Tag Archives: Boo! A Madea Halloween

THE CRISIS OF UNFORTUNATE TITLING

14 Nov

7yodqwmt

1. Doctor Strange/Disney Wknd/$ 43.0 Total/$ 153.0
2. Trolls/Fox Wknd/$ 35.1 Total/$ 94.0
3. Arrival/Paramount Wknd/$ 24.0 Total/$ 24.0
4. Almost Christmas/Universal Wknd/$ 15.6 Total/$ 15.6
5. Hacksaw Ridge/LGF Wknd/$ 10.8 Total/$ 32.3
6. The Accountant/WB Wknd/$ 4.6 Total/$ 77.7
7. Shut In/EC Wknd/$ 3.7 Total/$ 3.7
8. Boo! A Madea Halloween/LGF Wknd/$ 3.6 Total/$ 70.4
9. Jack Reacher: Never Go Back/ Wknd/$ 3.3 Total/$ 54.6
10. Inferno/Sony Wknd/$ 3.3 Total/$ 31.6

WHEN YOUR WORST CHOICE IS STILL GOOD, YOUR CASTING DIRECTOR DESERVES A RAISE
Doctor Strange holds at number one making sure any doubts of Marvel’s dominance were laid squarely to rest. Yet another comic book hero 90% of the populace has never heard of has been a ridiculous success (it’s almost made budget in a week and made more than twice this overseas). It also validates the casting choice of Benedict Cumberbatch, whom they delayed this movie to get. What’s funny and a little sad is that he’s the least interesting actor in this cast. I like him well enough, but pretty much everyone else cast would have been better than him. Chiwetel Ejiofor, Benedict Wong, Mads Mikkelsen and Tilda Swinton would have been more entertaining as Doctor Strange. Especially the latter two. There’s nothing about the character Doctor Strange that dictates it be a white male. Only that the character be a brilliant surgeon who is humbled and becomes a sorcerer. That’s any race, any gender (unlike say, Batman whose family has been prominent in Gotham since the pilgrim days which rules out anyone of color). Even costar Rachel McAdams would have been a welcome change from the so-safe-it’s-generic path they chose. There’s controversy about the casting because while they changed the Sorcerer Supreme from being Asian (Tibetan to be specific) to being White to avoid “stereotypes” (and offending the Chinese government so they could get those Chinese moviegoers). Yeah, the road to hell is paved with good intentions and that was another quarter mile laid down because while the “mystic Asian master” may be a stereotype it’s one that gives an Asian actor who might not otherwise have found work a job. Also crucial is the world “master.” He may be a stereotype, but the one who is the baddest muthafucka in the room. Simply put: the most powerful character in the story went from being a minority to being white. Yes, you can argue the most powerful character went from being a man to a woman (which is what Marvel tried to do) but it’s still a White woman as opposed an Asian one. Faced with this, Marvel again tried to wash over their sin by changing Wong from being Doctor Strange’s manservant to being another sorcerer equal to Strange, but one step forward plus one step back means you’re just standing still. That being said, Tilda Swinton is always a joy to watch, but she’d have been better as the doctor. She’s also more age-appropriate as the character not supposed to be young either, but someone older than Cumberbatch.

MAYBE SOME SCHOOLHOUSE ROCK EPISODES WOULD HAVE HELPED
Trolls holds at number two, followed by Arrival at number three and this is “grown up” science fiction, meaning it’s not about space battles and sexy robots, but about thoughts and concepts, in this case the science of communication, language in particular. How would you teach or learn an alien language? And do it before the world destroys itself in fear? My normal complaint about this type of movie is that it could have been told in 45 minutes on an old episode of The Outer Limits, but this actually needs its time to delve into what makes a language? How to communicate with no common basis, no Rosetta Stone? Amy Adams is basically the best linguist in America who is recruited by the government when one of 12 giant spaceships on Earth lands in Montana. Every 18 hours they open the door and try to communicate us, but until Amy Adams shows up apparently it never occurred to none of the hundreds of people on Earth trying to communicate (every country with a ship has team ) to a) use written symbols or b) not show up dressed like you’re landing on the moon when it’s clear they’ve made an effort to give you a breathable atmosphere. Seriously, they bring a bird in to make sure the air is safe and given nothing happens to the bird not one single scientist of the hundreds around the world thinks they can take that damn hazmat suit off!?! There’s a bit of a twist which is old hat if you’re a science fiction fan (seriously, this is basically a combination of a Deep Space Nine episode and a Next Generation episode) so once you’ve figured it out it drags a bit and honestly I’d have given that up for more delving into how they figured out the language of the aliens, but all in all it’s some solid thinkin’ man’s science fiction.

ALMOST ROLLING IN MONEY
Almost Christmas opens at number four and whoever decided on a pre-Thanksgiving release date needs to be fired. Seriously. In one more week you’d have a four-fucking-day weekend to bring in the bucks. I mean, it only cost $17M and already made $15M, but it could have, should have been so much more. Pretty sure no one going to see Fantastic Beasts and Where to Find Them was going to have to decide between the two films.

THOUGH HE DID DATE HIS LEADING LADY AND BREAK UP WITH HER…JUST LIKE TOBEY
Hacksaw Ridge is down to number five and the star of this is former Spider-Man himself, Andrew Garfield trying to show life beyond the tights. Yeah, Tobey Maguire should have been a cautionary tale. But Garfield is a better actor and his defacto look isn’t “creepy loner” so hopefully he’ll do better.

SHE CAN’T PITCH PERFECT FOREVER
The Accountant is still around and color me shocked. This also works for Anna Kendrick as it’s a successful film out of her wheelhouse. Granted she’s “the girl who needs to be saved” but there’s no such thing as a bad hit.

ANOTHER JOB THAT SHOULD BE OPEN
Shut In opens at number seven and just as Almost Christmas opens a week too soon, this comes over a week too late. Returning to the genre that was the source of her only starring role success (The Ring) this should have been an easy win with at $10M budget for Naomi Watts. Seriously, somebody should lose a job over this as it was money just left on the table. Especially if that idiot used the term “counter-programming.”

WE ONLY HAVE OURSELVES TO BLAME
Boo! A Madea Halloween has made $70M off a $20M budget. See, this is why we can’t have nice things.

STARS OF THE LATE 20TH CENTURY FINALLY BEGIN TO FADE…
Finally the Toms close out the top ten with Jack Reacher: Never Go Back at number nine and Inferno at number ten.

ALSO VISIT:

ORIGINAL ANGRYGEEK.COM

FORMER BOY WONDER PHOTOGRAPHY

Advertisements

WHOA, HO, HO IT’S MAGIC!

7 Nov

dtrsg_49_94

1. Doctor Strange/Disney Wknd/$ 85.0 Total/$ 85.0
2. Trolls/Fox Wknd/$ 45.6 Total/$ 45.6
3. Hacksaw Ridge/LGF Wknd/$ 14.8 Total/$ 14.8
4. Boo! A Madea Halloween/LGF Wknd/$ 7.8 Total/$ 65.0
5. Inferno/Sony Wknd/$ 6.3 Total/$ 26.0
6. The Accountant/WB Wknd/$ 6.0 Total/$ 70.9
7. Jack Reacher: Never Go Back/ Wknd/$ 5.6 Total/$ 49.2
8. Ouija: Origin of Evil/Universal Wknd/$ 4.0 Total/$ 31.4
9. The Girl on the Train/Universal Wknd/$ 2.8 Total/$ 70.7
10. Miss Peregrine’s Home…/Fox Wknd/$ 2.1 Total/$ 83.3

TRY TO UNDERSTAND HE’S A MAGIC MAN
Doctor Strange opens unsurprisingly at number one as the latest installment of the Marvel films. And while it’s enjoyable I find myself oddly disappointed in just how hard Marvel is sticking to this formula. Granted, they’ve got literally a billion rea$on$ as to why, but I find myself saddened just how much like all the others this is because Doctor Strange has always been a character that I’ve liked and he’s not like other comic book heroes. Yes, the plot device is one of the oldest in the history of creation—the humbled prince who becomes a better person as a result and we’ve seen it twice here alone with Thor and Iron Man—but they do absolutely nothing to put a new spin on it. In fact they watered it down. In the comics Stephen Strange starts as a flat out callous asshole of a surgeon who just might let you die if you can’t meet his fees, but here he’s just a bit of an arrogant prick and doing what is basically a Robert Downey Jr-lite take on the character as he was also not a joke cracking wiseass like he is here. In fact, you really only know he’s an arrogant jerk because people keep telling you he is, not really because of any arrogant jerk things that he does. When it happens it’s a big moment, not like the genuine arrogance of Tony Stark in the first half hour of Iron Man as he casually rumbles over everyone, friend and stranger alike because he only cares about himself. Also missing is Strange’s growth from this minor asshole to almost painfully benevolent. It’s a near two-hour movie. You should have the time to show the passage of time but apparently it wasn’t worth sacrificing a gigantic psychedelic action sequence. You don’t go from callous asshole to caring for an entire plane of existence in a few days or weeks, but it feels like it’s barely a month of so for the character here when it should have been years. There’s no definitive “humbling moment” where enlightenment occurs. This goes hand-in-hand with his “instant magic skills” something a depiction of an extended period of time would have helped with immensely. There’s an 80 minute animated version from a few years ago that actually does better at showing this, which should embarrass everyone here. The quality of the acting goes without saying, but literally every major actor present would have made a better Doctor Strange than Benedict Cumberbatch. Every. Single. One.

IT’S A BAD MOVIE HOUSEHOLD
Trolls opens at number two and you can garner the quality of a children’s movie by whether or not kids shut up when the trailer comes up. Over the last few months, this trailer didn’t shut up any kids. ‘Nuff said. Besides, has Justin Timberlake ever starred in a good movie? He’s been a supporting actor in exactly one. Again, ‘nuff said.

I GUESS YOU COULD SAY HE HAD A BRAVE HEART
Hacksaw Ridge opens at number two and Mel Gibson finally realized no one was going to see a movie of his if they had to see his face so here he’s just directing. This feels like the kind of war movie they would have made in the 40’s when they weren’t borderline propaganda: they were flat-out propaganda. Except Gibson takes great pains to show war as horrifically bloody as humanly possible which isn’t really going to inspire anyone to take up arms. I know this is based on a true story about a pacifist soldier who refused to take lives and would only save them, but honestly that doesn’t make it any more interesting to me. It takes something truly exceptional to make me want to sit through a war movie and this ain’t it.

TAKING A STAND
Boo! A Madea Halloween is down to number for and the answer is still “No.”

NETFLIX. THE NEXT ONE WILL BE ON NETFLIX. STARRING HIS SON.
Inferno is down to number five and so much for this franchise. At least as big budget superstar movies. They could very well make a nice living doing them as TV movies like Tom Selleck did for that one character, but this is clearly going to tie up in a nice little trilogy for you to buy for your parents at future Christmases because they read the books.

SEX AND THE SINGLE SUPER SOLDIER
The Accountant is down to number six, followed by Jack Reacher: Never Go Back at number seven and while one franchise may have just been born, another may be seeing its premature end. Yes, this means that Ben Affleck just had more success as an action hero this year (remember Batman v Superman: Mad Stupid Cash Grab) than Tom Cruise. You can bet pre-production on the next Mission Impossible just kicked into high gear. What’s funny is that neither character gets to have sex with their female lead, which are Anna Kendrick and Cobie Smulders respectively. Not that we wanted to see it (ew!), but Ben Affleck’s character basically cannot with Kendrick because his autism leaves him socially impaired. And we don’t necessarily want to see it with Tom Cruise either (serious ew!), but there’s an odd kind of sexual tension that is present because Cobie Smulders and Cruise spend time half-undressed together in a very casual way that is oddly appealing. Honestly, it’s very adult that two people on the run from killers would have other things to worry about than whether or not someone sees them naked. And at the same time, knowing this night could be your last night on earth why the hell wouldn’t you hook up? Especially in the case of Jack Reacher, given his character has come to DC for the specific purpose of possibly sleeping with Cobie Smulders. I’m not kidding. They even discuss it in one of the oddly appealing scenes. It’s actually odd that they do not. Odd for the characters. For Tom Cruise, not so much.

STUDIO ACCOUNTANTS SAYS “OUCH! THAT’S SOME SHARP CHEDDAR!”
Ouija: Origin of Evil is down to number nine and you know who’s in this!?! Eliot himself, Henry Thomas. Good for him. Get that work, son! Yeah, it’s a low-budget horror movie, but it’s made 3x its cost, unlike the movie of the Toms (Hanks and Cruise) in this top ten. It also means you’ve had one more hit this year than Spielberg. Yeah, I said it!

BET YOU THOUGHT BEING PRETTY WAS GONNA CARRY YOU…MORE THAN IT ALREADY HAS I MEAN
The Girl on the Train is down to number nine at $70M off a $45M budget ($140M total worldwide) this is a minor success. Good for you, Glenn Cocco! I want Emily Blunt to do well (she had Sicario last year). I like The Devil Wears Prada that much. I want almost everyone who was in it or associated with it to do well. Yeah, that stops at you, Adrian Grenier. Entourage has tainted you forever. Being a pretty muthafucka don’t help.

A LONG OVERDUE DEATH
Finally, Miss Peregrine’s Home for Peculiar Children aka, Tim Burton’s X-Men closes out the top ten at number ten and mercifully I think we’re nearing the twilight of studios giving Burton millions of dollars for these CGI fests. It didn’t even make budget domestically and while it doubled its domestic take overseas that’s not the money that matters most. You can tell stories of eccentric characters without a lot of CGI, Timmy, but the operative word there is “stories” and you aren’t big on those, much less characters.

ALSO VISIT

ORIGINAL ANGRYGEEK.COM

FORMER BOY WONDER PHOTOGRAPHY

EVERYBODY GETS A BUTT-KICKING FRANCHISE

24 Oct

jon

 

1. Boo! A Madea Halloween/LGF          Wknd/$ 27.6     Total/$ 27.6

2. Jack Reacher: Never Go Back/          Wknd/$ 23.0    Total/$ 23.0

3. Ouija: Origin of Evil/Universal           Wknd/$ 14.1    Total/$ 14.1

4. The Accountant/WB                             Wknd/$ 14.0    Total/$ 47.9

5. The Girl on the Train/Universal        Wknd/$ 6.0       Total/$ 58.9

6. Miss Peregrine’s Home…/Fox            Wknd/$ 6.0      Total/$ 74.4

7. Keeping Up With The Joneses/Fox   Wknd/$ 5.6      Total/$ 5.6

8. Kevin Hart: What Now?                      Wknd/$ 4.1       Total/$ 18.9

9. Storks/WB                                              Wknd/$ 4.1       Total/$ 64.7

10. Deepwater Horizon/Lions Gate       Wknd/$ 3.6      Total/$ 55.3

YOU KNOW HOW I FEEL ABOUT THIS SHIT

Boo! A Madea Halloween opens at number one and…no. Just…no.

NEVER GO BACK…UNLESS IT’S FOR MORE MONEY

Jack Reacher: Never Go Back opens at number two and I actually enjoyed the first film. Granted, I’m not one of the fans of the books where Jack Reacher is 6’3” so I don’t have a problem with Tom Cruise intimidating people and whooping ass all over the place like a man twice his size. I accept it for the cheap thrills sheer vanity production it is (one of the first things you see onscreen is “A Tom Cruise Production”). It exists to show you that the star is just the bestest thing ever! And while Cruise was never a great actor he is however a great movie star so this works. It’d work better for a young Clint Eastwood, but it works for Cruise too. This is a bit of an improvement on the the first because that one was centered around a horrific loss of innocent life along with horrible moments of the sheer “crap we do to our fellow human beings” variety. The only way it was better was that it had one of funniest fight scenes ever and we got to watch Jai Courtney get beaten to death. Hell, the latter alone is worth the entire film’s production. This one is a simple “wrongly accused heroes fight to clear their names” and we get to watch Tom Cruise get his Jason Bourne on. And don’t kid yourself: this was his attempt to have a Jason Bourne franchise the way every actor from Liam Neeson to Kevin Costner to Sean Penn has seemingly tried to get his own with varying degrees of success over the last 14 years (Cruise was originally supposed to be Salt which was obviously gender swapped to Angelina). Yeah, he’s got Mission Impossible, but a) you can never have too many franchises, especially when you’re officially an aging actor and b) that was actually famous before he was and has expanded to include other known actors. This is about him and him alone beating the shit out of people in that military martial arts style that even James Bond had to adapt as the result of Bourne’s success. It’s not an intellectual exercise by any stretch of the imagination, but for so cheap and easy fun (these movies cost about $60M each and literally a third of that probably went to Cruise alone) they are not a bad way to spend two hours and will be great on cable in the coming years where you can just tune out the improbable plot and just look up from what you’re doing to watch Cruise beat the shit out of people. Hey, I think Jai Courtney is about to die right now. Be back in a minute…

IT’S A SUCCESSFUL PLAN, STAN

Quija: Origin of Evil opens at number three and this is how you make money. Take a low budget horror movie and open it close to Halloween, the second most profitable holiday in America. The first Ouija came out on October 24th last year and made $50M from a $5M budget so they knew what they’d be doing the following year. This is basically the new “Saw” which milked this same marketing plan for years. The producers put a little more money into this one (it’s a whopping $9M this time), but have probably already started pre-production on the third given it’s already made that back and then some in one weekend. I think it goes without saying that I have not, nor will I ever see any of these.

DAMSEL IN DISTRESS

The Accountant is down to number four and also in this is Anna Kendrick, expanding her audience to dudebros who’d never see Pitch Perfect but bringing her trademark humor along with her which honestly is one of the reasons this succeeds: it knows when to be funny. After all, you can’t have a killing machine accountant and expect people to keep a straight face. You cannot. Granted, Kendrick is basically “the girl” who needs to be saved and doesn’t even have a moment where she contributes to beating the bad guys, but small steps. At least when they come for her she manages to put a hurt on them and doesn’t just scream and run.

AN ALL ALMOST-STAR CAST

The Girl on the Train is down to number five and this movie is filled with actors you know but none with enough star power to overcome Emily Blunt, which is shrewd if planned, but probably because a movie with a female lead didn’t have the budget to hire other A-list actors (you know it’s true!). You’ve got the would-be girl-of-the-moment Haley Bennett, Justin Theroux aka Mr. Jennifer Anniston, Luke Evans aka That Guy That Looks Like If Orlando Bloom Was A Man, Laura Prepon aka The Redhead From That 70’s Show, Allison Janney aka Always A Solid Supporting Actor But Never A Lead and Lisa Kudrow aka That Friends Money Means You Should Never Feel Sorry For Me.

THEY BELIEVE IN FLYING MEN AND GHOSTS…SO LONG AS THEY’RE WHITE

Miss Peregrine’s Home for Peculiar Children is down to number six and there was some small amount of controversy about the lack of diversity in the movie, and while it would have been nice I honestly I don’t expect a lot in a movie set in Europe during WWII. But there’s something to be said that the only people of color in a Burton film before this were covered by make up as monkeys and the only one here is the freaking villain. If you doubted Burton’s geek cred this should back it up. They tend to like their fantasy worlds monochromatic.

SUCH A HANDSOME MAN

Keeping Up With the Joneses opens at number seven and Zach Galifinakis is running out of chances to prove he can sell a comedy. His last flop before this was only a few weeks ago with Masterminds. What that has in common with this movie is that they share a name with a previous movie that failed, which usually drives the people in suits crazy prompting an instant change. It’s nothing against Jon Hamm given this clearly isn’t his movie, but it’s not helping either. It’s great he doesn’t have an ego and needs to be the star, but you’re not a kid, dude and need to have something successful post-Mad Men under your belt. It’s ironic he’s here with the new Wonder Woman given he looks more like a superhero than basically everyone currently playing one. Hamm is a perfect Superman. Hamm is a perfect Batman. Hamm is a perfect Iron Man. Hamm would have been a perfect Doctor Strange as well. He’s been approached but balked at the decade long contracts they have to sign. Don’t expect to see him in a wannabe Jason Bourne movie either.

THE REST

Kevin Hart: What Now is down to number eight, followed by Storks at number nine with Deepwater Horizon closing out the top ten at number ten.

ALSO VISIT

ORIGINAL ANGRYGEEK.COM

FORMER BOY WONDER PHOTOGRAPHY