Tag Archives: film reviews

BOO! VAGINAS!

18 Jul

Alexander-Skarsgard-The-Legend-Of-Tarzan-New
1. The Secret Life of Pets/Universal        Wknd/$ 50.6     Total/$ 203.1
2. Ghostbusters/Sony                                Wknd/$ 46.0     Total/$ 46.0
3. The Legend of Tarzan/WB                   Wknd/$ 11.1       Total/$ 103.1
4. Finding Dory/Disney                             Wknd/$ 11.0      Total/$ 445.5
5. Mike & Dave Need Wedding Dates     Wknd/$ 7.5        Total/$ 31.3
6. The Purge: Election Year/Universal   Wknd/$ 6.1        Total/$ 71.0
7. Central Intelligence/WB                        Wknd/$ 5.3       Total/$ 117.5
8. The Infiltrator/BG                                  Wknd/$ 5.3       Total/$ 6.7
9. BFG/Disney                                             Wknd/$ 3.7        Total/$ 47.3
10. Independence Day 2/Fox                    Wknd/$ 3.5       Total/$ 98.5

IT’S TWO HOURS OF SLEEPING AND BALL LICKING
The Secret Life of Pets holds at number one and I had zero interest in seeing this movie when the jokes in the trailer seemed so…conventional, but I am clearly alone in this. Yeah, it’s summer and seemingly damn near anything that can keep your out-of-school kids occupied for two hours can make a dollar if you’re even the least bit competent, but it’s gotten some decent reviews as well. So, maybe on cable in 18 months. Maybe. I mean that damn movie about blue parrots is on cable now too, but I still won’t watch it.

UNLIKE THEIR REAL LIVES, THIS IS FILLED WITH WOMEN
Ghostbusters: It’s Chicks Now opens at number two and the lonely, neckbeards who kicked and screamed and stomped their feet over this remake are undoubtedly cheering for it missing the number one slow. I don’t know why. It’s still a solid opening with some decent reviews so it’s not a failure creatively or financially. Well, the latter still remains to be seen, but I think it’ll be okay. Not to mention, to be perfectly the original Ghostbusters wasn’t that goddamn great. It wasn’t and you’re either lying or only saw it as a child the first time. It’s a solid “B” which unfortunately came from three guys who’d made “A” comedies around the same time. Harold Ramis and Bill Murray both had Stripes and Dan Akroyd had Trading Places and even Sigourney Weaver would have Working Girl by the end of the decade. But I have to admit this is not better than the original. It lacks the focus in both storytelling and character and fails to make the most of its reservoir of comedic talent. Not to mention the very New York attitude of the original is sorely missing. I mean, you’ve got a problem when the funniest person is Chris Hemsworth, who is not successful because of his comedic chops. He not only gets to play the rock dumb receptionist but also the villain when his body is possessed but even that is undercut by an omission of a potentially great comedic sequence and just using it to accompany the credits (seriously, don’t leave until the lights come up). It’s a B- remake of a movie that was a B+ on its best day. Not to mention if Ghostbusters was so fucking sacred to you, then Ghostbusters 2 was more fucking sacrilegious to you than this could ever be as it just flat out remade the first and poorly. The best thing about it was the Bobby Brown song…which itself was a remake of his “Don’t Be Cruel.”

WHICH SIDE YOUR BREAD IS BUTTERED, GENIUS!?!
The Legend of Tarzan is down to number three and I meant to see this but then I read Alexander Skarsgard say in an interview that he doesn’t get to wear the loincloth even though he had in fact campaigned for it. And I get it. You don’t put on twenty pounds of muscle to play an ironic hero then get told you can’t wear the iconic clothing. That the director failed that basic bit of common sense to have Tarzan in his famous garb, not to mention the obvious commercial aspect of Alexander Skarsgard in a fucking loincloth let me know that maybe, just maybe his common sense failed in a lot of other areas as well. It looks something that’s probably most enjoyable at home while clothed in one’s own loincloth like garment.

WOMEN WHO TALK DIRTY
Finding Dory is down to number four followed by Mike and Dave Need Wedding Dates at five and once again, Zac Efron gives the finger to playing to his looks and goes straight for the crude “R” rated dollar. Back with him is his Bad Grandpa costar, Aubrey Plaza, but also dipping a toe into the dirty pool this time is none other than Anna Kendrick who brings along her Pitch Perfect costar, Adam Devine. Everybody’s taking a trip to the dark side it seems. I’ve never seen a single one of Zac Efron’s movies and nothing about the way this looked threatened to change that, but I am hoping one day to give an Aubrey Plaza movie my money. I do like her and she’s even more fearless as Efron in her choice of comedic roles (check out The To Do List on cable).

LIKE IT COULD BE ANYMORE RIDICULOUS THAN REALITY
The Purge: Election Year is down to number six, but do not fear. At $70M from a $10M budget, this series isn’t going anywhere any time soon, even though the plot of this film has to do with getting rid of the titular occurrence. And even though it’s made serious loot, you know the producers wish they’d had an inkling of what the political situation would be so they could incorporate it into the film itself. The best they could do was to add “Make America Great Again” into the ad campaign.

TWO WRONGS DON’T MAKE A RIGHT, BUT CAN CARRY THE OCCASIONAL FILM
Central Intelligence is down to number seven and Dwayne Johnson and Kevin Hart continue their streak of neither being able to carry a film themselves but to pair up with someone who can help them. It’s like two half-stars making a single star, rather than a film with two actual stars, like the similar Knight and Day with Tom Cruise and Cameron Diaz.

GROWN UPS TAKE THE SUMMER OFF TOO
The Infiltrator opens at number eight and this is what we call “counter programming” kids. Every summer someone tries to release a serious drama in the middle of summer convinced that adults would be dying for release from the neverending series of big budget action, science fiction and kids movies. They are almost always wrong. Look for this to probably get a brief re-release in the fall to generate some awards notice. I mean it is Bryan Cranston in a “based on a true story.” It would have to be a total dumpster fire not to. Ooh. Only 66% on Rotten Tomatoes? Ouch. Methinks I smell smelly smoke. And poor Benjamin Bratt. To be so pretty yet still have to play the roles that Latino actors have to play. This is yet another drug dealer for him. At least go back to playing cops, dude. Or get a sitcom. ABC has a black family comedy and an Asian family comedy. Be the dad in their Latino family comedy!

YOU SHOULD HAVE DIRECTED THE STAR WARS MOVIE AND EVERYBODY KNOWS IT
The BFG is down to number nine and I can’t help but enjoy this failure because not only is it Steven Spielberg, not only is it his first film with Disney, but it’s in the middle of summer on top of it! Once upon a time that would have been a license to print money, but here it’s one. big. flop. And did I mention it’s also based on a well-known children’s book? That means it had a built-in audience and still couldn’t get it done. Their first mistake was to keep that acronym title instead of going with Big Friendly Giant, as for the last 20 years BFG means one thing in popular culture: Big Fucking Gun from the Doom video game. Not really conducive with a children’s film. I can’t wait to see who Spielberg will blame for this and he will blame everyone but himself.

FUCK THIS GUY
My other piece of extraordinary schadenfreude is the tanking of Independence Day Resurgence. Fuck Roland Emmerich and the horse he rode in on. This asshole took women and minorities out of Stonewall (which also flopped) and later claimed it was a white male movement, then for this he brought back everyone who’d come back—including a character who fucking died in the first one—but neglected to bring back the president’s daughter, played by Mae Whitman and instead replaced her with someone more traditionally pretty (i.e., thin and blonde). His excuse was that she wouldn’t come in and read for the role. I’m not kidding. He wanted her to come in and read for her own damn role, when the real reason it most likely he didn’t think she was pretty enough to be the love interest for Liam Hemsworth. You think he asked Bill Pullman or Jeff Goldblum to read for their roles? Of course not. Bear in mind, of all the returning cast members not a single one of them was the lead in a successful theatrical film in the last decade (even Liam Hemsworth has only been a supporting player in successful films, never the lead). You know who has been? Mae Whitman, who was the star of The Duff. Not a $100M blockbuster, but it made 4x its freaking budget and she was the sole and unquestioned star. Not to mention she’s been on Parenthood for the last couple of years. To sum up, he’s an asshole and this bombed domestically and critically. Yeah, it’s making money overseas, but it won’t be enough as Warcraft just proved which made even more, but still is a failure and won’t have sequels like Emmerich hoped for this. The weird thing is the third idea actually sounded interesting: the earth invades the alien world. But again, fuck this guy.

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FINDING MONEY

20 Jun

icy
1. Finding Dory/Disney                          Wknd/$ 136.2   Total/$ 136.2
2. Central Intelligence/WB                    Wknd/$ 34.5     Total/$ 34.5
3. The Conjuring 2/WB                          Wknd/$ 15.6      Total/$ 71.7
4. Now You See Me/LG                           Wknd/$ 9.7       Total/$ 41.4
5. Warcraft/Universal                             Wknd/$ 6.5       Total/$ 37.7
6. X-Men: Apocalypse/Fox                    Wknd/$ 5.2       Total/$ 146.1
7. Teenage Ninja Mutant Turtles 2      Wknd/$ 5.2        Total/$ 71.9
8. Me Before You/Warner                      Wknd/$ 4.2       Total/$ 46.1
9. Alice Through the Looking Glass     Wknd/$ 3.6       Total/$ 69.3
10. Captain America: Civil War/BV     Wknd/$ 2.3       Total/$ 401.2

FINDING INSPIRATION
To the surprise of absolutely no one Finding Dory opens at number one. Now, I’m against Pixar sequels on principle but Pixar gets a better response than most because a) they don’t always do them, b) when they do them it’s so far down the line it’s not an obvious money grab and c) they get it right as Toy Story has defied all odds and just gotten better every time. Even Monsters University was better than it had any right to be (no comment on Cars 2 because Cars sucked). So, Finding Dory comes more than a decade after Finding Nemo because they genuinely felt there was no story to tell until now which is stunning in the entertainment business. As if that had anything to do with it. Hell, the Disney board would have been satisfied if Nemo had just gotten lost again and they’d just repeated the first. Luckily for us the Pixar creative leads wanted more and more in this case was about Dory slowly remembering her own family and going off in search of them and while it’s definitely good, there’s no singular brilliant moment like the chant of a seagull being “Mine” or the wonderful irreverence of the sharks who no longer want to eat fellow fish. Despite their good intentions to tell an original story it does feel a bit too familiar, the brightest spark being provided by an octopus who doesn’t want to return to the ocean, but instead wants a nice tank in Cleveland where no one will bother him (voiced by Ed O’Neil). One of the keys to Finding Nemo’s creative success was the wonderful supporting cast, from the adult and child populace of Nemo’s home reef to the laid back turtles to denizens of the dentist office tank to half a dozen others in between. They just don’t match that here and while we see the kids of the reef and the turtles again, they don’t have the same spark. Nonetheless it’s still better than 90% of what else is out there as the sad trailers for Storks and Ice Age: This Goddamn Franchise Has Lasted Longer Than The Actual Ice Age proved. If Finding Nemo was an A+ (and it was) then this is a solid B+. Oh, and make sure you stay through the end credits. There’s always something there…as I found out this weekend with Brave.

WHAT? COULDN’T GET PERMISSION FOR MARIAH?
Central Intelligence opens at number two and it seems logical that two of the hardest working men in show business would finally end up in a movie together. Not since Michael Caine in the 80’s have actors seeming been so omnipresent onscreen. It’s also a great creative move on both their parts for Kevin Hart to actually play the straight man to Dwayne Johnson playing the funny guy. Kevin Hart is Dean Martin while Dwayne Johnson is Jerry Lewis (ask your parents what that means). While I bear it no ill will, I have zero interest in either of them as anything beyond being supporting characters to actual leads. They simply lack that for me. The trailer shows a film, while not aimed at the lowest common denominator of comedy, is severely broad reaching. Oh, look. When Dwayne Johnson was in high school he was fat and sang En Vogue in the shower ‘cause fat guys and guys who sing girl songs are funny. In terms of wit that’s a butter knife level of sharpness. Even on cable this is a hard pass.

AND JAWLINES. DON’T FORGET THE JAWLINES
The Conjuring is down to number three and I’m also glad to see Vera Farminga here on the money train. I’ve loved her as an actress since the short-lived Finding Evil TV show and she improves pretty much everything she’s in. In my movie fantasy she and Gillian Anderson play sisters onscreen as they are seemingly cut from the same cloth (coincidentally they were both on the small screen alongside famous serial killers). In my other fantasy I’ve been very bad and they’ve come to discipline me. Soooo many icy stern looks of disappointment and contempt. Delicious

YUAN BETTER RECOGNIZE
Now You See Me 2 is down to number four followed by the Warcraft at number five and you might be seeing film history being made as China saves an entire franchise single-handedly, which is funny given how movies like Iron Man 3 and Transformers: Whichever The Fuck It Was have bent over backwards trying to win them and been met with contempt. It hasn’t even broken $40M here, but has made ten times that in overseas. Depend on how much studios get (it ranges from 15-14%) this may actually get a sequel…which America will ignore again.

ALSO HE’S A SCUMBAG
Speaking of sequels America has ignored, X-Men: Apocalypse is down to number six and hasn’t even made it’s $178M budget domestically, but like Warcraft has pulled almost $400M from overseas markets, so rest assured there will be another and this time mercifully without Bryan Singer. While he started the franchise and did good things with it, using the metaphor for oppression appropriately, he seems to have forgotten that and they need a director who remembers the core of the X-Men is also appealing to that self-important teenager drama where you think you’re special the entire world is against you for no reason at all. Yes, that’s the dark truth about the real reason so many like it. Not because you’re a person of color or your religion or your sexuality suffering genuine oppression, but because you think you’re special and the world is actively trying to hold you down. You’re wrong.

JUST KIDDING. EVERY ROLE WILL SOMEHOW PUT HER IN A FETISH COSTUME.
I thought this would be the hat trick of franchises supported by overseas money, but it turns out they care even less than we do about Teenage Ninja Mutant Turtles: Out of the Shadows, down to number seven. There probably won’t be a third, which must be bittersweet news to Megan Fox who has another child on the way, but at the same time doesn’t have to worry about a contrived reason to put her into a fetish costume in the near future.

LESS IS MORE…IF YOU’RE AN IDIOT AND DON’T KNOW HOW TO USE YOUR PROPERTIES
Me Before You is down to number eight, followed by Alice Through the Looking Glass at number nine and Captain America: Civil War closes out the top ten at number ten and this is why the Warner Brother/DC Comics hierarchy was recently shaken up as two movies about fighting superheroes came out this summer (well, 3 if you count X-Men, but no one cares enough to do that) with had approximately the same budgets but the one what that the 3 most famous superheroes of all time in them did significantly worse than the film that had a bunch of heroes 90% of the population had never heard of ten years ago. And by “significantly” I mean almost $900M vs over $1B. While this may not seem like too much of a difference to you and I, remember that Batman’s last two solo films both made $1B but teaming him up with Superman and Wonder Woman somehow resulted in less!?! Not good when your very next film will add even more superheroes to the roster that you also hope to spin-off into individual films. Warner Brothers is being force to reconsider their dumb-ass strategy of if your competitor has cornered the market on chocolate and you reconfigure your chocolate machines to make vanilla, rather than simply understand there’s no such thing as too much good chocolate. Instead they’ve made mediocre (Man of Steel) and bad (Batman v Superman) vanilla and surprise! People preferred the better made chocolate. Damn it. Now I want some chocolate!

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REAL ARTISTS ARE APPARENTLY ALL PERVS

13 Jun

psylocke
1. The Conjuring 2/WB                        Wknd/$ 40.4   Total/$ 40.4
2. Warcraft/Universal                          Wknd/$ 24.4   Total/$ 24.4
3. Now You See Me 2/LG                    Wknd/$ 23.0    Total/$ 23.0
4. Teenage Ninja Mutant Turtles 2   Wknd/$ 14.8     Total/$ 61.0
5. X-Men: Apocalypse/Fox                 Wknd/$ 10.0    Total/$ 136.4
6. Me Before You/Warner                   Wknd/$ 9.2      Total/$ 36.8
8. Alice Through the Looking Glass  Wknd/$ 5.5       Total/$ 62.4
7. The Angry Birds Movie/Sony         Wknd/$ 6.7      Total/$ 98.2
9. Captain America: Civil War/BV     Wknd/$ 4.3     Total/$ 396.9
10. The Jungle Book/Disney               Wknd/$ 2.7      Total/$ 352.6

SCREAM KING! EQUALITY AT LAST!
The Conjuring 2 opens at number one and after years of “scream queens” have we developed a “scream king?” Patrick Wilson, a respected character actor on stage, TV and film is the male lead in not just this successful franchise, but also the Insidious films. When you think about it, it’s a wonder it never occurred to horror filmmakers to go to stage actors for their talent. You’ll get better than your average pretty face (sorry, I do hold stage actors in higher regard ‘cause that shit is real) and because they come from the stage where they get little money and less fame they’d be cheap and eternally grateful, because basically film and TV work is to subsidize what they really love. This is the real reason Claire Danes does Homeland. This is why Billy Crudup has no problem showing up in Mission Impossible 3. This visibility and profitability will serve to finance a few off-Broadway plays once Wilson commits to them. Which is good. I like knowing that people who truly care about art succeed in the world occasionally.

IN RETROSPECT I COULD HAVE USED A LONG, DUMB FILM TODAY
Warcraft opens at number two which is a huge fucking failure for them. Not only did this $160M+ movie based on a ridiculously successful video game not open at number one in the summer, but also it lost to an R-rated film that cost ¼ its budget. Yes, it’s doing huge in China, but know that studios get less than 40% of overseas money. Domestic is where the real money is made and it will have to do ridiculously well overseas in order for this not to be written off as a failure. I thought about seeing it because…well, summer. Seeing dumb movies filled with fantasy creatures and special effects is what the summer is for, but sometimes even I have to draw the line and you’re talking to a man who went to see Battleship. Obviously, bad reviews don’t slow me down so what was it? The two-hour running time. I’ve got a new rule about movies I expect to be bad and it flatly states you don’t get 2+ hours (factoring in previews and commercials) of my life anymore unless I fully expect you to be at least entertaining. Needless to say this didn’t pass muster not even with Rathnar Lothbrok in the cast. Not that it should. I haven’t watched Vikings in over two years. I’m busy!

YOU KNOW, BECAUSE BATMAN V SUPERMAN SUCKED
Now You See Me 2 opens at number three and this is oddly a success because would have thought the first would have been a hit, much less enough of one to generate a sequel. It’s gotta feel good to Jesse Esienberg to have an actual success this year that could be a franchise.

SUCKS TO BE YOU!
Teenage Mutant Ninja Turtles: Out of the Shadows is down to number four followed by X-Men: Apocalypse at number five and one good thing about this is it sets back the career of Olivia Munn. I don’t know what it is, but I do not like this woman. Something about her makes her someone you love to hate. I’m not so simplistic a geek for it simply to be the title of her autobiography “Wonder Woman Can Suck It” but it didn’t help. Even better is the fact she’s so full of herself she said she had the option for Monica Baccarin role in Deadpool, but turned it down because it was “just another girlfriend.” Granted, Baccarin basically has sex with Ryan Reynolds and then gets kidnapped, so she’s not too far off, but the character eventually becomes a superhero in her own right and thanks to the highest grossing R-rated film in history (not adjusted for inflation) that will probably happen. Whereas seeing Munn return as Psyclocke is highly unlikely. Not helping matters is the fact they not only translated her stupid T&A costume straight from the comics, but also made it even more degrading by adding a boob-window. You know how pathetic you have to be to make a female superhero costume even more exploitative!?! Just glad it happened to her and not an actress that I liked.

JUST ASK JASON MOMOA ABOUT CONAN
Me Before You is down to number six, but with a $36M return on a $20M budget don’t expect the disabled romance porn to go away anytime soon. The female lead is on Game of Thrones which I do watch, but she’s a lot better off that the other woman from Game of Thrones who was the female lead Terminator: Genysis and that dude who was the lead in Pompeii who knows nothing on and off-screen. The lesson here is stop trying to hit home runs at first bat. Be happy to get on base.

BASICALLY HE’S RAINMAN IN THE MOVIE BIZ
The Angry Birds movie is down to number seven and this is another which needs overseas loot to save it. $98M off a $73M budget isn’t awful, but the $213M from overseas (which is at most $85M and probably less) will be needed to save this from being a disappointment. This is from David Maisel who is apparently as responsible for the Marvel Universe as anyone, but since he’s clearly not with them, they no longer like to talk about it. Apparently he not only came up with the sale to Disney, but the sequel strategy and its original plan to self-finance which meant no more licensing characters out to other companies like they’d done with Spider-Man, The X-Men, Blade, The Punisher and The Fantastic Four And to top it off it he also came up with the idea they could use The Hulk without paying Universal to get him back so long as he wasn’t the lead character. Given how fucking major all this is, you can see why they don’t like to talk about him. But of course he’s a nutcase. He apparently pocketed millions from the Disney sale, but still lives with his mom in a 2-bedroom apartment. So yeah, ladies beware, but if you need financial advice, he’s clearly your dude.

JUST ASK MARY LOUISE PARKER IF ONE CLAIRE DANES IS ENOUGH
Alice Through The Looking Glass is down to number eight and is there any more painful irony that the billion dollar grossing first film did jack shit for the career of Mia Wasikowska who is only the title character in both films!?! Needless to say this won’t be changing that a bit. Not helping is the fact she looks like Claire Danes in a world that thinks one Claire Danes is plenty.

GEEK ANGER LIVES FOREVER
Captain America: Civil War is down to number nine, followed by Jungle Book at number ten. As most people know, The Black Panther finally appeared in the Marvel movies and honestly is one of the best parts about this. It sure as shit isn’t Captain America acting like an asshole or the stupid contrivances created to make him and Iron Man fight. Yes, I’m still annoyed.

CAMERA, GUITAR, GUN = DICK
I finally watched the documentary on famed photographer, Bert Stern: The Original Mad Man, even though I’ve had it on my hard drive forever. Only taking the actual DVD out from the liberry finally got me to see it. It didn’t get great reviews but I thought it was a pretty decent summation of the man’s career and life. Directed by the woman who was thought to be his decades younger girlfriend (they first met when she was 13 and it’s as icky as it sounds) it turns out she was secretly his wife, but we’ll get to that. You know Bert Stern even if you don’t think you know him. The famous “Last Sitting” of Marilyn Monroe, her final photo session before she died which stupid starlets and half-assed photographers keep trying to emulate? He did that. The Lolita poster? He did that. He did those and a dozen more iconic shots of celebrities as well as from the history of advertising. It’s subtitled “The Original Mad Man” in a sorry and failed attempt to cash in on the show as Stern was a major player in advertising in the late 50’s and early 60’s, coming up with innovative ideas for campaigns and shooting them himself. Unlike most, he was so good at his job, he basically had a free hand to do what he wanted. Unfortunately, the documentary is short on exploration in areas that seem obvious. We’re told his father attempted suicide and his mother was beautiful but they’re literally never mentioned again after he turns 13. Given he’s famous for taking beautiful shots of women especially, you’d think his relationship with his mother would play into that and be discussed, but it is not. Even the court fight for shots of Marilyn Monroe he took that were stolen in the early 60’s and were rediscovered in the ‘00’s by people who claimed ownership is given the short shrift. What we do get is far too many of shots of the director/girlfriend/wife naked. Even worst is the realization that some of the nudes were taken recently and by a seemingly nude Stern (his reflection is seen in one of the shots). Ewww. Still, there are enough legitimate examinations of the man and his work to make me actually take an interest in his famous “Last Session” as I am not part of the cult that romanticizes Marilyn Monroe. She lived a sad life (sexually abused when young and had to trade on her sex appeal far too much to make it) and died a sad death (accidental drug overdose alone). Her life is cautionary tale, people. Stop romanticizing it. It also caused the “Well, duh” realization that the best photographers of women in fashion (Richard Avedon, Irving Penn, David Bailey, etc) were straight men, which is only unique because the industry is well regarded as being both gay and female driven. Stern flat out states that when he took a picture it was because in that way he could possess the woman in question. He laughs, but you know it’s true. He made me think that the others were probably no different as they all dated and occasionally married the women they shot (Avedon was famously with Dovema, Bailey with Jean Shrimpton and Penn married the impeccable Lisa Fonssagrives). Stern just admits it. It makes me wonder if you have to use your camera as your surrogate dick to truly take beautiful photos of people, as it’s pointed out in the documentary that knowing that Stern worshipped them may have actually served to bring out the best in the women he was shooting. It would similarly be the case with others. The safety of being adored and complimented by someone who would do no more than document said adoration would undoubtedly produce better results than say a worthless fucking creep rapist like Terry Richardson (who’s a shitty photographer on top of being a rapist). Then again, you have Herb Ritts, who was open gay and also took beautiful photographs of women. Must think on this… Not including in the film which came out before Stern’s death in 2013 is the fact the heretofore unknown wife became the sole beneficiary of Stern’s will and the children (two of whom are interviewed along with the ex-wife and a still living girlfriend) are currently suing her over it. Oh, and I bought the book of Stern’s last session with Monroe. Some of the details are seriously fascinating. I mean, if I drank champagne with a shot of vodka like she did, I’d probably be taking my clothes off at every opportunity too.

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TODAY’S TOPIC IS AGING OUT…AGAIN

6 Jun

neighbors

 

  1. Teenage Ninja Mutant Turtles 2    Wknd/$   35.4     Total/$   35.3
  2. X-Men: Apocalypse/Fox                  Wknd/$   22.3     Total/$ 116.5
  3. Me Before You/Warner                     Wknd/$   18.3     Total/$   18.3
  4. Alice Through the Looking Glass  Wknd/$   10.7     Total/$   50.8
  5. The Angry Birds Movie/Sony          Wknd/$     9.8      Total/$     9.8
  6. Captain America: Civil War/BV      Wknd/$     7.6      Total/$ 388.9
  7. Neighbors 2/Universal                      Wknd/$     4.7      Total/$   48.6
  8. Popstar/Universal                               Wknd/$     4.6     Total/$    4.6
  9. The Jungle Book/Disney                    Wknd/$     4.2     Total/$ 347.5
  10. The Nice Guys/WB                              Wknd/$     3.5      Total/$   29.1

 

MONEY BETTER SPENT ON PIZZA. GET IT!?!

Teenage Ninja Mutant Turtles: Out of the Shadows opens at number one and while this has gotten better reviews than its predecessor it’s still not going to get me in there. Life is short and the 93 minutes the first one took out of my life back in 1990 is still a personal regret to someone who has almost the second season of Jane the Virgin sitting unwatched on his DVR. But even then it was a stretch for me as I had “aged out” of the demographic for the TNMT. I never watched the cartoon and at best I liked the arcade game because at that time I was learning the bo staff at the time and one of them used it in the game. I am happy that Stephen Amell is getting his toe into the theatrical game though. Based on this disappointing 4th season, Arrow needs to think about its end game soon and he needs to be working on his next step.

 

X AIN’T GIVING IT TO YA

X-Men: Apocalypse is down to number two and speaking of disappointing superhero translations that I’d aged out of, the Apocalypse character and storyline happened after I’d left the X-Men comics as a kid because frankly it had gotten too damn depressing (Chris Claremont, the writer would later admit he was going through a bad patch so in turn inflicted it on the characters. Thanks, asshole.). This is especially disappointing given it’s Bryan Singer at the helm. He not only help set the standards of the modern day superhero film as something to be taken seriously, but directed the best X-Men film (X2) and undid the damage of X3 with X-Men: Days of Future Past (it literally wiped it out). So it’s surprising that this bland trainwreck came from him. The biggest problem is that it forgets what the X-Men are at their heart: a metaphor for discrimination. The X-Men are whatever minority or discriminated group you choose, but you will only find the barest remnants of that here. It’s a dull, thudding superhero film with lots of special effects and no heart or characters to care about. The very first X-Men movie still works because at its heart it’s about two diametrically opposed outsiders (Wolverine and Rogue) finding a home with others and each other. Nothing even approaching that exists here. It should have been Cyclops or Storm (who in this new history are being introduced to the X-Men for the first time) but the actors playing them are not stars and Jennifer Lawrence is, but they don’t know what to do with her character. Gone is the revolutionary who doesn’t think she should be obligated to look human and in her place is a superstar who doesn’t want to be painted blue every day supported by studio execs that don’t want their most famous star covered in blue. With Hugh Jackman leaving (speaking of aging out) she’s now the face of the franchise so simultaneously its biggest asset and its biggest problem. This makes four superhero films I’ve seen this year and still only one I really liked and it’s the character I know and care the least about: Deadpool.

 

YOU DON’T GET A MEDAL FOR LOVING SOMEONE LESS THAN PERFECT

Me Before You is that a subset of romantic drama the disabled/dying romantic drama wherein one partner is either disabled or dying and they other deals with or overcomes that in the name of love. Though when I think about it, it’s actually a subset of the oldest love story variation of all: the tragedy. Obviously there’s not going to be a cure for one and the person dies in the other. That’s the reason for “the drama.” Honestly, because I’m shallow it’s not one I care for. Give me warring families or disparate origins/classes, but someone permanently disabled or dying is just too depressing. I want a full-on happy goddamn ending, or at the very least one where both parties walk off their separate ways. And I mean “walk” literally. Yeah, I said it. What part of “shallow” didn’t you get? This is actually being trashed by some as some kind of “disabled romantic porn” because the person not disabled has to be so, so, so good to love that person who isn’t perfect. This was a criticism placed even on the novel. I would add to that the disabled person in question is, of course, rich so I’m gonna guess that when they die this person is rewarded for being able to love a disabled person with a ridiculous fortune. Yeah, there’s no reason to see this at all.

 

21 CHUMP STREET

Alice Through the Looking Glass is down to number four and this is seen as a flop simply because it opened at number two last week. I think that has more to do with the current tide of public opinion turning against Johnny Depp. Allow me to remind you I’ve been telling you for years he’s utterly full of shit. I didn’t need a domestic abuse charge like the rest of you fuckers. You should have hated him for doing the first one, much less a shitty sequel. But guess what? This has made $125m overseas and the fact that the first made a billion worldwide is the reason this exists to begin with so don’t be surprised if an overwhelming international success leads to a third chapter. I mean that fourth Pirates of the Caribbean wasn’t exactly huge domestically either, but was ridiculously huge overseas so they’re making a fifth. Which makes Amber Heard’s lawyers very, very happy. I have no sympathy for middle-aged men in the midst of a mid-life crisis who hook up with obvious golddiggers. Take everything, girl.

 

HELL, I’M PLAYING IT RIGHT NOW

The Angry Birds Movie is down to number five and I was oddly interested in this because I love the game and obviously any movie that has a character that hates everything and everyone appeals to me. But that doesn’t mean I’d spend a dime to see it. No, I’ll catch it on cable in a year or so. What’s surprising is the ridiculous amount of comedic talent on-hand. Jason Sudekis (who should never be a leading man, but a funny supporting actor, so please stop trying), Josh Gad, Bill Hader, Mya Rudolph, Peter Dinklage, Kate McKinnon, Tony Hale, Hannibal Buress and Keegan Michael Key. Hell, even Sean Penn is here and that simple fact may be the funniest thing about it as he has no sense of humor, which means he did his lines straight, probably making them funny as fuck. Yeah, I’m soooo watching this on cable on a Sunday afternoon.

 

AMERICA IS NEVER WRONG!

Captain America: Civil War is down to number six and I remain unchanged in disliking this. Captain America is wrong and unreasonable in this movie and Captain America should never be wrong or unreasonable.

 

PRETTY DIRTY

Neighbors 2: Sorority Rising is down to number seven and I have to say I totally respect how Zac Efron has decided to stop playing to his “look” of the clean cut pretty boy and go directly against and basically be the new king of R-rated slob comedies. Also joining him on his ascent to comedic royalty is Rose Byrne who is showing up in everything and stealing the show. I mean, or so I’ve heard. I hate Seth Rogen so much nothing anyone says can get me into a movie where he’s the star. Again, what part of “shallow” are you not getting? Which brings us back to the fact that pretty boy Efron is basically playing the roles that probably would go to Rogen.

 

SHOULD HAVE STOPPED AFTER 3 MINUTES

Popstar: Never Stop Stopping is the first Lonely Island movie and apparently the last as it opened at number eight. See, this is a great idea for a digital short on SNL or a supporting character in a movie, but it’s difficult to watch an entire movie about a complete asshole even when you’re supposed to be laughing at him. The guys in Spinal Tap weren’t brilliant, but they weren’t irredeemable assholes either.   I was tired of this whole concept before the trailer had finished.

 

A TALENTED GUY WHO’S AN ASSHOLE IS SADLY REDUNDANT

The Jungle Book is down to number nine with The Nice Guys closing out the top ten at number ten and this is the latest R-rated buddy movie from Shane Black. He’s like a less-depressing, funnier yet no less dismissive of women James Ellroy. Like Ellroy he tells dark stories about the seamier side of Los Angles that begin with a beautiful dead woman and the two guys determined to try and find some justice for her (this movie actually reunites Kim Basinger and Russell Crowe who were in the adaptation of Ellroy’s LA Confidential). Black is a good director and is on point with the foul-mouthed, funny dialogue, but his complete and utter hatred of women remains a problem. This is him at his least offensive (it’d be difficult to top the pure misogyny of The Last Boy Scout), but just so you know it’s him the only smart female is a child and it opens with a “joke” that involves a centerfold/porn star dying in the exact same pose as her centerfold. Get it!?! Why she’s naked in car crash is beyond me, but Black doesn’t care. He’s been opening with dead, naked women since Lethal Weapon (also a porn star) and he’s not stopping now. While this is a good movie I’m not sad it’s a bit of a flop because he’s got to be made stop that shit and so long as he doesn’t have a blockbuster hit that’s his and his alone (I could have directed Iron Man 3 and had a hit) he’ll always be under someone’s thumb which will ideally slow him down. Unfortunately, it’s Hollywood, so it’s not like that’s going to slow him down too much.

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CAPTAIN UNREASONABLE: CIVIL BORE

9 May

vs

1. Captain America: Civil War/BV Wknd/$ 181.8 Total/$ 181.8
2. The Jungle Book/Disney Wknd/$ 21.9 Total/$ 285.0
3. Mother’s Day/ORF Wknd/$ 9.0 Total/$ 20.7
4. The Huntsman: Winter’s War/Uni Wknd/$ 3.6 Total/$ 40.4
5. Keanu/WB Wknd/$ 3.1 Total/$ 15.1
6. Barbershop: The Next Cut/WB Wknd/$ 2.7 Total/$ 48.4
7. Zootopia/Disney Wknd/$ 2.7 Total/$ 327.6
8. The Boss/Universal Wknd/$ 1.8 Total/$ 59.1
9. Ratchet & Clank/Focus Wknd/$ 1.5 Total/$ 1.5
10. Batman v Superman/WB Wknd/$ 1.0 Total/$ 327.3

ALL THAT’S MISSING IS A “MARTHA” MOMENT
Captain America: Civil War opens at number one and I hate to say but this disappointed the shit out of me. Or rather, it was disappointing like I feared it would be. Civil War was a very bad comic book event from a few years ago that shameless exploited the cheapest money making convention of superhero comics: hero vs. hero. This started with the first kid who liked Superman arguing with his best friend who liked Batman, but didn’t become a part of comics until Marvel in the 60’s, which was all about heroes mistakenly fighting each other before teaming up. DC soon followed suit and eventually it became a self-referential joke in comics that every team-up was preceded by a fight. Then Marvel decided something that was once only part of a story should become the story itself and created Civil War, a story that basically required every hero to go utterly against 50 years of characterization so they could fight one another. But while comics’ fans complained bitterly they still bought the damn thing (like geeks always fucking do) so it paid off. So handsomely in fact that Marvel keeps doing it, much in the way Batman Vs. Superman paid off in the comics in the 80’s and they’ve been doing that ever since. And like Batman Vs. Superman it of course had to be incorporated into its cinematic universe. Now, initially the hope was that Civil War would be “in name only” like Age of Ultron, which was another horrible Marvel Comics event that became a completely different (yet mediocre) movie. This keeps the central point of conflict that superheroes need to register with the governments of the world or retire, but has the same basic flaw: one of our heroes has to act like a complete idiot to guarantee a fight. And in this case it’s actually the titular hero. Captain America must consistently choose the most antagonistic path possible to guarantee the one thing they’re selling: hero vs. hero fighting. The idea that The Avengers operate under some kind of global supervision isn’t unreasonable, yet our hero—and mine in particular—must act like the most unreasonable idiot in the world to make sure we get basically even single Marvel hero ever in a movie trying to punch the lights out of ever other Marvel hero in a movie, including its most profitable, Spider-Man. Spider-Man is to this movie what Wonder Woman was to Batman v Superman: a refreshing breath of air. Even Ant-Man comes off better. I’m having a bad superhero year. My three favorite superheroes are Superman, Captain America and Dick Grayson and so far this year I’ve seen movies where two of them have been made utterly disappointing to me. I’m oddly happy Dick Grayson may never see the light of day in a movie because at least then they can’t ruin him. The only difference between this and Batman v Superman is that I never expected that to be any good. I expected better from the Russo Brothers after The Winter Soldier and they let me down. While there are many enjoyable moments, they can’t overcome the basic flaw of the story, which is that heroes don’t fight each other and they never present a genuine reason why they would. At least not until the last five minutes and that reason is so awful you wish they didn’t because it honestly makes any team ups in the future impossible if you have any respect for character. But they clearly don’t so I guess I’ll see you at the next Avengers movie.

HAPPY’S REVENGE
Speaking of Marvel movies, the man who helped launch them was Jon Favreau, who, no matter what he says, departed under contentious circumstances, one of which was thinking he was going to direct the Avengers movie and that he had Tomorrowland. Neither happened, but the disappointing Cowboys & Aliens did. But then he had the awesome Chef (which was very clearly a commentary on that time), which was nothing short of an artistic comeback. That has resulted in the incredible success of Jungle Book, which on paper looks like a guaranteed failure. Artistically and financially it’s been anything but and not only is it great for Favreau, but he did it for Disney which owns Marvel, so the thought of him returning to the fold isn’t as unlikely as it was just a few months ago. The movie? Hell, I have no interest in the original animated version and even less in this, no matter what anyone says. But I’m happy for him.

NO YOU DON’T GET A PASS ‘CAUSE EVERYONE LOVES THEIR MOM.
Mother’s Day is down to number three even on Mother’s Day, which tells you how awful this latest entry in Gary Marshall’s series of “bad movies based on holidays” really is. And it’s almost two fucking hours on top of it! I realize Julia Roberts basically has to do this given she owes him her entire career and Kate Hudson is looking for an easy comeback to being a box office commodity and Jennifer Anniston is just lucky to have a career after “friends” to begin with. (same for fucking Jason Sudekis after SNL). But this is awful and they all need to understand it’s better to rule in the hell of a really good cable TV show than serve in the heaven of big studio releases. I’m talking to you most of all, Jennifer Anniston. The seemingly permanent erect nipples you sported in the 90’s won’t carry you forever. Or will they? The young men who were your fans in then are probably making the casting decisions now and hoping in vain for that one movie where you’ll finally drop your top.

‘CAUSE HONESTLY, HER’S IS BIGGER
The Huntsman: Winter’s War is down to number four and is yet another blow to the idea of Chris Hemsworth as a leading man even though he’s doing exactly what he should be doing and supporting strong female actors. What it is however is another reason to respect Kristen Stewart, as she’s the only thing missing from the marginal success of the first. Has it occurred to you fuckers that she’s the reason why this prequel didn’t work? Not to mention outside of Twilight she’s had at least one financial success with Snow White & The Huntsman and critical success with Still Alice and Clouds of Sil Maria. Robert Patterson has neither so how about you all get up off her dick!?!

BETRAYER OF MY PEOPLE
Keanu is down to number five and I was briefly interested in this when I found out that Keanu Reeves was doing the voice of the kitty. He initially refused—or at least his management did—but when his sister saw the trailer and told him about it, he called them to be a part of it. But I never really watched Key & Peele either, so not seeing it is par the course for me. Sorry, fellas. Yeah, it only cost $15M, but it’s only made that made much, which means it hasn’t even paid for marketing yet. Maybe it’ll be a home viewing success, because that’s the only place I plan on seeing it.

I WANT THE NEXT ONE TO BE BARBER SHOP: GOOD HAIR
Barbershop: The Next Cut is down to number six and between this, NWA and Ride Along, Ice Cube has reemerged as box office force to be reckoned with mainly because he’s not pretending to be catering to White people at all. He’s making Black movies for Black people and not giving a fuck and it’s working for him. I didn’t see the first barbershop because while I understand its place in the community, I’ve been shaving my own head since the 90’s so it’s not really a part of my existence any longer. Plus, I can’t take anything seriously that takes Common seriously as an actor. He. Just. Sucks. Why are we pretending he doesn’t?

DO NOT AS WE DO, LADIES. BUT AS WE SAY.
Zootopia is down to number six follow by The Boss at number eight and honestly I feel the best jokes were in the trailer so why bother? But I’m happy for Melissa McCarthy. Fuck the haters, baby.

THIS IS NOT ONE OF THOSE SUCCESSES
Ratchet & Clank is down to number nine and it’s yet another movie based on a video game. Apparently this will never die no matter how many of these movies fail. All it takes is one success to make people forget the other nine failures.

ZACK SNYDER SUCKS. THERE’S JUST NO OTHER WAY I CAN PUT IT.
Finally, Batman v. Superman: Dawn of Justice closes out the top ten at number ten and honestly, $326M domestic from a $250M budget isn’t that great even though it has made $865M worldwide. Twice your budget is break even and no matter that they tell you about international gross, the studio gets 40% or less that than so domestic is what matters most and this has made less than Deadpool. Let me say it again, a PG-13 movie with the three most famous superheroes of all time has has made less than an R-rated movie about a character 99% of the general populace has never heard off. Why? Gee, I don’t know. Maybe it’s because Superman is a miserable narcissist who, while being a party to thousands of deaths, doesn’t speak to people yet still wonders why some hate him. Maybe it’s because Batman’s a raving psychotic who quotes Dick fucking Cheney in his justification as to why he has to cut Superman’s head off. Maybe it’s a story that makes no fucking sense and seems to take place completely in the dark even in the day. Maybe it’s because the director’s idea of fun is to have Jimmy Olsen shot in the head in the first five minutes (no, I’m not kidding). Maybe it’s because the only bright spot of the movie, Wonder Woman, is only in it for ten minutes. Maybe it’s because no matter what sells in the comics NORMAL PEOPLE DON’T WANT TO SEE HEROES FIGHT EACH OTHER! Actually it’s a perfect fucking storm of failure and why every day you hear about a director leaving (the director of The Flash bailed, but it’s not like he was some great talent either) and learn that Ben Affleck is taking more control over the Justice League movie.

GONNA PUT SOMETHING IN MY BUTT
HBO was supposed to give me a free weekend a few weeks ago, but because Time Warner is a bag of dicks (and tiny ones at that), they didn’t pass it on to us. Fortunately, HBO seriously wants my money, which is why it was offering one free month of HBO Now. Now the catch is, unlike HBO Go, you can only watch Now on a device, so I had to watch Mapplethorpe: Look at the Pictures on my iPad. The first legit use I’ve had for it. The title comes from Senator Jesse Helms’ speech about defunding the NEA over their exhibit of Mapplethorpe’s work, which he found obscene and pornographic. Well, it kinda is, but the difference is Mapplethorpe wasn’t trying to titillate or arouse, which is the goal of porn. Also he was looking to push buttons, to make you acknowledge a world that existed. Watching the doc made me realize my first interest in photography wasn’t a few years ago, but back in high school when I first saw his pictures of Lisa Lyon and actually bought the book. It also reminded me of a photographer I met back in college who’d was not a fan of Mapplethorpe’s work. He was Black and Mapplethorpe had a well-known fetish for Black men to the point he slept with them exclusively. They’d met in a gay bar and Mapplethorpe actually dropped the “Do you know who I am?” line and my friend replied that he knew in a way that showed he was not thrilled at being fetishized and Mapplethorpe moved on. But it wouldn’t have worked. As the documentary showed like most fetishizers he only cared for his stereotypical fantasy of Black men as somewhat thuggish (makes one wonder if he ever crossed paths with Madonna who indulging a similar fetish at the same time in NYC) and not a reality of intelligent, college-educated like my friend or even his most photographed model, Ken Moody, who was not his lover. The documentary oddly contains no interview with Patti Smith who was his lover and best friend for a very formative period in his life (his most famous work may actually be her album cover). The creators insist it wasn’t needed because her book, Just Kids, more than covers that period, but that’s just bullshit. No way you don’t have her input on a comprehensive doc the way this is. Clearly she disagreed with them on something crucial. In her absence the primary source is Mapplethorpe’s kid brother, Edward, who initially idolized him and later became his assistant and photographer in his own right. Mapplethorpe is yet another photographer who wasn’t formally trained (his father was ironically a hobbyist photographer) and also yet another artist who wanted fame and fortune from day one and made no bones about it (yet another comparison with Madonna). His first patron was his rich lover whom he fully admits he would not have been with without the money. He promoted his shows like a professional ad campaign and towards the end when he was dying of AIDs his concerns were increasing his fame and whether or not he’d die with more money than Andy Warhol. Even his foundation was more about accumulating both after his death. He certainly didn’t leave his work for his family. Edward Mapplethorpe also became a photographer and Robert made him change his name so as not to “cash in” on Robert’s growing fame. And even though Edward took care of Robert in his last days, there was never any moment where Robert expressed gratitude or love and Edward is still openly pained about it. It’s the kind of honesty that makes this documentary so good. Shame about Patti, though.

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IT’D BE A WONDER, WONDER WOMAN

11 Apr

wwomen
1. The Boss/Universal Wknd/$ 23.5 Total/$ 23.5
2. Batman v Superman/WB Wknd/$ 23.4 Total/$ 296.7
3. Zootopia/Disney Wknd/$ 14.0 Total/$ 296.0
4. My Big Fat Greek Wedding 2/Uni Wknd/$ 6.4 Total/$ 46.8
5. Hardcore Henry/STX Wknd/$ 5.1 Total/$ 5.1
6. Miracles from Heaven/TriStar Wknd/$ 4.8 Total/$ 53.9
7. God’s Not Dead 2/PFR Wknd/$ 4.3 Total/$ 14.1
8. Divergent: Allegiant/LG Wknd/$ 3.6 Total/$ 61.8
9. 10 Cloverfield Lane/Paramount Wknd/$ 3.0 Total/$ 68.0
10. Eye in the Sky/BST Wknd/$ 2.8 Total/$ 10.4

IT’S A THIN LINE BETWEEN LOVING ONE THING AND HATING SOMETHING ELSE
The Boss opens at number one and more power to Melissa McCarthy and her husband for riding this train until the wheels come off. While I personally feel all jokes I needed to see about this were in the “R” rated trailer, I’m glad others felt different, because I like to see women succeed and I especially like when women succeed doing the same shit men do: crude anti-hero comedies. Basically she’s getting that Adam Sandler dollar and I’d much rather she have it than him (though I’m not giving her mine either). At least her trailers make me laugh. He can’t even do that. Next I want her to take the next step and have a Hemsworth brother hot for her, the same way we’ve had to buy Sandler as some kind of pussy magnet. God, I hate him…

IT’D BE A WONDER
Batman v Superman: Dawn of Justice is down to number two and as you may have heard (probably from me) Wonder Woman is the best thing about this. I will give credit to Snyder for this: he has her show up, say very little and be badass (even her music is great). The time-honored prescription to making a pretty actor with discernible personality or skills become successful. Action movies are the perfect vehicle for people like Gal Gadot. It’s no surprise her big break was in The Fast & The Furious franchise. If the director of Wonder Woman can follow this example and ignore literally everything else Snyder does it might not be half bad. Gal Gadot is the former Miss Israel, which takes on a new level when you realize Lynda Carter the Wonder Woman most people know was Miss World USA.

YOU ONLY THINK IT’S NEW BECAUSE YOU’RE YOUNG…AND STUPID
Zootopia is down to number three, followed by My Big Fat Greek Wedding 2 at number four and Hardcore Henry opening at number five and while some make think this is an interesting idea to shoot a film strictly from the first person, it’s actually already been done. The Lady in The Lake was a shot purely in the first person in 1947 and honestly isn’t every “found footage” film just that? And this particular case isn’t so much emulating that experiment as much as it is just continuing to the sad evolution of action films into video games. London Has Fallen basically turns into that one point and the comparison I most heard from gamers is how much Batman’s big scene in Batman v Superman was like a video game. This is not a good thing people, from defeating the purpose of cinematic storytelling to the fact that all this would mean to me is two hours puking from motion sickness.

WHAT WOULD JESUS WATCH? THE BOSS, PROBABLY.
Christian propaganda takes the number six and seven spots with Miracles From Heaven followed by God’s Not Dead 2 and given this probably cost nothing even with its low return of $14M you can rest assure God will continue to not be dead and inspire his people to fight the imaginary tyranny of atheists in God’s Not Dead 3.

STUPID PEOPLE CANNOT LEARN BY DEFINITION
The Divergent Series: Allegiant is down to number six they’re probably regretting splitting this into two parts already, given that every entry of this series is lower than the previous one and this one may not even break $100M. Considering given it cost $110M to make that’s not good. I’d say this should be a lesson to others as the last chapter of The Hunger Games (also stupidly split in two) also came in below expectations, but I think we know they won’t and nonetheless expect to reap the same rewards as Harry Potter and Twilight.

THE END
10 Cloverfield Lane is down to number nine and Eye in the Sky closes out the top ten at number ten.

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WEEK #2 AND IT’S STILL SUCKING

4 Apr

g-ua
1. Batman v Superman/WB Wknd/$ 52.4 Total/$ 261.5
2. Zootopia/Disney Wknd/$ 20.0 Total/$ 275.9
3. My Big Fat Greek Wedding 2/Uni Wknd/$ 11.1 Total/$ 36.5
4. God’s Not Dead 2/PFR Wknd/$ 8.1 Total/$ 8.1
5. Miracles from Heaven/TriStar Wknd/$ 7.6 Total/$ 46.8
6. Divergent: Allegiant/LG Wknd/$ 5.7 Total/$ 56.3
7. 10 Cloverfield Lane/Paramount Wknd/$ 4.8 Total/$ 63.6
8. Meet the Blacks/Free Wknd/$ 4.1 Total/$ 4.1
9. Eye in the Sky/BST Wknd/$ 4.1 Total/$ 6.1
10. Deadpool/Paramount Wknd/$ 3.5 Total/$ 355.1

SHIT FLOATS: PART 2039840201
Batman v Superman: Dawn of Justice holds the top spot and forget what you’ve heard about a 68% drop and cries of failure. Huge drops after huge openings are actually very normal. The first Avengers movie suffered at 50% drop and the second a nearly 60% drop. Even the well-reviewed The Dark Knight, the first superhero movie to make a billion, suffered a more than 50% drop its second week and I’m pretty sure none of them were failures. If everyone sees it the first weekend, then logically there are fewer people to see it the next weekend. That’s just a fact of the business. It’s only a problem if you were looking to repeat business to turn a profit. This is now the superhero equivalent of a The Transformers. The fact that they are awful will have no impact on their success. The only issue is the cost of the budget. It’s supposedly $250M, but is rumored to go as high as $410M with all the promotion, which makes sense as it’s everywhere. I wiped my ass once and it somehow came out in the shape of that fucking combined Superman and Batman symbol. And it was more entertaining to see than this. Now, the rule of thumb is at least 3x budget to turn a profit (though some would say it’s actually 4x or 5x) and if that’s the case it’s gonna need at least $1.23B—with a B—to be successful. It’s not improbable but let’s hope for the sake of future movies it does not because there will be no reason to change. For the rumored Batman movie starring, written and presumably directed by Ben Affleck, however, there is every reason to change. He’s been a critical darling too long to go back to being the butt of jokes and he’s not a good enough actor to hide it. Expect to see little resemblance to this flaming bag of donkey poo in anything he does. And I have to admit he’s not the disaster we all anticipated. The problem was going with an older Batman overall, not so much Ben Affleck himself (though he doesn’t convey the intensity that their rumored first choice, James Brolin, would have). And I love Jeremy Irons period, so casting him as Alfred gets nothing but a gold star from me. They both just need to be in a movie far, far away from Zack Snyder, who blew even the action sequences here. Maybe I’m spoiled now by Daredevil, but the fight scenes with Batman were clumsy with too many stuntmen obviously waiting around for their turn to die like a bad 70’s kung fu movie.

ZOOTOPIA 2: SELMA
Zootopia holds at number two and while I hope they don’t make a sequel, I would be lying if I said I wouldn’t be there opening weekend to see it. The only problem would be making the allegories of race and gender work the second time around. Also they have to resist the celebrities who’d love to be in it rather than simply hire the best actors for the job the way they seem to have done this time around. I love Idris Elba and Jason Bateman, but when they’re your biggest stars it’s clear you weren’t looking for that to sell your film, which is a good thing. Also on-hand are Ginnifer Goodwin, Jenny Slate, Bonnie Hunt, Tommy Chong, JK Simmons, Octavia Spencer and Shakira. I see two Oscar winners but not one person whose name suggests fame over substance and again, that’s a good thing.

I’M AN ATHEIST AND I APPROVE THIS MESSAGE
My Big Fat Greek Wedding 2 holds at number three and between this and Batman v Superman that the fourth film is entitled God’s Not Dead 2 comes off as a complete lie. How could he be alive and let all that other crap thrive? Is it perhaps part of his ongoing jealousy of Superman? This along with the fourth film, Miracles from Heaven (as opposed to what?), is part of the new wave of Christian themed films, which are making a nice profit and honestly I have no problem with them because it means its audience can shut the fuck up about other films and just watch their own. What’s wrong with them is that they are seemingly obsessed with atheists and view them as some kind of powerful majority in America who is out to get them. Uh, no. There’s more reality in Lord of the Rings than there is in that scenario. Sauramon has more power over America than atheists do.

A SCREAMING FAT DUDE IMPROVES EVERY MOVIE
The Divergent Series: Allegiant is down to number six, followed by 10 Cloverfield Lane at number seven and also in this is John Goodman and while I’ll never see this I’m glad he’s got a hit under his belt where you actually see him (his voice was in Transformers: Age of Extinction and of course Monsters University), though his presence in Hail Caesar might have made it a bit more interesting. Of course he was in Inside Llewyn Davis the Coen Brothers movie I didn’t see, but I don’t apologize for that because they are famously hit and miss and honestly I had no interest in a movie about a folk music failure. Mostly because of the folk music.

JUST BECAUSE HE’S BLACK DOESN’T MEAN I HAVE TO SUPPORT HIM
Meet the Blacks opens at number eight and all I know about this is Mike Epps is in it so will never watch it not even under threat of torture. I hate that muthafucka on sight and cannot imagine how he landed the starring role in a Richard Pryor bio. I can only think it’s being made directly for BET because what person would ever make him the star of drama they’d like taken seriously and expect people to pay to see? If it ever really gets made (they’ve been trying to do this since Pryor was alive and Damon Wayans was cast) I’ll add it to the list of Lee Daniels films I’ll never see in this lifetime. No, TV does not count, though I’m like 8 episodes behind on Empire too.

ONLY THE MOVIE COLLATERAL DAMAGE WAS FUNNY, THOUGH NOT INTENTIONALLY
Eye in the Sky rises to number nine and this is actually the second movie about drone usage and the human cost in the last year. I’m gonna guess neither of them are comedies.

MAN OF STEEL, WOMAN OF TITANIUM
Deadpool closes out the top ten at number ten and this has made over half-a-billion worldwide and $355M in the US alone. It’s so successful the Suicide Squad movie is being sent back for reshoots to add comedy to it. Forget that its success is because it’s loyal to its source material. Oh, no. All Hollywood took away from this was “R-rating” and “comedy.” Suddenly all my optimism for the Suicide Squad movie (thanks to that awesome trailer) has evaporated. Also in this movie is Gina Carano who is making some pretty good decisions with her career. First, hopping onboard The Fast & The Furious franchise, then doing a film with Steven Soderbergh (though a complete drag, as the auteur is so above an action film he refused to anything that would make it even remotely fun to watch), doing small films you’ve never heard of even though they had Bruce Willis (Extraction) and Robert DeNiro (Heist) and finally hopping onboard the superhero franchise in one of its most successful entries ever. I supposed you could add boning Superman to that list as she was with Henry Cavill exactly when both their films were out in 2013, but I doubt that was planned. Though I’d respect the shit out of her if it were. Fucking someone hot which also serves to promote you is a win/win. The opposite is like Lara Flynn Boyle was a) boning David Spade which did nothing for her and she was fucking David Spade and b) when she dumped him for bone Jack Nicholson which made her more famous than she’d ever been before…but she had to fuck Jack Nicholson. To fully illuminate the horror this I’ve uncharacteristically added additional pictures. Ironically, Spade would be with her at her peak, while Nicholson had her when she was as skinny as she was old and fat.

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