Tag Archives: Don Johnson

THE CHANCES OF ANYTHING COMING FROM MARS ARE A MILLION TO ONE…

5 Oct

L-interview-beau-gosse-de-Chace-Crawford_visuel_article21. The Martian/Fox                                           Wknd/$ 55.0    Total/$ 55.0
2. Hotel Transylvania 2/Sony                         Wknd/$ 33.0    Total/$ 90.5
3. Sicario/Lions Gate                                        Wknd/$ 12.1     Total/$ 15.1
4. The Intern/WB                                              Wknd/$ 11.6     Total/$ 36.5
5. Maze Runner: The Scorch Trials/Fox       Wknd/$ 7.7       Total/$ 63.2
6. Black Mass/WB                                             Wknd/$ 5.9       Total/$ 52.5
7. Everest/Universal                                          Wknd/$ 5.5       Total/$ 33.2
8. The Visit/Universal                                       Wknd/$ 4.0      Total/$ 56.9
9. War Room/TriStar                                        Wknd/$ 2.8      Total/$ 60.5
10. The Perfect Guy/SGem                               Wknd/$ 4.8      Total/$ 48.9

YES, THEY PLAY BOWIE. HOW COULD THEY NOT?
The Martian opens at number one and I like to think of this as “Matt Damon’s Personal Apology for Interstellar.” Seriously, everything Interstellar wasn’t this is. And by “everything” I mean “not written by an idiot.” Based on a novel with the same name, this chronicles the attempts of an astronaut left behind for dead on Mars along with the efforts to save him on earth, given nothing can get there for years. How he survives is through flat out science. Not “The Force” or “The power of love” which is basically what Interstellar wound up telling us, but zeroes and ones. Hard freaking science. I’ve rarely felt so stupid in a movie theater because everything Matt Damon’s character successfully does to survive is based in numbers. Everything NASA does to save him is based in numbers and people from the head of the agency on down effortlessly throw off numbers from the tops of their heads. When I was a kid, I once took money out of my savings account to buy a VCR then was surprised months later by not having as much money as I thought I did. It didn’t register to me at all. I’m not much better as an adult. I’m just grateful there’s no longer such a thing as debtor’s prison. Needless to say, this is what killed my desire to be an astronaut. I still like science. I just suck at it, which means I would have been dead in a week if it were me. While the film feels a little long at times, it’s not exactly unwarranted in a film about someone struggling to survive over almost two years. I think it adds something to make the audience as tired as your hero must be. This is a major save for Damon who’s recently embarrassed the shit out of himself with comments on homosexuals and minorities in the movie industry, revealing a sad lack of self-awareness and overwhelming straight white male privilege. Not to mention, this is the first film he’s successfully carried since being Bourne. All the other hits since then were with him as part of an ensemble. Yes, fucking Interstellar was a hit.

HATE THE GAME
Hotel Transylvania 2 is down to number two and it shocks and saddens me that this came from Genndy Tartakovsky, the man who brought you Samurai Jack and then used those skills to produce the infinitely-better-than-the-movies Star Wars Clone Wars shorts. Clearly this is his deal with the devil to allow the freedom of producing more interesting work and feeding his family. Don’t hate the player…

HOW MUCH HE MUST LOVE HIS ROLE AT MARVEL
Sicario jumps up to number three and while he’s always good in what he does, Benicio Del Toro must be getting tired of movies about the drug wars. He won his Oscar as cop fighting them in Traffic (when he should have won it for Usual Suspects), he was a criminal in Oliver Stone’s Savages (where he rapes and kills women he didn’t rape and kill in the book, so you know it’s an Oliver Stone movie) and here he’s a mysterious badass working with CIA…fighting the drug wars. Hell, he was even part of the drug trade when he was in a Bond movie. No, I’m not kidding. He’s in License to Kill as one of the bad guy’s flunkies.

BETTE DAVIS WOULD BE IN THE HUNGER GAMES, WHILE CRAWFORD WOULD HAVE DONE DIVERGENT
The Intern is down to number four, followed by Maze Runner: The Scorch Trials at number five and it’s a little amusing that none of the male lead sci-fi/fantasy YA Novel adaptations get the same attention of the female led ones. Hell, even the The Fault In Our Stars did better than Paper Towns. It’s an odd throwback to the 30’s and 40’s where female leads weren’t just seen as a liability, but in fact a virtue.

STRONGER THAN FICTION
Black Mass is down to number six and reading the comments of the real gangsters about this makes me want to see it even less as their problems with it sound much more interesting than what’s on screen. Apparently, Whitey Bulger didn’t curse like he had Tourette’s even while murdering people. And least of all at one of his psychopath henchmen who would have killed him in a second if he had. That sounds like a much more interesting movie that this, which sounds like it’s trying to compete with The Departed.

BUT HE WOULD HAVE BEEN SOOOO MUCH BETTER
Everest is our second based-on-real-events movie down to number seven and second movie in the top ten with Josh Brolin (who’s also in Sicario) who was apparently approached to play the older Bruce Wayne for Batman v. Superman, but chose to be the bad guy over in the Marvel films. I think that tells you all you need to know.

THE STRUGGLE IS REAL
The Visit is down to number eight, followed by War Room at number nine with The Perfect Guy closing out the top ten at number ten. Also in this is Morris Chestnut, who is the “good guy” to Michael Ealy’s “bad guy” and I don’t envy the filmmakers on this choice because they’re damned if they do and damned if they don’t. This way continues the trend in Black films for a light-skinned Black man to be evil (while women are desired) and a dark skinned Black men to be good, but if it’s reversed, it’s the Hollywood trend of lighter-skinned Black people in general to be better than their darker skinned brethren, which tends to bother Black people…the same Black people who have no problem applying this to women in both arenas. Sigh.

THE JOY CONTINUES

The new Fall season continues so here we go…

Blood & Oil: I loves me some Don Johnson and this did not disappoint me. It has officially replaced Nashville as my bad regional accent cheesefest (Rayna & Deacon, Scarlett & Gunner…I just don’t care anymore). Pretty boy Chace Crawford (seriously, he was the best looking cast member on Gossip Girl, even over the women) and his bride arrive in the new American oil boom of Nebraska to open a Laundromat, but because he can’t keep his eyes on the road and wrecks, they parlay overheard information and sheer balls into staking claim on the only entrance to some potentially oil rich land and are millionaires by the end of the first episode. It’s nothing but fun and the perfect thing to watch on a Sunday night before the start of the work week.

Quantico: Man is this stupid. It’s basically a soap opera pretending to be some kind of suspenseful action drama, but a beauty queen being the best agent in FBI training should have been your first clue. Twin Arab Muslims pretending to be one agent trainee was your second. That it’s revealed in the second episodes to be FBI sanctioned doesn’t make it any smarter. Not even a little bit. And while I’m not one to view 9/11 as some sacred day, the depictions of terrorist attacks in NYC are just handled much too lightly in these TV shows. You have no idea how freaked out this city is even after 14 years. A bomb taking out Grand Central Station would lock this city down like Escape From New York. No one anywhere would be doing anything, especially the way Beauty Queen FBI Agent who’s being framed for the blast is doing. But like I said, this is an utterly stupid soap opera pretending to be something else. Let me give you a piece of actual dialogue to make it clear: “Which is she to you: the FBI trainee you fell in love with or the terrorist who rejected you!?!” This is shouted by one high-ranking FBI Agent to another in the middle of a room filled with every possible type of law enforcement. After which we get a Hot Brown Chick fight. Latina vs. East Asian Indian. The only good thing I can say is that unlike supposedly more serious depictions, at least they had their hair tied back like female law enforcement officers actually would…which is why it wasn’t as much fun to masturbate to as it should have been.

The Player: More stupidity. This one is about a former FBI Agent who now works private security in Las Vegas. When his wife is killed by the men trying to kill one of his clients because he [the former agent] got in their way, he’s initially blamed for her death because apparently CSI only works scenes on their show. Anyone investigating that crime scene would have found evidence of the clear struggle he had with the man who killed his wife. I won’t even get into not one security camera or cell phone catching him chasing the guy down the strip (The Fugitive movie was this stupid too, but it was well made). Well, at least not until it’s needed to clear him in the end. But the show is actually about a group of “super gamblers” who can predict crime and make bets on it being foiled by an agent in their employ, who is now the former FBI agent (the show opened with Wesley Snipes standing over the body of presumably the last guy to have the job). They try to insinuate some connection between the organization and the dead wife, not to mention the former agent used to assassinate terrorists he was only supposed to find (and enjoyed it), but it’s just too stupid to make me care and not even a fun stupid.

Grandfathered: John Stamos is basically working out his own issues about growing older and alone, playing a 50-year-old bachelor who finds out he has a 20-somethng son who has a daughter. I was so impressed he’s actually openly playing a character his age (yeah, Clooney, I’m looking at you…and Cruise) I was pulling for this and wasn’t disappointed. He’s more than willing to let his character take shots, which is essential for a good comedy. It also didn’t just end happily with him and his new family but showed his anxiety at what he’d just gotten into. Hopefully, there will be growth but not in an overnight sitcom way.

Scream Queens: I’ve oddly become a fan of the second generation of Roberts in Hollywood (Emma is the daughter of Eric and niece of Julia) so I gave this a shot and the most interesting thing about it was the online debate between gay men over how they seem to love and adore women being ruthlessly bitchy to one another and emulate it in their own lives. Actually only some love it while others hate it. This comes from Ryan Murphy who brought you Glee which was filled with women being ruthlessly bitchy to one another so I think you know which side of that debate he falls under. Me, I’ve got a low tolerance for that without a palate-cleansing hero to pull for and the one given here was just too pretty-girl-bland. Not to mention, I’m not really that amused by watching girls ruthlessly slaughtered every week, even when I know it’s supposed to be a joke.

The Muppets: I’m torn here as I did enjoy The Muppets being updated to Larry David behind-the scenes type talk show sitcom, where Kermit is the show runner and Miss Piggy is the diva host with all The Muppets in various roles. But I can understand how some are dismayed by the show being a little too adult oriented. Make no mistake, The Muppets have always worked on two levels: one for the kids who followed them from Sesame Street and another for the adults who got the running joke that Gonzo was committing unnatural acts with those chickens, but sometimes it’s a little too dark and adult, like Fozzie’s relationship with a human being acknowledged inter-species and looked down upon as result and Kermit acknowledging a pig fetish. Then again, I laughed when Animal says he can’t go out on the road any longer because of “Too many women.” We’ll have to see if it can find a healthy balance.

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STILL THE KING!

19 May

don-johnson

1. Godzilla/Warner                                                 Wknd/$ 93.2     Total/$ 93.2
2. Neighbors/Universal                                         Wknd/$ 26.0     Total/$ 91.5
3. The Amazing Spider-Man 2/Sony                  Wknd/$ 16.8      Total/$ 172.2
4. Million Dollar Arm/Disney                              Wknd/$ 10.5      Total/$ 10.5
5. The Other Woman/Fox                                     Wknd/$ 6.3        Total/$ 71.7
6. Heaven is for Real/TriStar                               Wknd/$ 4.4        Total/$ 82.2
7. Rio 2/Fox                                                              Wknd/$ 3.8       Total/$ 118.1
8. Captain America: The Winter Soldier            Wknd/$ 3.8        Total/$ 250.7
9. Legends of Oz: Dorothy’s Return                    Wknd/$ 2.0        Total/$ 6.6
10. Moms’ Night Out/TriS                                    Wknd/$ 1.9         Total/$ 7.3

GODZILLA VERSUS…THE PREVIOUS VERSION OF GODZILLA
Godzilla opens not all that unexpectedly at number one. I mean, partner a classic movie character (he is too!) with a currently hot respected actor (as opposed to say, Zac Efron) and you’ve got a movie that will bring in not just your regular genre fans some people who might have otherwise given this a pass. I can’t imagine how they felt when they realized he was only going to be in the movie for 15 minutes. Too bad! We already got your money, suckers! So honestly, most of the movie has to carried by that kid from Kick Ass. No, I’m not kidding. He plays Bryan Cranston’s son, who just happens to be a Naval officer who dismantles nuclear bombs (mom and dad worked at Japanese nuclear plant). Gee, think that might come in handy before the end of this film? Most people can’t help but use this as a tool to beat up the other Godzilla film from Hollywood, as if every Japanese film of a man in a rubber suit was some kind of work of art (why they stick to the suit and ignore CGI is something only the Japanese understand). It was just bad in a different way than most of them usually were. It’s also a guilty pleasure of mine. And honestly, this one repeats the same mistake of that one: waiting too long to show Godzilla then showing him mostly at night. At least this time there are two other monsters to fight (not Mothra, but his nasty cousin), but they still manage got give him less screen time than the Sony version. Yes, the human element does matter, but I really didn’t need so much time watching Kick Ass, his wife (the Olsen who’s not a twin) and their struggle to get back together (their home is in San Francisco which just so happens to be where all the monsters have decided to fight). It’s called Godzilla, not “A Family Reunites While Monsters Fight.” If fact, I needed it as about as much as we needed Matthew Broderick’s reporter girlfriend. And even she eventually played a role in doing something to stop the monsters in the end. Non Olsen Twin doesn’t even get to do that, though she’s nurse. At least have her save some people to warrant this screen time. But we do get Godzilla’s radioactive breath back. So there’s that.

PEOPLE WANT TO DISLIKE YOU. LET THEM.
Neighbors is down to number two and you know who needed this more than Seth Rogen? Zac Efron. Since graduating from the Disney Academy he’s been floundering in his attempts to be taken seriously to the point no one seems to realize that his previous film, That Awkward Moment, actually made a little money. The reality of previous failures, altered the perception of an actual success. But now not only has he gotten a hit, but he’s about to join the Marvel Comics money-making machine. Somewhere Vanessa Hudgens is pissed, having played a series of supposedly “image breaking” roles of bad girls. Next time, honey, do it for laughs. That’s the key. Here he plays a jerk pretty boy for laughs. Next time you play a funny hooker-stripper-runaway-slut.

WAIT? THE ACTOR’S NAME IS WHAT?
The Amazing Spider-Man 2 is down to number three and is it just me or does this Dane DeHaan kid who plays Harry Osborn look like a younger, even more demented Leonardo DiCaprio. See, models? You don’t have to bang someone as old as your dad any more.

SPOILER ALERT. BUT NOT REALLY.
Million Dollar Arm opens at number four and while I don’t know much about baseball, I know there’s no one named Kinesh or Ghupta playing for the Yankees so how inspiring a true story can this be? Who wants to see a movie where the unlikely underdogs don’t win it all in the end?

DADDY VICE
The Other Woman is down to number five and Don Johnson shows up in this as Cameron Diaz’s father who starts dating Kate Upton. While I do loves me some Don Johnson and am enjoying this second half of his career where he’s playing dads (Kristen Bell’s dad, Jason Sudeikis’ dad, Danny McBride’s dad) this isn’t so much funny as fucking creepy, yet men seem to like to doing it. The “joke” at the end of No Strings Attached was that Lake Bell wound up dating Ashton Kutcher’s dad. Wasn’t funny then either.

BUT CAPTAIN AMERICA WILL NEVER DIE (HE CONTRACTED FOR SIX FILMS)
Heaven Is Real is down to number six, followed by Rio 2 at number seven and Captain America: The Winter Soldier drops to number eight and I wonder if they’re going to cough up a little more ad money to have it go out with a bang on Memorial Day weekend? Because you can see this big drop coincided with the release of Godzilla. They share the same audience and that audience will be seeing X-Men next weekend so it’s all over but the shouting. But it was a damn good run. If you told me it would do this well—$700M from a $170M budget—I’d have called it a little overly optimistic, but as a man who bought two Captain America t-shirts last week (almost three), I’m happy to see my guy do well.

WHAT’S THE OPPOSITE OF FEELING GLEEFUL?
Know who’s not doing well? Lea Michele. She’s the voice of Dorothy in Legends of Oz: Dorothy’s Return, which is down to number nine and heard anything from the album she released? Did you know she’s got a book coming out too? Exactly.

THE END
Finally, Mom’s Night Out closes out the top ten at number ten.

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DEATH BY GINGER

13 Jan

ryan-reynolds-bradley-cooper

1. Zero Dark Thirty/Sony                             Wknd/$ 24.0            Total/$  29.5

 2. A Haunted House/                                    Wknd/$ 18.8            Total/$  18.8

 3. Gangster Squad/Warners                        Wknd/$  16.7            Total/$  16.7

 4. Django Unchained/Weinstein                Wknd/$  11.1             Total/$ 125.4

 5. Les Miserables/Universal                        Wknd/$  10.1             Total/$ 119.2

 6. The Hobbit/WB                                         Wknd/$    9.1             Total/$ 278.1

 7. Lincoln/Touchstone                                  Wknd/$    6.3            Total/$  152.6

 8. Parental Guidance/Fox                            Wknd/$    6.1             Total/$   60.7

 9. Texas Chainsaw 3D/LGF                         Wknd/$   5.2              Total/$   23.0

10.Silver Linings Playbook/Wein                Wknd/$    5.0             Total/$   41.3

 

REDHEADS ARE DANGEROUS

Zero Dark Thirty jumps to the number one slot thanks to multiple Oscar nominations (and the addition of over 2000 more screens) and much like Argo, you know a film is good when it tells you a story you already know (0r at least think you do) and it’s still suspenseful and interesting.  Jessica Chastain is a CIA agent who was apparently recruited out of high school (I think we just found the pitch for Justin Bieber’s first movie) and basically spends the whole of her twenties as part of the team tracking down Osama Bin Laden.  I don’t know about you, but I spent my 20’s slowly becoming less and less of a jackass and not much else. And I’m still pretty much a jackass, so it’s not like I was even good at it, much less having my actions change the world like she does.  But it makes sense to me because if I wanted to destroy a man I’d sic a redhead on him, especially a young one.  Those creatures don’t forgive or forget and won’t rest until they’ve put you in a grave. I’m lucky I escape…every time it happens.  When we first meet her she’s a rookie wearing her best suit to an interrogation that she can barely watch, but as time passes soon she’s not just participating in the interrogations, but telling off her bosses to the point where they goes along with her and ultimately describing herself to the head of the CIA as “that mutherfucker” that found Bin Laden, but all the while still seeming like this smart, geeky girl who has no business being there, much less in that line of work (given her pale skin, you’d think the desert sun would burn her to a crisp).  All the Oscar nominations here are clearly well deserved.

 

THE ONLY THING SCARIER THAN ONE LAME FRANCHISE IS TWO

A Haunted House opens at number two and the Scary Movie franchise was actually started off by the Wayans family for Miramax and later taken over by the Zucker team who brought us Airplane and The Naked Gun. Clearly there was a a falling out of some sort as this is the Wayans Family starting a rival franchise as the Scary Movie 5 is coming up which doesn’t look quite as funny as this one, even thought that’s not saying much at all and this one.  Clearly they’re stronger together than they are apart.  I might watch this on cable one day, but would never go out of my way to see it, which again is saying something given I paid to see all four previous Scary Movie films.

 

APPARENTLY NO ONE LIKES THIS PERIOD STORY, PERIOD

Gangster Squad opens at number three leaving Ryan Gosling still searching for that mainstream movie hit to match his commiserate level of fame.  This movie with Nick Nolte about the infamous “Hat Squad” of the LAPD which used dubious methods to keep organized crime from the east out of Los Angeles is not to be confused with Mulholland Falls, another Nick Nolte movie about the infamous “Hat Squad” of the LAPD which used dubious methods to keep organized crime from the east out of Los Angeles.  And neither is to be confused with LA Confidential, which also had the LAPD using dubious methods to keep organized crime from the east out of LA as part of its storyline. The difference between this and Mulholland Falls is that the writers strangely thought this interesting piece of history wasn’t interesting enough and spun off into some ridiculous story about atomic bomb testing and cover-ups.  Even the awesome LA Confidential didn’t make it the main story.  However, Mulholland Falls did manage to get Jennifer Connelly naked before the title credits even stopped rolling so there’s that.  Nick Nolte was the leading man in that one, but almost 20 years later now he’s old guy boss and Josh Brolin is the guy leading the hat squad (though that aspect seems to have been dropped here as well) and Ryan Gosling is one of his young, hot cops (between Chazz Palmenteri, Chris Penn and Michael Madsen, Nick Nolte’s team could also have been called “The Fat Squad”). I hate to say it, but the reason I passed on this story as opposed to the other two has more to do with Sean Penn in silly makeup and overacting as Mickey Cohen (his character’s death is the catalyst for much of what happens in LA Confidential, but is nowhere to be seen in Mulholland Falls).  He looks like he wandered in off the  set of Dick Tracy.  Is Haiti fixed?  Doesn’t he have something better to do than be the unpleasant hole in films I might otherwise have seen?

 

KEEPING B-MOVIE ACTORS WORKING

Django Unchained is down to number four and because this is a Quentin Tarantino it’s filled with all sorts of odd pop culture friendly casting, as evidenced by none other than Tom Wopat showing up as a US Marshal.  Yeah, Luke Duke in a Tarantino film.  Also here are Dennis Christopher from Breaking Away, Lee Horsley from Matt Houston and the great The Sword & The Sorcerer; Russ Tamblyn who once starred in a film called Son of A Gunfighter and plays that character here and daughter Amber is along for the ride as, yes, Daughter of Son of a Gunfighter.  And to top it all off, Don freaking Johnson.  Half the cast is a game of “Hey, it’s that guy!”

 

THE OTHERS

Les Miserables is down to number five followed by The Hobbit at number six and Lincoln at number seven.

 

WHEN BILLY MET MONEY

Parental Guidance is down to number eight and it looks like the joke is on me as this has made $65M off a $25M budget ($83M worldwide) and it looks like Billy Crystal has found the payday for his twilight years. And for him it’s not the move of a desperate actor looking to stay relevant (I’m looking at you Eddie Murphy), it’s just the easy payday he’s earned after 40 years.

 

SOMEWHERE ROGER CORMAN BEAMS WITH PRIDE

Texas Chainsaw 3D is down to number nine, but that’s okay.  It’s made $30M and probably cost about $5, so everyone is happy.  And it’ll be out on DVD in about a week.

 

IT’S LIKE THE BROCOLI OF MOVIES

Finally, The Silver Linings Playbook also returns to the top ten as a result of Oscar nominations and still they were not enough to get me into see it. Seriously.  I know it’ll be good, but I just can’t seem to get myself into the theater.  I chose Zero Dark Thirty at over two-and-a-half hours over this.  I’m going to have to make it a date or something so I feel obligated to go.  I’m blaming Bradley Cooper, whom I don’t mind, but still find terribly interesting and remain shocked he’s a now a box office draw and an Oscar nominated actor.  Somewhere Ryan Reynolds is confused, because he’s the same kinds of dull.  Yeah, but he’s a boring American, Canada-boy. Trivia: the role of Green Lantern came down to Bradley Cooper and Ryan Reynolds.  Reynolds got the role and a wife from it, while Cooper went on to be in successful, critically acclaimed films.  Don’t kid yourself if you think Reynolds wouldn’t switch places with him. Hell, Blake Lively would switch places with him.  They’ve made film together so that press tour is going to fun…for one of them. The other will be staring daggers the entire time.