousand theaters is impressive, but Dame Judi Densch has proven she’s queen of the older audience, having scored a hit with Best Exotic Marigold Hotel two years ago. This is a comedy drama about a writer following a woman as she seeks to find the child she was forced to give up for adoption decades earlier and unlike the book thief it seems to mix the sad and the sweet in the right amounts for Oscar audiences.

 

I’M GONNA HAVE TO TRADEMARK “GRAY DOLLAR” IT SEEMS

Speaking of the “older audience” Last Vegas has rolled the dice for the last time in the top ten but $72M worldwide from a $28M budget isn’t bad at all.  Given that the rest of its target audience will probably devour it on home video (pay-per-view, DVD, etc) it’ll probably deliver nice profit when all is said and done. Ironically, this probably sprung up from the success of Red, whose sequel bombed, so while Last Vegas 2 (Next To Last Vegas?) is unwise another excuse to put a bunch of older actors together will probably pay off.  I’d bring up having some women in it as well, but clearly Judi Densch doesn’t need your punk ass.

Visit angrygeek.com

Visit formerboywonderphoto.com

 

Advertisements

I STILL DON’T CARE

24 Nov

nia-long-naked-peta

1. The Hunger Games 2/LGF                   Wknd/$ 161.1            Total/$ 161.1

 2. Thor: The Dark World/BV                  Wknd/$  14.1            Total/$ 167.8

 3. The Best Man Holiday/Universal      Wknd/$  12.5            Total/$  50.4

 4. Delivery Man/BV                                   Wknd/$    8.2            Total/$     8.2

 5. Free Birds/Relativity                             Wknd/$    5.3            Total/$  48.6

 6. Last Vegas/CBS                                       Wknd/$    4.4            Total/$  53.9

 7. Bad Grandpa/Paramount                      Wknd/$    3.5            Total/$  95.5

 8. Gravity/Warners                                     Wknd/$    3.3            Total/$ 245.5

 9. 12 Years A Slave                                       Wknd/$    2.8            Total/$   29.4

10. Dallas Buyers Club/Focus                    Wknd/$    2.8            Total/$    6.5

 

THE RUNNING GIRL

The Hunger Games: Catching Fire opens at number one breaking a record and like Twilight before it and Harry Potter before that this is something that has gone right past me. Know why? BECAUSE I’M AN ADULT AND I DON’T READ CHILDREN’S BOOKS  THAT’S WHY! Well, that’s my story and I’m sticking to it. Just don’t ask me what adult books I’m reading. And honestly, I just have a problem where children are forced to fight children to the death.  Somewhere down the line I’ve just gotten squeamish about certain things and watching children die onscreen is one of them. Yes, I know. This time around it’s full-grown adults fighting (which is one of the oldest tropes in and out of science fiction), but I still can’t get with it.  The taint remains.

 

TWO SMART GIRLS

Thor: The Dark World drops to number two and if you’re saving that episode of Agents of SHIELD to watch until you see this, don’t bother. It has almost nothing to do with the movie.  Seriously.  It’s just a carrot to draw you into that incredibly lackluster series.  Speaking of lackluster series, how happy is Kat Dennings for these movies?  Every two years she’s gets to be in a blockbuster film and this time around actually joins Tom Hiddleston in “Steal The Movie” club which should bump her up in a way Two Broke Girls never could. As Hiddleston stole Thor from Thor, Darcy steals the movie from Natalie Portman’s Jane Foster, Thor’s mortal love interest. She’s clearly the more interesting of the two and between her and overlooking Sif, Thor’s taste in women is seriously in question.

 

ANOTHER BRIDESMAID

The Best Man Holiday is down to number three and with the entire original cast returning also in this is Nia Long who, quite honestly, was Kerry Washington before Kerry Washington as the potential heir to Halle Berry’s throne (as we know, Hollywood and only have one A-list minority lead at a time).  The difference being Kerry Washington had the A-list films (Ray, Django Unchained) and now hit TV series (Scandal), whereas Nia Long peaked in Big Momma’s House and Third Watch.  Ouch.

 

MONEY NO MORE

The Delivery Man opens at number four (the lower budget makes this not as bad as you think) and this is a remake of a French film that just came out last year and even I was shocked at how quickly Hollywood remade it.  It’s a cute enough premise, but they should have found a different leading man, because Vince Vaughn and his motormouth routine gets old fast.  In fact it’s been old for a long time now and this is coming from someone who was a huge fan after Swingers and followed his indie career in things like Clay Pigeons, Return to Paradise and yes, even the shot-for-shot remake of Psycho so my bitterness is earned, baby.  Someone a little more charming and little less annoying would have served this film well.  And better looking. Seriously. It matters.

 

THE TURKEY YOU’RE HAPPY TO KILL

Speaking of annoying onscreen motormouths, Owen Wilson is one of the voices in Free Birds, down to number five and the only thing worse than Owen Wilson is just his voice, I don’t care what cute animal you put up there onscreen.

 

BAD GRANDMA?

Last Vegas is down to number six, followed by Jackass Presents Bad Grandpa at number seven and given how well this has done prepare yourself for an onslaught of low budget prankster films. Okay, maybe not an onslaught, but there will definitely be more of them coming.

 

TRAUMATIC ISN’T THE WORD FOR IT

Gravity is down to number eight, followed by 12 Years a Slave down to number nine and some people have issues with seeing their favorite stars as evil slave owners. I don’t want to hear it. Roots had everyone in Hollywood owning slaves and you don’t know from difficult until you’ve seen Mr. Brady own slaves or Sandy Duncan toss around the “n-word.”

 

THE MANY FACES OF MATTHEW

Finally entering the top ten at ten is more Oscar bait in the form of Dallas Buyer’s Club, continuing the Matthew McConaughey renaissance.  Apparently somewhere down the line he tired of merely being a parody of himself and decided to be a more serious version of himself, because lets face it: he’s always playing Matthew McConaughey. He’s not Daniel Day Lewis and can disappear into any role.  He can only be a more somber McConaughey (like in the surprise hit, Mud), a more straight-laced McConaughey (The Lincoln Lawyer and Bernie) a more psychotic McConaughey (Killer Joe) or a more sleazy McConaughey (Magic Mike, which I honestly thought he deserved a Best Supporting nomination for). But it’s always McConaughey.

Visit angrygeek.com

BRINGING THE THUNDER

10 Nov

thor345

 1. Thor: The Dark World/BV                     Wknd/$  86.1            Total/$  86.1

 2. Bad Grandpa/Paramount                      Wknd/$  11.3             Total/$  78.7

 3. Free Birds/Relativity                               Wknd/$  11.2              Total/$  30.2

 4. Last Vegas/CBS                                         Wknd/$  11.1              Total/$  33.5

 5. Ender’s Game/LGF                                    Wknd/$  10.3            Total/$  44.0

 6. Gravity/Warners                                        Wknd/$    8.4            Total/$ 231.1

 7. 12 Years A Slave                                         Wknd/$    6.6            Total/$   17.3

 8. Captain Phillips/Sony                                Wknd/$    5.8            Total/$  91.0

 9. About Time/Universal                              Wknd/$    5.2            Total/$    6.7

10. Cloudy with a Chance of Meatballs 2      Wknd/$    2.8           Total/$110.0

 

THOR? I CAN BARELY WALK!

Thor: The Dark World opens at number one and while heads and shoulders better than the first film this franchise still has story problems. Setting up the plot seems to take up the bulk of the film and then the execution takes no time at all. Shouldn’t that be reversed? Basically, The Dark Elves (from the Dark World of the title) want to return the universe to darkness (duh) and can only do so during the once every 5 thousand years “convergence” of the Nine Realms (Earth is one, Asgard is another). For this they need “The Ether” which of course Jane Foster happened to find and is now infected with, which makes Thor bring her to Asgard with The Dark Elves right behind her. It takes so long to get to this point, even when the story has started it still feels like they’re still setting up.  No real tension is ever developed regarding stopping the Dark Elves or saving Jane even though everyone is racing the clock.  The Dark Elves only have limited time to complete their plan, but you’d never know it by how they move. Odin’s insistence on just fighting them and sacrificing his people doesn’t make any sense without him adding that they only have to hold The Dark Elves until The Convergence passes. Even the fact that “The Ether” is killing Jane like a slow poison generates no suspense. It would have added a great deal of drama to learn that letting her die would destroy “The Ether” and remove the threat forcing Thor to choose between billions of lives and his heart. It would also provide Jane with a moment of self-sacrificing heroism to prove herself to Odin, who clearly distains.  Even needing to trust Loki who is clearly untrustworthy adds no dramatic weight to the story. Thank goodness the film is stronger on its characters, with almost everyone getting defining moment and that moment usually lends itself to humor. Don’t let the sub-head fool you; like Iron Man 3 there’s no shortage of laughs throughout the film even when the fate of the universe is at hand.

 

SADLY, IT DOES CRACK EVENTUALLY

Bad Grandpa holds at number two followed by Free Birds at number three and Last Vegas at number four and also in this is Mary Steenburgen and like always in Hollywood she’s still six years younger than the youngest male lead who is Kevin Kline. But he’s getting his own ego bruising, being asked to play contemporaries with Morgan Freeman who has a full decade on Kline.  And honestly, while he looks good for his age, Freeman is clearly the oldest by a long shot.

 

CLEARLY LEARNING NOTHING FROM SEAN CONNERY ON HOW TO AGE IN MOVIES

Speaking of ego bruising, is anyone’s taking a bruising like Harrison Ford’s as Ender’s Game drops massively to number five?  Once upon a time Han Jones or Indiana Solo was gold, even making crap like Six Days, Seven Nights successful. Now, he can’t buy a hit as his last film before this, Paranoia (with the other Hemsworth. Liam) didn’t even open in the top ten. 42 was a modest success, but Cowboys & Aliens (with James Bond to help), Morning Glory, Extraordinary Measures and Firewall all tanked (Crossing Over was released in maybe one theater).  His last real hit? Indiana Jones and the Kingdom of the Crystal Skull. No wonder he’s rumored to making his participation in the next Star Wars sequel conditional on another Indiana Jones film. Yes, he still doesn’t think he’s too old. Dude, you should have replaced Kevin Kline in Last Vegas you’re so old.

 

I GUESS HE’S GOT THE RIGHT STUFF. GET IT?

Gravity is down to number six and making his second appearance as the voice of mission control (and third as part of NASA) is none other than Ed Harris.  It’s a mixed blessing that the biggest thing he’s been in recently never shows his face.  Yeah, Pain & Gain made money but I’m sure he’s not proud of working with Michael Bay.

 

MALE OR FEMALE, REDHEADS ARE EVIL

12 Years a Slave holds at number seven, followed by Captain Phillips at number eight and about time at number nine and this the latest from Richard Curtis, the writer of Love Actually and Four Weddings & A Funeral (we’re trying to pretend Notting Hill never happened) and screenwriter of Bridget Jones’s Diary (we’re trying to pretend Edge of Reason never happened). Combine him with Rachel McAdams (whom I love), Bill Nighy (whom I love) and a science fiction element and you’d think I’d be in there, but no. The leading man leaves me cold. Never underestimate the contribution to Hugh Grant to appeal of his films. Give me  a young Hugh Grant rather than some near albino and I might have found the time (no pun intended).

 

THE END…FINALLY

Finally, after two months, Cloudy With a Chance of Meatballs 2 says goodbye to the top ten.

THE JERK DANCER FROM THE DANCE

3 Nov

George_Clooney-0508

 1. Ender’s Game/LGF                                    Wknd/$  28.0        Total/$  28.0

 2. Bad Grandpa/Paramount                        Wknd/$  20.5         Total/$  62.1

 3. Last Vegas/CBS                                          Wknd/$  16.5         Total/$  16.5

 4. Free Birds/Relativity                                 Wknd/$  16.2         Total/$  16.2

 5. Gravity/Warners                                        Wknd/$  13.1          Total/$ 219.2

 6. Captain Phillips/Sony                               Wknd/$    8.5         Total/$  82.6

 7. 12 Years A Slave                                          Wknd/$    4.6       Total/$    8.8

 8. Cloudy with a Chance of Meatballs 2     Wknd/$    4.2  Total/$106.2

 9. Carrie/SG                                                     Wknd/$    3.4        Total/$  32.0

10. The Counselor/Fox                                   Wknd/$    3.3        Total/$  13.4

 

HE’S A JERK AND HIS MOVIE LOOKS DULL

Ender’s Game opens at number one with a small amount of controversy. The author of the book it’s based upon, Orson Scott Card, is an anti-gay rights activist. He doesn’t just dislike homosexuals, he actively works to deny them rights. This separates him from your average jerk, because honestly if you wouldn’t go to see a film because a jerk was in it or wrote it or wrote the book it was based on you wouldn’t be able to see any movies, starting with George Clooney. Yeah, I know what you’re saying, “But he’s so perfect!”  Yeah, and he knows it. Self-satisfaction oozes from every pore of his body. Then there’s the little matter that, despite him having his choice of almost any woman in the world, he literally picks up 20-something cocktail waitresses.  That’s pretty jerky to me. And are we even going to pretend Madonna isn’t a total tool? Her marriage to Sean Penn probably didn’t last because they had daily jerk competitions.  But she’s a great pop star (I didn’t say musician) and he’s a great actor. The simple fact is you don’t have to be a nice person or even a decent human being to be good at your job. The question is can you separate the dancer from the dance as a consumer? In this case it’s actually the dancer once removed from the dance. The studio clearly doubts it as I’m sure they were doing damage control with all these little articles popping up last week pointing out that Card sees no profit from the film. He was paid once for the rights to this book and that was it. Clearly this was meant to make it okay for people who didn’t like his homophobia to see the film. There are only two problems with this: 1) if you see the film and like it you might buy the book so he makes money, and 2) if the film is successful the studio will buy the rights to those as well and he makes more money.  As for me, I learned long ago to separate the dancer from the dance (thanks for nothing, Woody Allen). I just didn’t like the way the film looked. “Kids in Space” is boring to begin with and the commercials and trailer basically show you him being special then winning. Where’s the hook?  That he’s going to win isn’t the question. That his journey to doing so looks fairly boring is. I mean, never thought Jaden Smith was going to die in After Earth, but I was fairly interested in him fighting for his life on a futuristic earth because he was shown to be a bit of screw up at first. And this was his test. Ender is special and gifted and then just proves it. Yawn.

 

NO MOVIE BUSINESS FOR OLD MEN

Bad Grandpa is down one notch to number two followed by Last Vegas opening at number three and let’s see what the jerk content is for this film.  Michael Douglas’ sex addiction is fairly well known not to mention the he openly casts younger women at his leading ladies and he blamed oral sex for his cancer.  Jerk.  Morgan Freeman was in a car accident, which revealed he was dating his step-granddaughter (top that, Woody Allen).  Creepy jerk.  However, none of these things had anything to do with me not seeing Last Vegas, which trotted out the trope of let’s laugh at those wacky old people.  “Old Hangover” was not on my list of plans this weekend and neither the trailer nor the commercial did anything to change that.  It doesn’t help that while we think of these actors as “older” we don’t think of them as “old men.”  It’s an irony that they look too good at their respective ages for this to really work.  What this needed was either more decrepit actors (like Cocoon) or younger straight men (and women) to not only offset their ages, but also play the straight man (and woman). Well that and actually be funny.

 

YES, I’D FRY UP BABE AND WILBUR IN A HEARTBEAT

Opening at number four, Free Birds kicks off the holiday movie season with the story of two turkeys that travel back in time to stop the turkey being the main dish of Thanksgiving. Yes, the plot of a children’s holiday film is to stop turkey genocide.  I’ll admit parts of the trailer did make me laugh, but the core of this film is very dark, because we know they have to fail and all the turkeys they meet in the past are going to die and be eaten.  It also gives personalities to the food we eat at the very time of year that we eat it!  Someone clearly didn’t think this through.  Needless to say I did and gave it a pass.   I’d say give me two turkeys on the run from being dinner and you might have had a film worth seeing, but honestly it’s problematic to ever connect funny cartoon animals with the actual place they occupy in our society as I’ll never choose them over a good meal.

 

MY SISTERS WOULD BE JUSTIFIABLY SUING ME

Gravity is down to number five and notice how I saw this despite thinking Clooney is a jerk. That’s how that works.  Also, Captain Phillips is down to number six and I, like most, think Tom Hanks is the nicest man in the world. Yet, I have not seen it. One has nothing to do with the other. But in a nice case of irony the real life crew thinks the real life Captain Phillips was a total jerk. So much so they’re suing him (if that’s a spoiler for you then you need to read more newspapers and see fewer movies). Yeah, it’s movie, guys. Not a documentary. And if we all sued jerks, we’d all in court on one side or the other.

 

BEST NAMED DIRECTOR IN THE WORLD

12 Years A Slave actually rises to number seven as its theater count increases and the Oscar race heats up.  I like every actor in it, yet I have not seen it. See? Dancer and Dance are separate. And yes, the director’s name is actually Steve McQueen.

 

BUT I’M GLAD THEY’RE ALL WORKING

Cloudy With A Chance of Meatballs 2 is down to number eight and the voices for the film are Bill Hader, Ana Faris, James Caan, Will Forte, Andy Samberg, Benjamin Bratt, Neil Patrick Harris, Terry Crews and Kristen Schaal.  All likable to me, yet I will never see this film. Dancer here, dance there.

 

BITE SIZED CANDY VS. CARRIE. ADVANTAGE BITE SIZED CANDY.

Carrie is down to number nine and you know people don’t want to see your horror film when you don’t make any money on Halloween.  This is the danger of remaking a film that’s too much at part of the culture. It’s impossible for Carrie to be scary because we know all that happens.  Even the shock ending of the first film is expected now.

 

BAD TASTE, WORST AFTERTASTE

Finally, The Counselor is down to number ten and as bad as I thought this film was a week ago, it’s even worse now. What makes it worse than say something like Transformers is that at least Transformers is trying to entertain you.  This is isn’t. This pretentious crap think it’s brilliant and is above such base concerns. This could have been some half decent film noir. People doing bad things that causes a bad result.  It even has the nerve to reference Body Heat! But rather than follow that excellent example, it wants you to take Cameron Diaz humping cars seriously.