Tag Archives: Brave

LIKE MOST THINGS IT’S HARDER THAN IT LOOKS…ESPECIALLY WHEN YOU SUCK

12 Dec

HOLLYWOOD, CA - NOVEMBER 14: Actor Dwayne Johnson (L) and songwriter Lin-Manuel Miranda perform onstage at The World Premiere of Disney’s "MOANA" at the El Capitan Theatre on Monday, November 14, 2016 in Hollywood, CA. (Photo by Alberto E. Rodriguez/Getty Images for Disney)

1. Moana/Disney                                         Wknd/$ 55.5    Total/$ 81.1
2. Office Christmas Party/Paramount    Wknd/$ 17.5    Total/$ 17.5
3. Fantastic Beasts & Where…/WB         Wknd/$ 10.8   Total/$ 199.3
4. Arrival/Paramount                                 Wknd/$ 5.6     Total/$ 81.5
5. Doctor Strange/Disney                          Wknd/$ 4.6     Total/$ 222.4
6. Allied/Paramount                                  Wknd/$ 4.0      Total/$ 35.6
7. Nocturnal Animals/Focus                     Wknd/$ 3.2     Total/$ 6.2
8. Manchester By the Sea/RAtt                Wknd/$ 3.2     Total/$ 8.3
9. Trolls/Fox                                                 Wknd/$ 3.1     Total/$ 145.5
10. Hacksaw Ridge/LGF                           Wknd/$ 2.3      Total/$ 60.2

BETTER TO SERVE IN FAMILY FILM HEAVEN THAN RULE IN ACTION MOVIE HELL
Moana holds the top spot and as the voice of the supporting character is Dwayne Johnson as the demi god Maui. This is perfect for him. Dwayne Johnson and Hugh Jackman have both had spectacularly spotty careers for tall, handsome, charismatic men. One out of every five films is a success and if you’re Jackman the letter “X” is probably in the title. The difference being Johnson finally realized he was better as part of a team than a lead, thus he joined GI Joe and The Fast & The Furious it’s been easy street ever since. Even in comedies, he’s working with someone else and here he’s supporting the title character and honestly doesn’t show up until almost of a third of the way through. The result is that this basically the best movie he’s ever made. And it’s also not out of the question that his character’s “theme song” just might put him on the Oscar stage for Best Song. Hell, I bought the damn thing and I hate, hate, hate musical animated movies. I know what the damn story is. You don’t have to sing it to me!

UNCOOKED COMEDY STEW
Office Christmas Party opens at number two and one sign of people who are good at what they do is that they make it seem easy. So easy it seems like anyone can do it. Athletes, musicians, porn stars…they do what we’d all like to do and make it seem like it’s not work at all. Well, it is and some of the people who do work that looks easy are the creators of the various raunchy “R-rated” slob comedies, who can trace their origins back to Mel Brooks and Animal House in the 70’s and have been reborn over the last decade or so with the comedies of Judd Apatow and the stable of actors he uses. It definitely seems easy. Take some lovable losers, let them curse, do things we’d all love to do without fear of repercussion, defeat nasty uptight assholes and show some boobs along the way. What we forget is for every one of these that succeeds there are half a dozen other that fail creatively and financially. Office Christmas Part is one such failure of the former. It has all the elements of a perfect raunchy movie: an office of kooky characters headed by the biggest character of them all is about to be shut down by his uptight bitter sister unless they land a big account and they decide to do so by throwing a big office party that gets totally out of control. Add to this a cast of talented comedic actors some of whom have had success in the recent R-comedies (Jason Bateman, Jennifer Anniston, TJ Miller, Kate McKinnon, Rob Corddry, Jillian Bell and Randall Park) and this should have been an easy win. But it doesn’t gel. Even moments that should have been funny fail because there’s no energy or heat to the proceedings and that failure starts at the basic level: the writing. No less than six of the most untalented comedy writers working were part of this. Sorry, but the guy who wrote Pixels, Just Go With It and This Means War shouldn’t be allow to do anything but serve you fries. I know they thought one of the guys who wrote The Hangover would help, but that anti-talented asshat also cranked out the mediocrity that was Bad Moms, 21 & Over and The Change Up (a few of those R-rated failures we mentioned earlier). Did you think one of the writers for Sacha Baron Cohen would help? Why!?! Add to this one newbie writer and another whose biggest credit is was an episode of the odious Trophy Wife TV show and why this fails is abundantly clear, but hey let’s top it off with two directors who brought you Blades of Glory and The Switch. One failure and one moderate success (which can be credited to Will Ferrell more than anything). And the real, cruelest irony is that it’s not bad because it’s not interesting enough to be bad. When they run this on TV it can pretty much go uncut except for brief nudity and a little cursing. That’s how bland it is. Such a waste of both talent and a concept.

IT HELPS REDMAYNE ISN’T A DRUNK
Fantastic Beasts and Where to find them is down to number three and how do you think Colin Farrell felt about seeing Eddie Redmayne every day? Once Farrell was the new hot young thing destined for greatness and now he’s the bad guy in a big CGI franchise movie that stars a hot young thing, who not only fulfilled his promise but did so almost immediately. I’m thinking it either stung a little or he’s achieved a level of zen about it all and it just happy to be able to still get a paycheck in a big CGI franchise.

YOU KNOW THERE ARE OTHER MINORITIES IN THE MILITARY TOO
Arrival is down to number six and also in this is Forrest Whittaker who you may remember has an Oscar. Nonetheless I think he’s here only because they couldn’t get either Samuel L. Jackson or Lawrence Fishburne as Black Guy of Significant Rank To Show We’re Not Racist because no way was a person of color going to be the lead.

THE NEW FACIAL HAIR STAR
Doctor Strange is down to number five and is now the 9th highest grossing film in the Marvel Cinematic Universe, beating out both Thors (big surprise) Ant-Man, The Incredible Hulk and the First Captain America Movie. In other words almost everything that didn’t have Robert Downey Jr in it. Read into that what you will, but if you’re Benedict Cumberbatch’s agent you’re very happy right now.

THIS IS WHY WE CAN’T HAVE NICE THINGS
Allied is down to number six followed by Nocturnal Animals at seven and I’m interested in both these grown up, totally adult films which have gotten decent reviews, but yet I saw the universally Office Christmas Party instead. I’m part of the problem. But so are you.

I KNOW ME. I MAY NEVER SEE IT.
Oscar bait Manchester by the Sea enters the top ten at number eight and I tell myself I’ll see this but again, I saw Office Christmas Party this weekend. Heavy sigh.

IT GOES WITH THE JUST DESSERTS
Trolls is down to number nine and know it’s killing these people that their film with is based a firm piece of pop culture, had superstar Justin Timberlake doing not just the voice but wrote a hit song for it and still didn’t do as well as The Secret Life of Pets whose main voice was Louis CK. Seriously, it literally hasn’t made half as much and has made in six weeks what Moana made in three. I drink their confusion and disappointment like the sweetest wine.

JUST DON’T LET US SEE YOU
Finally, Hacksaw Ridge closes out the top ten at number ten and this was not the disappointment you may think it is. It only cost $40M and has made $60M domestically. Not a home run, but not a strike out either and if it gets any Oscar nods (probably for sound design like war movies usually do) Mel Gibson’s career as a director will continue (though his acting career will remain as dead as Dickens).

ONE OF THOSE SELF-FULFILLING PROPHECIES
I know it’s late for TV, but I’ve really been enjoying No Tomorrow, which will probably be cancelled tomorrow, thus living up to its name. Truth be told I don’t know how this got the greenlight to begin with. A romantic comedy about a woman who plays it safe who meets a guy who thinks the world will end in 8 months and so is trying to live life as much as possible and gets her out of her shell to start living the same way is a movie, not an open ended series. After all, the world won’t end in 8 months and how long can you put that off? After that you just have to accept he’s nuts. But for now it’s light and fun and they do develop the supporting cast which helps make it interesting. They don’t stay in one place, which is almost unheard of for TV as the Slutty Best Friend has to always be the Slutty Best Friend but here she gets her own subplot, which allows her to develop. And they have shown consequences for his lifestyle. Since he thinks the world will end he spends money like, well, there’s no tomorrow, but the bill is coming due today and a few episodes in he loses his home and most of his possessions. Again, that’s development you don’t expect in such a lighthearted premise and honestly cannot stretch out for five years. But I’m going to enjoy it while it lasts because like the beliefs of its male lead, it doesn’t have a future.

REVIVAL OF 1776 IN THREE, TWO, ONE…
So I got me some culture of a different sort thanks to my musical theater-loving cousin who occasionally comes into the city on business (she’s an attorney for the Justice Department) and always tries to catch a show. Well, she couldn’t make it this time and so sent me her ticket to none other than Hamilton. No, I’m not kidding. Sorry I this hurts you, but fortune tends to smile on lowly creatures. Now, I never would have seen this on my own. Ever. I simply do not care for musical theater. In fact, if Gene Kelly isn’t dancing you can actually keep musicals, period. The closet I’ve come was a date with a woman who was a sound engineer for the documentary about the making of the show. So when she cleared me to sell it if I couldn’t make it that was my thought first and foremost. Get the money, dolla-dolla bills y’all. But as we all know guilt rules my life so if I sold it had to be for an extravagant amount so when I told my cousin she’d understand. This is how it wound up on Stub Hub for $1200. Now, if that seems a lot, know that it was a) mezzanine center and front and b) seats around it were going for $1500 so I was actually undercutting the competition. But by 7:30 the night of the show no one had bought it and since it was a physical ticket that needed to be picked up it was clear no one would, so I begrudgingly let the dreams of serious Christmas shopping with that extra loot fade away (they were such nice boots…). Fortunately it was very good. I mean, I don’t know musical theater so I’ve got little to compare it to. I saw Wicked (again because of her), which was also a huge Broadway show but don’t remember much about it and only remember one song from it, while Hamilton held my attention for the 2+ hours it ran and I’ve honestly been listening to the soundtrack ever since. My favorite song is “The Schuyler Sisters” but a close second is everything from the King of England, which is done delightfully in Brit-pop style in contrast to the R&B feel of the rest of it. As you may know it’s famous for incorporating rap and hip-hop into this story of one of America’s founding fathers (created our initial financial system, the Coast Guard, The New York Post and is on the $10 bill), but when all is said and done it’s still 50% straight-up Broadway “I’m gonna sing you the plot and my character” which normally I hate. It makes sense that the same person who wrote the song from Moana that I love wrote and starred in this as well: Lin-Manuel Miranda. Now, I didn’t see him. He’s long gone from the show as are a lot of the original stars. In fact, I saw the understudy to the guy who’s taken over the lead, but again, I’ve nothing to compare it to so I thought they were all great. In fact, in listening to the original cast soundtrack I prefer the Understudy-to-the-Replacement because he has a better voice. He had to. He got the role by earning it whereas Lin-Manuel was the star because he wrote it and didn’t have to compete for it. The show is taken from a modern warts-and-all bio of Alexander Hamilton and watching it I was reminded I was actually a bit obsessed with that type of history and that time in American history for awhile in high school thanks to Gore Vidal who wrote the historical novel Burr, about the man who kills Hamilton in a duel (though it can be argued what killed most men of duels in that time was infection from the wound) and is a major part of the show. Vidal is notoriously iconoclastic and I loved his work. The show is similar as it doesn’t shy away from Hamilton’s flaws, most notably his voracious need to climb in society due to his humble beginnings, but decides to keep its lead somewhat sympathetic in omitting one of the rumored reasons for the duel that ended him: Hamilton was telling people Burr had an incestuous relationship with his daughter. Yeah, you deserve to get shot for that shit. I was also all about Thomas Jefferson who was the perfect founding father to me as writer of The Declaration of Independence, the bill establishing religious freedom, executed the Louisiana Purchase, which doubled the size of the country, created the University of Virginia and died on the muthafucking 4th of July. Of course my continued reading killed this hero worship, starting with his inability to oppose slavery and hammered home by his slave-mistress/sister-in-law Sally Hemmings. Yes, she was the daughter of his father-in-law making her technically his wife’s sister and his sister-in-law. He also raped her regularly enough to bear him some kids (it’s rape because a slave cannot give consent). Also, the land he bought from France really wasn’t theirs to sell and contributed to the genocide of the its Native America populace. Nonetheless, when he makes his appearance in the show as a significant character, I was delighted and loved every little aside about his accomplishments (there’s even a Sally Hemmings mention). Hero worship dies hard it seems. Now, this doesn’t mean I’m going to be frequenting any more Broadway shows, but for something I got utterly for free and making no effort it was a pretty good time. And it was needed because good art has a way of inspiring you and improving your view of the world. After seeing this I was optimistic about the future no matter how what the news tells me. After all, do you really think this is the first time we’ve had racists running the country who’d sell us all out for a dollar and wipe their asses with The Constitution? Hardly and we made it through. Then I saw Office Christmas Party and left convinced of our doom and I still haven’t shaken it. So the lesson here is good art will help you make it through, like a good-hearted negro friend in the movie of your life. But don’t pay hundreds of dollars for it. That’s just stupid.

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LIKE MOESHA, BUT WITH “ANA”

27 Nov

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1. Moana/Disney                                                             Wknd/$ 55.5   Total/$ 81.1
2. Fantastic Beasts & Where To Find Them/WB     Wknd/$ 45.1   Total/$ 156.2
3. Doctor Strange/Disney                                              Wknd/$ 13.4   Total/$ 205.1
4. Allied/Paramount                                                      Wknd/$ 13.0   Total/$ 18.0
6. Trolls/Fox                                                                     Wknd/$ 10.3  Total/$ 135.1
5. Arrival/Paramount                                                     Wknd/$ 11.3   Total/$ 62.4
7. Almost Christmas/Universal                                    Wknd/$ 7.6     Total/$ 36.7
8. Bad Santa 2/BG                                                          Wknd/$ 6.1      Total/$ 6.1
9. Hacksaw Ridge/LGF                                                  Wknd/$ 5.5     Total/$ 52.2
10. The Edge of Seventeen/STX                                   Wknd/$ 3.0     Total/$ 10.3

LIKE MOESHA, BUT “ANA”
Moana opens at number one to the surprise of no one and at the end of the previous decade Pixar took over running the Disney animated department, which had fallen on hard times. How hard? Let’s run down this list from that 10 years: Bolt, The Princess & The Frog, Meet the Robinsons, Chicken Little, Lilo & Stitch, A Christmas Carol, Dinosaur and Brother Bear. Yeah, exactly. Now, this is what Pixar did in that same time: Wall-E, Up, Finding Nemo, Monsters Inc, The Incredibles, Ratatouille and Cars. Basically the inverse of one another. One produced mostly classics (Cars and the cooking rat movie are the rare Pixar misses) and the other produced mostly duds (and I loves me some Lilo & Stitch). Since Pixar took over it’s been Tangled (which they almost totally revamped), Wreck It Ralph, Big Hero 6 and of course Frozen. And now with Moana they’ve raised Disney’s animated department to their level. This is as good as a Pixar film. I am not kidding. It’s a fucking musical—which I despise—and it’s still amazing. I will be buying this fucker the second it’s available. This is not to say it’s reached the emotional depths of movies like Up or Inside Out but it’s as much fun as the first Toy Story or A Bug’s Life (the underrated gem) and damn sure better than Cars (everything is better than Cars). Basically, it’s the movie Brave should have been. It’s even aware of itself enough to make jokes about the other Disney movies. Again, so good I didn’t mind the musical numbers (I know what the goddamn story is and don’t need it sung to me).

THE QUEEN BASICALLY ORDERS YOU
Fantastic Beasts And Where to Find Them is down to number two, still printing money for the JK Rowling factory. I never read a single Harry Potter book and was forced to see but one film so this is meaningless to me. Meaning. Less. I’m just happy to see an indie boy like Eddie Redmayne get a way to pay the bills. It’s the traditional route. Nicholas Cage didn’t become a ginormous whore until after he got his Oscar, Halle Berry did Catwoman right after her Oscar and Charlize Theron did Aeon Flux after hers. Gotta get that paper. I think being English, being in a Harry Potter movie is like an obligation. Like a period piece about the monarchy, they all have to do it at least once.

HIS BLAND AMERICAN ACCENT DIDN’T HELP
Doctor Strange is down to number three and also in this in the grand Marvel tradition of wasting good to great actors as dull, one-note villains is Mads Mikkelsen who, like all the other actors in this film would have been a better Doctor Strange than Benedict Cumberbatch. In their scenes together he just basically wipes the bland Brit off the screen….like Chiwetel Ejiofor or Bendict Wong or Tilda Swinton… But he does this a lot in his movies and even on TV. If you’ve had the misfortune of seeing the remake of Clash of the Titans, he’s the best thing about it. Walking sheet of blank paper Sam Worthington didn’t stand a chance against him. That he ruled Hannibal as the titular character over Hugh Dancy goes without saying.

ANGELINA JOLIE SHOULD HAVE SEEN IT COMING THEN
Allied opens at number four in yet another attempt at “counter programming” against the other escapist fare, apparently not realizing adults have to take their kids to all the above movies. I honestly want to see this. It looks like Mr. & Mrs. Smith: 1942 and I don’t have a problem with that at all.

OTHER ALIENS I MEAN
Arrival is down to number five and given that everyone is in a comic book movie these days, this will now be known as “That Time Hawkeye Teamed Up With Lois Lane to Speak To Aliens.”

SHUT UP AND RELEASE ANOTHER ALBUM
Trolls is down to number six and add it to the list of Justin Timberlake failures. Seriously. $135M from $125M budget is not a raging success and now that something worthwhile has been released with actual memorable music, kiss it goodbye.

THIS TIME THE AUDIENCE FUCKED SANTA BY NOT GOING
Almost Christmas is down to number seven, followed by Bad Santa 2 opening at number eight and who the hell asked for this? Seriously. The highlight of the first was Gilmore mom (oh, you go look up her fucking name if you care so much) humping Billy Bob while repeating “Fuck me, Santa. Fuck me, Santa.” Similarly, the highlight of this one seems to be the big-titty redhead from Mad Men (oh, you go look up her fucking name if you care so much) wanting to be done doggystyle behind a dumpster and thanks to the Red Band trailer I’ve seen it. Billy says doing the Fargo series convinced him good work could be done on TV. I’d say it was more the shit he was being offered for theatrical releases that did it.

ONLY THROUGH BART SIMPSON CAN WE EVEN THE SCORE
Hacksaw Ridge is down to number nine and also in this is Theresa Palmer and I don’t know why, but I’m always glad to see her working. I just feel she got a raw deal as the “New Pretty Blonde.” What’s funny is she’s one of three Australians in this movie. Hugo Weaving and Rachel Griffiths are also here trotting out their regional American accents. I see them all sharing a giant Foster’s after work and laughing their asses off about how they do it better than actual Americans.

IF THE SONG ISN’T IN THIS I’M NOT WATCHING IT
Finally, The Edge of Seventeen is down to number ten and I actually wanted to see this, but didn’t know it was out. Oh, well. Thankfully, Netflix is fulfilling my indie film needs in my old age. The title obviously comes from the Stevie Nicks song which comes from her meeting Tom Petty’s first wife who in her regional accent told Nicks that she and Petty had met at the “age” of seventeen, but sounded like “edge.” And no, it’s not about an older woman boning a younger man. Sorry to kill that for you.

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REDHEADS ARE TROUBLE. ESPECIALLY WHEN ARMED.

24 Jun

1. Brave/Disney                                                Wknd/$   66.7            Total/$   66.7

 2. Madagascar 3/Dreamworks                      Wknd/$   20.2            Total/$ 157.6

 3. Abraham Lincoln: Vampire Hunter         Wknd/$   16.5            Total/$   16.5

 4. Prometheus/Fox                                           Wknd/$   10.0            Total/$ 108.5

 5. Snow White & The Huntsman/U              Wknd/$     8.0            Total/$ 137.1

 6. Rock of Ages/Warners                                 Wknd/$     8.0            Total/$  28.8

 7. That’s My Boy/Sony                                     Wknd/$     7.9            Total/$  28.2

 9. MIB 3/Sony                                                   Wknd/$     5.6            Total/$ 163.3

 8. The Avengers/Disney                                  Wknd/$     7.0            Total/$ 598.3

10. Seeking A Friend…/Focus                         Wknd/$     3.8            Total/$    3.8

 

HOW ABOUT SOME COWARDICE AND AVARICE?

To no one’s surprise, Brave opens at number one and unfortunately this is not one of Pixar’s better works.  They’re never bad (no, not even Cars), but when you do something as transcendent as the first 20 minutes of Up or Wall*E the standards are much higher for you than anyone else.  And while this is better than pretty much every thing Dreamworks or Blue Sky (those horrible Ice Age movies) has ever done, by Disney standards, it’s lacking. To me, the real problem is no villain. You need some great threat to fight. It doesn’t have to be evil, as Finding Nemo proved, but some significant opposition.  What’s the issue here? Rebellious princess Merida accidentally turns her mother into a bear.  No, seriously. Not even a monster, a bear.  And she’s not even a dangerous bear, as she maintains her faculties for the most part, even continuing to wear her crown. Is the witch who provides the spell secretly evil and trying to take the kingdom like countless Disney movies?  No, she’s just wacky. Is there someone lurking who will benefit from this, like Scar in The Lion King?  Nope. Nothing will really change in the land.  Can the spell only be broken by some dangerous quest our archer princess has to embark upon, like Marlin crossing the ocean in Finding Nemo?  Nope. There’s simply no actual malice t0 be found or great task to accomplish and this results in a serious lack of drama or tension. It only kicks into gear when the king, who hates bears after losing his leg to one, starts unknowingly hunting the transformed queen as the deadline for her transformation to become permanent approaches. As always, it’s utterly gorgeous and I’m sure the hair on Merida alone took up most the computer space on the Pixar hard drives, but everyone makes pretty movies so that means nothing. Let me put it this way: when the movie is stolen by literally three little bears who are onscreen maybe five minutes, you’ve got a serious problem.

 

NEXT: THOMAS JEFFERSON, WEREWOLF SLAYER!

Speaking of lackluster animated movies, Madagascar 3 is down to number two, followed by Abraham Lincoln: Vampire Hunter opening at number three and this is so wonderfully and gloriously ridiculous it may well be the most fun I’ve had at the movies all year.  How can you not love a movie wherein Harriet Tubman and Mary Todd Lincoln use the Underground Railroad to deliver silver bullets to the Union Soldiers at Gettysburg because Jefferson Davis has made a pact with the vampires to fight for the Confederacy.  No I’m not kidding. It’s that awesome! And it’s almost immediate as the film opens with 8-year-old Abe going to the aid of a boy who being taken away as a slave even though he’s free and the whip comes directly at the camera!  Sensitivity to African-Americans be damned! We gotta justify our inflated 3D ticket prices!  Needless to say this boy grows up to be Lincoln’s right hand as he enters politics and even onto the White House. You say there’s nothing in the history books about Abe’s black best bud?  Whitewashing, I say! Just as they hid his kung-fu axe skills.  What makes this great is that everyone plays it straight no matter how insane it gets.  No winking at the camera here as Lincoln explains the only way to stop the vampires….is to end slavery.  Again, I’m not kidding.   With no respect for history, physics, logic, the continuing sensitivity to slavery by African-Americans or a president regarded as one of our greatest this movies takes us back to a time when such crass filmmaking was commonplace: the 70’s. Whenever someone brings up that bullshit about it being Hollywood’s last creative time period, give them one word: Mandingo. Speaking of which, only thing missing from this movie is some gratuitous interracial sex with Lincoln and some slave love interest…at an orgy.  Not to mention with Mary Todd…with his hat still on. If they’d made this in the 70’s we would have gotten both.

 

NEITHER QUANTITY NOR QUALITY

Prometheus is down to number four followed by Snow White & The Huntsman at number five and having two big budget films in the top ten kinda makes this The Summer of Charlize Theron (formerly known as The Summer of Channing Tatum until GI Joe 2 was moved to next spring).  She was actually supposed to be the idiot scientist played by Noomi Rapace but was waiting on the new Road Warrior movie to begin shooting so she opted for the smaller role insisting “…it’s better to have a smaller role in a great film, rather than star in a crap one.”  Well, she failed in that endeavor as she’s starring and supporting in crap films, so it’s actually The Critically Crappy Summer of Charlize Theron, because believe it or not both films are somewhat if not extraordinarily successful.  If it seems like she’s suddenly everywhere when she was nowhere before, it’s not your imagination.  Unlike say, Nicholas Cage (who’s probably in both these movies if you look hard enough), Theron only makes on average one or two movies a year.  You’d think this would mean better films, but you’d be wrong.

 

YOU REMIND ME…HOW MUSICAL ARTISTS ALMOST ALWAYS MAKE BAD MOVIES

Rock of Ages is down to number six and honestly what the hell has happened to Mary J. Blige!?!  Why is she here!?!  When has she ever, ever been associated with rock?  Shouldn’t she have been in the upcoming (and probably disappointing) remake of Sparkle.  It’s like they wanted Tina Turner but couldn’t afford her…or she saw the stage show and said “Fuck no.”  Not to mention this is one big joke and Mary has never had the greatest sense of humor about herself or anything else.  It’s called “No More Drama” not “No More Comedy.”

 

WHY? BECAUSE HE CAN.

That’s My Boy is down to number seven and the failures of the Gossip Girl cast continue as this also stars Leighton Meester as the fiancée of Andy Samberg.  Yeah, that’s how you know it’s both a comedy and an Adam Sandler movie because goofy-looking muthafuckas get girls like her.

 

BOY’S CLUB

The Avengers is down to number eight, followed by MIB 3 at number nine and while this has made $163M domestically, it’s made more than twice that overseas meaning Hollywood probably won’t stop beating this dead horse yet.  Though how they’ll convincingly make a 4th one is beyond me as Tommy Lee Jones looks like he’s 80 in this.  It’s clearly no accident the plot keeps him off-screen in favor of Josh Brolin.  Granted, he never looked young even when he was, but all the jokes Will Smith makes about his age in this movie have a disturbing ring of truth.  Logically, his character should have assumed the job that Rip Torn had and Will Smith mentoring a new partner but that makes entirely too much sense, which is why Linda Fiorentino had to be let go.  No, I’m not letting that go. She was a great part of the first film and I’m still waiting for them to notice that.

 

MISSING 2005 ARE WE?

Finally, Seeking A Friend At The End of the World opens at number ten and since we’re talking about an average looking guy being paired with a hot girl, look no further than this and honestly that alone was enough to put me off this. Granted, they’re supposed to be friends but even as a platonic pairing it’s not something I or anyone else would like to see for that matter. And how many times is Steve Carrell going to play this role?  Didn’t he just do it last year in Crazy Stupid Love?  Does that make this Crazy Stupid Love At The End of the World?  And Keira Knightely is starting to miss Pirates of the Caribbean more than Orlando Bloom and that’s saying something.

 

THE LOVESEAT IS A LITTLE OLE PLACE WHERE WE CAN SIT TOGETHER

So, I’ve done an adult thing. I bought a couch.  I kinda had one before because my futon bed of over 15 years could be converted into one.  Then the women around me let it be known that they’d never have sex in such a thing and that it was somewhat immature (my thanks goes out to all those women who were clearly sluts because they actually did have sex with me in it).  I replaced it with a real bed, but this meant in the event I should ever have any kind of company, there was no longer any place to sit but the bed, and while that was the ultimate destination it’s somewhat tacky to start there.  So at the end of last year I began to slowly try and clear my space of clutter to allow for a small couch, probably a loveseat.  I got rid of all my CD towers and subsequently the jewel cases and put my CD’s into books.  You know, like someone of my friends have wisely been doing since Day 1.  Next came the search for a couch to fit the space and the budget.  Leather was not happening, nor was used.  Unless it’s a friend, that’s like getting a used mattress. You don’t know what the fuck was happening on it and I mean “fuck” literally.  Granted, your friends probably fuck on theirs too, but you’re already exposed to their germs.  Finally the answer to home needs came as they always do: from IKEA.  $150 would not only get me a small couch that fits the space, but it actually becomes a bed, so the next time someone visits I won’t have to awkwardly share my bed (seriously, dude, I love you, man, but we will never do that again).  Of course delivery was $100 (plus the tip for the movers) and IKEA wouldn’t have to me for two weeks.  Maybe. I looked for “Man With Van” like we used to in the old days, but they weren’t much better and then someone suggested U-Haul, which I totally forgot about in the city.  Sure enough there’s one a block away from me, so one fine Saturday afternoon, I got myself a pick up truck and headed off to Red Hook. To save money I went with three hours rather than the recommended four, which I thought I was clever until it took me an hour just to get out of the fucking city.  Seriously, what is wrong with you people who drive here?  It’s insane!  It took me no time to pick up my current Movie Buddy/Full Time Geek Girl from her place in Brooklyn to help me with it and even less time to get it from IKEA.  Getting back into the city and back up to my place was over a fucking hour. I can ride to IKEA on my bike in 45 minutes!!!  As it turns out the couch was not that heavy or large and I theoretically could have done it alone, but it was still nice to have help. I rewarded her with booze and empanadas, ‘cause I’m classy.  I put it together in less than half an hour and promptly took a nap on it to break it in.  It works.

 

PICTURES OF LILLY

So long as I’m improving my life, I signed up to take formal classes to learn how to use my camera.  Every time I think I’ve gotten better, I wind up with a bunch of incredibly shitty photos that say otherwise. You people only see the 3 or 4 good ones; not the 196 bad ones I deleted.  So, like everything I do, there was literally months of internet research to find one that fit my budget and needs. Mostly my budget because I need everything.  Real courses at places like School of Visual Arts were out of the question.  I don’t a $1,000 worth of interest in this.  Also, seminars and the like simply weren’t enough and they begin to add up.  Internet and home courses depended on my personal ability to motivate myself, so that was clearly out of the question, leaving the half-dozen or so various schools here in Manhattan (I also don’t care enough about this to go to Brooklyn either).  I narrowed it down to two and while one was reviewed better on Yelp!, it was a) more expensive, b) I missed the window to start and c) on the east side in midtown.  PhotoManhattan was left and it was a) cheaper (even moreso if you paid in advance), b) starting the next week and c) on 14th & 6th.  I’d sooner ride further downtown than closer to anything on the east side.  Real talk!  One of the complaints about the place was the cramped space so imagine how nice it was to hear the guy tell us when I walked in that this was their new space with a big open window. Score!  It’s a class of 15 people ranging from those with $1000 cameras who know nothing about them to a producer of films who just is tired of being the only guy on set who can’t take nice pictures to people like me who know a little something, but only a little.  It’s only 3 guys and I’m not sure what that says about photography, but my primary goal is to be ready the next time some guy stops me and asks if I want to go to Staten Island and take pictures of girls in a hotel room.  You’d think it’d be mostly guys for that reason alone.  The teacher is an attractive young woman from South Africa who has the patience of a saint, because two hours in that room of people flashing at me would have resulted in murder.  She laughed it off saying that she doesn’t even notice any longer—right after she calmly explained how they could take shots without blinding her.  It’s an 8-week course of the basics and the fact that I learned what the fuck white balance was the first night means I’m already happy.  In 7 more weeks I’ll be ready to start my career in softcore porn.  Oh, come on. We all knew I was headed there eventually. The miracle is I’ve resisted this long.