Tag Archives: 50 Shades of Grey

THIRD BLOODY TIME’S THE CHARM!

6 Mar

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1. Logan/Fox                                       Wknd/$ 85.3    Total/$ 85.3
2. Get Out/Universal                         Wknd/$ 26.1    Total/$ 76.0
3. The Shack/LG                                Wknd/$ 16.1     Total/$ 16.1
4. The LEGO Batman Movie/WB   Wknd/$ 11.7     Total/$ 148.6
5. Before I Fall/ORF                          Wknd/$ 4.9      Total/$ 4.9
6. John Wick: Chapter Two/LG      Wknd/$ 4.7      Total/$ 82.9
7. Hidden Figures/Fox                      Wknd/$ 3.8      Total/$ 158.8
8. The Great Wall/Universal           Wknd/$ 3.5       Total/$ 41.3
9. Fifty Shades Darker/Universal   Wknd/$ 3.5       Total/$ 109.9
10. La La Land/LG                             Wknd/$ 3.0      Total/$ 145.7

A BLOODY GOOD FINISH
Logan opens at number one and third time’s the charm apparently. In their third outing they finally made a good solo Wolverine movie. No, it’s not the best superhero movie ever made (that still belongs to Iron Man for me) and it’s not even the best X-Men film (that still belongs to X2 for me), but it’s pretty damn good. Wisely dumping pretty much every goddamn thing about the Old Man Logan story from the comics (imagine if Wolverine were made only for angry, sexless, 15-year-old boys and you’ll have an idea of how bad that nonetheless successful series was) they’ve finally learned to follow the Marvel/Disney example and not make a “superhero” movie, but just a movie and plop a superhero into it. Iron Man, Thor and Doctor Strange were all the same movie about the narcissist who discovers the world around him aka, the best movies Tom Cruise and Richard Gere ever made. Captain America is a WWII movie and Captain America: The Winter Soldier is a 70’s spy movie. Guardians of the Galaxy is every movie about a ragtag group of misfits coming together. And Logan is a road movie about two people at the end their days a meager shadow of their former selves who find themselves called to get it together one more time for the sake of a younger person. You’ve seen it a dozen times before only this time you see it with superpowers. Professor X is now a danger to all those around him because his mental powers have been short-circuited by ALS and Alzheimer’s. Wolverine no longer heals the way he use to and is slowly dying for reasons that seem mysterious, but are obvious when you think about it. Into their laps falls a little girl with all Wolverine’s powers and abilities and hot on her heels is an evil corporation (redundant) willing to kill anyone and everyone to get her back. I feel bad for Hugh Jackman in that only in his last outing as Wolverine does he get the film his commitment deserves (he stayed in Wolverine shape for a year waiting for director Darren Aronofsky to get his shit together for what would have been the second Wolverine movie). He’s never been bad in the role, but didn’t always get the material to support him, least of all the god-awful The Wolverine, which ironically had the same creative team. What’s the difference? Deadpool. Deadpool proved you could make the R-rated film Wolverine deserved and make a dollar. I mean, it’s about a guy with razor sharp claws who is prone to homicidal rages. How can you do this honestly without blood and body parts on the ground? You can’t and the comics never shied away from it and in fact his learning not slaughter people was part of the character’s evolution, but what you can do in an all-ages comics oddly becomes an R-rated movie. Blood and darkness isn’t the reason why Logan is good but let’s not kid ourselves in that this will be the only takeaways for future superhero movies, so get ready for a lot of awful superhero crap filled with boobs, blood and cursing.

HOW ABOUT I JUST STAY OUT?
Get Out is down to number two and sorry, I don’t care how universally great the reviews are, I. Will. Never. See. This. I got anxiety just watching the trailer. I don’t do the scary to begin with, so do you really think I’m going to do the scary in a way that relates to me directly!?! The fucker is even a photographer in New York. Oh, hell no! But I’ll glad for everyone involved. Sorry I can’t help.

JESUS-Y IS TOO A WORD!
The Shack is opens at number three and this is some kind of Jesus-y thing and while I understand Sam Worthington has no choice but to be in shit like this—having been replaced as the Charisma-Free-Australian in movies by Jai Courtney—it’s sad Octavia Spencer found herself in this post-Oscar, pre-Hidden Figures.

NOW WHEN I SAY “I LOVE DICK” WHAT I MEAN IS…
The Lego Batman Movie is down to number four and the mixed blessing for this has come down in director Chris McKay doing a Nightwing movie. For those of you with actual lives and social skills, Nightwing is the identity Dick Grayson adopts after growing up and leaving Batman behind. There’s even a joking reference to it in this movie. It’s good because it’s Chris McKay who is a talented director. It’s bad because DC Comics and Warner Brothers have yet to make a superhero movie that doesn’t suck salty sweaty balls (Chris Nolan made his Batman movies before the official DC/WB unit was created to oversee these films) and the small blessing of no Dick Grayson or Robin in these movies is that they can’t fuck up Dick Grayson or Robin in these movies. It seems that time is over. Sigh.

BY THE WAY: YOU’RE OLD!
Before I Fall opens at number five and this is the latest Young Adult Novel Science Fiction/Fantasy adaptation. This time a teenager has to deal with the “stuck in a repeating day” situation endured by everyone from Bill Murray in Groundhog Day to David Duchovny on the X-Files. The only notable thing about it for an “old” like me is that it stars Zoey Deutch aka daughter of Lea Thompson aka Michael J. Fox’s mom in Back To The Future and also one of the stars of Some Kind of Wonderful (which was directed by dad, Howard Deutch). Like her mom in the latter film she plays a girl who’s a member of the beautiful people clique and there’s even a jerk boyfriend and shy guy who crushes on her. Some sf/fantasy elements would have helped Some Kind of Wonderful, honestly.

TESTING THE KINSEY SCALE WITH EVERY APPEARANCE
John Wick Chapter Two is down to number six and also in this is Ruby Rose who may or may not be playing a dude. The character is mute and no gender is specified, which lends to my theory that she’s here to make everyone question their sexuality. If you’re a straight dude or gay woman you’re wondering why you’re attracted to this boy. If you’re a straight woman or gay dude you’re wondering why you’re attracted to this girl. She’s fucking with all of us! And this is her second action movie this year. She was a sniper in XXX: The Return of Xander Cage. So it’s one step back and one step forward in ’17 for her.

A GOOD INTENTION THAT DOESN’T HELP PAVE THE ROAD TO HELL
Hidden Figures is down to number seven and I finally did my duty as a Black person and saw it! It’s good, not great. Very much a high production TV movie, because in the end all the bigoted White people come around to respect and admire the hard-working capable Black people. And the director even admitted it was to give the White audience something. Now it will go on forever, required viewing for both Black History Month and Women’s History Month in classrooms all over the country.

YUAN GON’ GET NO MONEY FROM THIS
The Great Wall is down to number eight and honestly I have no issue with the idea of an outsider coming in to help with a fight so long as he isn’t the “savior” of the people who’ve been fighting it all this time. At least not without good reason, you know like some advanced technology or strategy, but the Chinese invented fucking gunpowder and The Art of War so what the fuck could Matt Damon really do for them!?! And this isn’t the first big budget movie that throws Western actors (aka White actors) into a period piece in an attempt to get both Chinese and American audiences. Nicholas Cage has been in one (no surprise) and so has John Cusack (and his had Jackie Chan in it)! This is their first attempt with an A-list star, but it fared no better. File under “Great Mistakes Made In The Naked Pursuit of International Money.”

HIS PERSONAL HELL CONTINUES
Fifty Shades Darker is down to number nine and this doubled its budget domestically and made 6x worldwide, so if you think they’re not going to finish out the trilogy, keep dreaming, Jamie Dornan.

THE NOT WINNER OF BEST PICTURE
Finally, La La Land closes out the Top Ten at number ten so it can continue onto home video and maybe, just maybe I’ll catch it on cable one day. And have you noticed the way to succeed in Hollywood is not to be in a successful comic book movie franchise, but in a disappointing one? Andrew Garfield and Emma Stone were in the Spider-Man reboot and now she’s got an Oscar while he got a nomination. Michael B. Jordan and Miles Teller were in the Fantastic Four reboot and were also in critically praised Oscar-nominated movies. Meanwhile, The Chrises Hemsworth and Evans keep trying big and small for respect and come up empty. If it makes you feel better, boys, you’re taller and prettier than they are. Including Emma Stone.

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4TH BEST BATMAN MOVIE EVER!

13 Feb

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1. The LEGO Batman Movie/WB      Wknd/$ 55.6    Total/$ 55.6
2. Fifty Shades Darker/Universal     Wknd/$ 46.8    Total/$ 46.8
3. John Wick: Chapter Two/LG        Wknd/$ 30.0    Total/$ 30.0
4. Split/Universal                                  Wknd/$ 9.3     Total/$ 112.3
5. Hidden Figures/Fox                        Wknd/$ 8.0      Total/$ 131.5
6. A Dog’s Purpose/Universal            Wknd/$ 7.4      Total/$ 42.6
7. Rings/Paramount                             Wknd/$ 5.8      Total/$ 21.5
8. La La Land/LG                                 Wknd/$ 5.0      Total/$ 126.0
9. Lion/Weinstein                                 Wknd/$ 4.1      Total/$ 30.4
10.The Space Between Us/STX          Wknd/$ 1.8      Total/$ 6.6

BETTER THAN SNYDER, BUT YOU KNEW THAT
The LEGO Batman Movie opens at number one and if you remember, Will Arnett as Batman in The Lego Movie basically stole the thing so it’s no surprise that they gave him his own movie. But what’s odd about it is it’s this silly animated toy movie that has one of the best examinations of his personality and the only movie to just flat out say that Alfred is his father and Dick Grayson was his son. Not “butler” and “ward” but “father” and “son.” Not that it stops it from being funny in a very chaotic Airplane and Naked Gun sort of way. Let me put it this way: included in the villains here are Agents from The Matrix, Raptors from Jurassic Park and Sauron from Lord of the Rings. Oh, and Voldemort from Harry Potter. I’m not kidding. And the bulk of the humor is based on another prominent aspect of Batman’s personality that the movies have ignored but is a major thing in the comics: Batman is an asshole. Not the vainglorious asshole Will Arnett is playing here, but sharing the same character trait that he always thinks he’s right so it’s okay for him to do what he wants to anyone at any time. In this case when The Joker makes him obsolete by surrendering and making all the other bad guys in Gotham City surrender too, Batman realizes that it has to be some part of a greater scheme so he steals Superman’s Phantom Zone projector (easy because the Justice League is busy with their anniversary party which they’ve having for 57 years and never once inviting him…because he’s an asshole) and puts him there to safe. Unfortunately, that was The Joker’s plan exactly, so when he breaks out and brings all the villains imprisoned within to destroy Gotham it’s essentially Batman’s fault. Oh, and Batman’s been put in jail himself by Barbara Gordon for breaking in and putting The Joker in The Phantom Zone. It’s fun for normal people, but if you’re a geek, five times a much due to all the little “in” jokes that are thrown in.

SEXY? EHH, NOT SO MUCH.
50 Shades Darker opens at number two and briefly some thought it would open at number one and it’s clear those people don’t have kids. Every kid’s movie is kids admission + adult’s admission, whereas this only had adult’s admission, mostly female. Okay, maybe two adults on a date, but that’s not going to make up the difference. I saw the first as basically a joke with a friend who had a free screening passes. It was not good, though Dakota Johnson was and gave the movie a performance it didn’t deserve. Jaime Dornan gave the role the contempt he clearly has for it (and himself for taking the easy money & fame role which only gave him the former). That said, I’ve no interest in these characters whatsoever and not even bringing in Kim Basinger—who made the movie this could only hope to be in its wildest dreams, 9 ½ Weeks—is going to persuade me to give it a look. But it does make me want to watch 9 ½ Weeks again, so thanks for that.

John Wick: Chapter Two is the flipside to 50 Shades darker. It got the male money, but made less because honestly it’s not exactly a date movie. Granted, some people may get hot watching two-hours of breaking bones and headshots, but I’m willing to wager it’s not quite as many as those watching people boning (fewer to the tune of $16M). And this film is committed to headshots. A friend joked it should be called “HeadShot: The Movie.” Well, this is no different. I mean there’s actually a character that commits suicide…and he still shoots this person in the head. Like the first, Chapter Two is a borderline comedy in this concept there’s this secret underground criminal society that’s actually built on honor and respect and cops mysteriously never show up no matter how much mayhem is unleashed. This time they kick it up a notch when John Wick’s actions in the first result in someone he owed a debt to calling to collect. When Wick refuses, the guy blows up Wick’s house and the underground criminal society tells him he’s got to honor the debt, period. It’s a snake eating its tail because he incurred the debt leaving the life in the first place. Also, had he not gone on a killing spree in the first (to avenge the death of the puppy his late wife left to him) the marker would not have been called in, but fulfilling his obligation on this marker serves to create a mess that guarantees a John Wick Chapter 3 aka Even More Head Shots. And I’ll be there, ‘cause this silly ass shit is fun.

HERE THERE BE SPOILERS! READ ON AT YE PERIL!
Split is down to number four and this is considered part of M. Night Shymaylan’s comeback and it’s a comeback in the only way that matters: money. From a $9M budget it’s made over a $100M domestic alone making it the highest grossing horror movie in four years. His previous hit was The Visit, which made $65M domestic from a $5M budget. This gets him a little bit of his mojo back, but it’s still doubtful any studio’s going to drop $100M blockbuster in his lap again anytime soon and that’s probably for the best. Some people only shine with limitations. I’ll never know because honestly I was never a big fan. He just makes Twilight Zone or Outer Limits episodes as full-blown movies and makes up that time difference by dragging things out needlessly. There’s deliberately pacing and there’s just dragging shit out. He just drags shit out. Of course by now you may be aware this isn’t a mere stand-alone movie. It’s actually connected to Unbreakable. The character James McAvoy plays eventually metamorphoses into a super-strong bulletproof super-villain that Bruce Willis as his Unbreakable character reads about in the paper at the end setting up a new movie where they fight. According to Shyamalan, this character was actually supposed to be in Unbreakable, but he felt it was overstuffed. God forbid we use all that time where he dragged shit out to tell another story. I wasn’t the greatest fan of Unbreakable so connecting this to it doesn’t make me suddenly want to see it. I left horror behind long ago and this is still technically a horror movie about a loon kidnapping three terrified girls. He kills and eats two of them and I am not paying to see that shit. How does the third one survive? Well, she was sexually abused by her uncle and James McAvoy’s character who was also horrifically abused feels a kinship with her for it. No, she doesn’t even get to be the girl at the end of a horror movie that beats or outwits the villain.

A DISAPPOINTMENT TO MY PEOPLE
Hidden Figures is down to number five and I still have embarrassingly not seen it. I’ve no excuse. None.

WHO’S THE BEST PILOT YOU EVER SEEN?
A Dog’s Purpose is down to number five and I’m actually glad Dennis Quaid has this little hit. He was always a guy who was supposed to be a big A-list star, but his big A-list films didn’t quite work out. It’s hit and miss with mostly miss. After The Right Stuff and The Big Easy it’s disappointment after disappointment even when the movies were good like Innerspace. Probably the biggest disappointment was Great Balls of Fire, the Jerry Lee Lewis biopic that co-starred Alec Baldwin who had a similar career. They were briefly “hot” then longtime “not” around the same time, but while Baldwin was reborn on TV, Quaid has stuck with feature films, apparently not realizing he’s one white-hot TV show away from reclaiming some of his promised glory. I mean, did we ever think Cuba Gooding Jr. would be in something worth discussing again until The People vs OJ? Take it, Hot Dog!

NO BLOOD FROM THIS STONE
Rings is down to number seven and this may be the end of this franchise unless they dial down the cost. Horror franchises now cost under $10M and this cost $25 and hasn’t even made that yet.

AT LEAST I’M NOT DISAPPOINTING MY PEOPLE
La La Land is down to number eight and also on my Oscar Must See list with Moonlight, Hidden Figures and the number nine film Lion. Remember: I’ve seen XXX: The Return of Xander Cage and Underworld: Blood Wars but not a single one of these.

BETTER TO RULE IN HELL
Closing out the top ten is The Space Between us and I feel sorry for Britt Robertson. She’s making all the right moves, doing all the “right” films but it’s not working out for her. I guess it’s because I was a fan of The Secret Circle, which was a CW show about gorgeous teen witches in a small town. Hey to a geek, superpowered teens are superpowered teens. Since then she’s been in A-list films (Tomorrowland, Mother’s Day, Mr. Church, Delivery Man with A-list stars (George Clooney, Julia Roberts, Jennifer Anniston, Eddie Murphy, Vince Vaughn) and even did a damn Nicholas Spark novel adaptation with rising star Scott Eastwood, but it’s not working. This little science fiction teen romance is sadly another one for the failure pile. Maybe her TV adaptation of Girl Boss will work out for her. Just ask Alec Baldwin. Everyone wasn’t meant to be a movie star.

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THE OSCAR EDITION

23 Feb

50shades
1. Fifty Shades of Grey/ Universal            Wknd/$ 85.0   Total/$ 85.0
2. Kingsman: The Secret Service/Fox      Wknd/$ 36.2   Total/$ 36.2
3. The SpongeBob Movie/Par                    Wknd/$ 31.7    Total/$ 94.8
4. McFarland, USA/Disney                        Wknd/$ 11.3    Total/$ 11.3
5. The Duff/LionsGate                                Wknd/$ 11.0    Total/$ 11.0
6. American Sniper/Warner                      Wknd/$ 9.7      Total/$ 319.6
7. Hot Tub Time Machine 2/Par               Wknd/$ 5.8      Total/$ 5.8
8. Jupiter Ascending/Warner                   Wknd/$ 2.6      Total/$ 83.9
9. The Imitation Game/Weinstein           Wknd/$ 2.6      Total/$ 83.9
10. Paddington/Weinstein                         Wknd/$ 2.3      Total/$ 67.7

IT’S IN THE BLOOD
Fifty Shades of Grey holds the number one spot so bad reviews be damned! The best thing about this film is appropriately enough its leading lady, Dakota Johnson, daughter of Don Johnson and Best Actress Nominee, Melanie Griffith and granddaughter of Tippi Hedren. But it’s more than nepotism. The career graveyard is filled with the children of the famous (do I have to bring up Oscar winner Kirk Douglas’ other son again?). It takes more and she’s got it. Based on a bad book, a screenplay that does little to improve it and a leading man focused on struggling with his accent than anything else, she does what she can to make a silk purse out of a sow’s ear and the fact she does as well as she does speaks volumes. In fact, it makes her look even more astonishing by comparison. Sometimes it’s better to be the best thing in a bad movie than the weakest thing in a good one. Doing this film was a smart move for her and passing on it was probably a mistake for Stephen Amell and Charlie Hunnam. Well, maybe no Hunnam as he’d still have accent problems, but from what I’ve been told, Amell is basically playing Christian Grey every week on Arrow.

SHOW HIM THE POUNDS!
Kingsman: The Secret Service holds onto the number two spot and as the preeminent Kingsman is Oscar winner for Best Actor, Colin Firth, in his first action movie, which is par the course for Oscar winners. Once you get the golden statue, you go get the real gold. We can call it the “Nicholas Cage effect.” He was all indie boy until winning Best Actor and he’s been a whore ever since.

WE’LL SEE WHAT STICKS
The SpongeBob Movie: Sponge Out of Water holds at number three followed by McFarland USA opening at number four and apparently there’s a film from Oscar Winning Director, Kevin Costner coming out every week now so if you don’t like the one last week, maybe you’ll like the one next week. But I sincerely doubt it.

NO OSCAR MENTIONS HERE
The Duff opens at number five and you know you’re getting old when you’re no longer interested in every high school movie that comes down the pike because you simply can’t relate any longer. Even when it’s Pygmalion story done again, you give it a pass. For example: you saw Can’t Buy Me Love and She’s All that, but you passed on Love Don’t Cost A Thing (the Can’t Buy Me Love remake) and this, which actually dares have an “Eliza” who’s not just traditionally pretty girl dressed down and in glasses like, well all the others.

IT’S BEEN A LONG TIME SINCE SAY ANYTHING
Oscar Winner for Best Sound Editing (which is to say shut-the-hell-out), American Sniper is down to number six, followed by its polar opposite, Hot Tub Time Machine 2 opening at number seven and how did this happen? The first one wasn’t any good! Now they’ve made an even worse one, so bad that even John Cusack wouldn’t come back for it. And if you think Cusack is some kind of actor with integrity, check out his IMDB page and get back to me. He didn’t need an Oscar to whore it up.

AT LEAST SOMEONE’S ASCENDING
Jupiter Ascending is down to number eight and now has an Oscar winning actor in its cast: Eddie Redmayne. Too little, too late. Now the big question: will he continue with indie style roles or will he…WHORE IT UP!?!

CONTRARY TO ACTOR BELIEF, THEY DON’T MAKE UP THE WORDS
Oscar winner for Best Adapted Screenplay, The Imitation Game, is down to number nine with Paddington closing out the top ten at number ten.

 

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FIFTY SHADES OF MARKETING

17 Feb

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1. Fifty Shades of Grey/ Universal Wknd/$ 85.0 Total/$ 85.0
2. Kingsman/Fox Wknd/$ 36.2 Total/$ 36.2
3. The SpongeBob Movie/Par Wknd/$ 31.7 Total/$ 94.8
4. American Sniper/Warner Wknd/$ 16.5 Total/$ 304.2
5. Jupiter Ascending/Warner Wknd/$ 9.2 Total/$ 32.4
6. Seventh Son/Universal Wknd/$ 4.1 Total/$ 13.4
7. Paddington/Weinstein Wknd/$ 4.0 Total/$ 62.2
8. The Imitation Game/Weinstein Wknd/$ 3.5 Total/$ 79.6
9. The Wedding Ringer/SGems Wknd/$ 3.2 Total/$ 59.6
10. Project Almanac/Paramount Wknd/$ 2.8 Total/$ 15.8

LONELY MOVIE WEEKEND CHOICE #1
Fifty Shades of Grey opens at number one and this wasn’t as bad as I thought it was going to be. Make no mistakes, it’s bad (the very fact the lead character’s name, Anastasia Steele, is presented without a hint of humor or irony tells you that), but just as my definition of good is a bit higher than others, so my definition of what sucks is much lower. Despite its attempt to seem modern and edgy, the story of 50 Shades of Grey (and Twilight for that matter) is the same one your mother and possibly grandmother have been reading in Harlequin novels for decades: stories of bad boy princes and pirates who are inexplicably brought down by the virginal heroine (yes, Anastasia is a virgin, because god forbid a woman have some actual idea about her sexuality) they cannot resist her. Only now rather than be tormented by the events of Spanish Civil War or The Crusades or whatever tumultuous time period those books were set, she’s now tormented by the hero himself. While the literary ancestor of Anastasia Steel (a name which would fit perfectly in those), had to fight her way through various kidnappings and the fall of the czar as she made her way from Moscow to Venice, this one has to deal with a lover who won’t let her actually sleep next to him or know his past and insist he’s bad for her while stalking her cross-country. Oh, and there’s the occasional spanking. Somewhere, trapped by the sexy pirate Taggart McGirth on his ship The Thruster, Constance Hymen rolls her eyes in disgust. Now, there’s an old rule of thumb that bad books can make good movies because you can change things and if any book need it, then this was it was this one. Unfortunately for them the author (and I use that term loosely) has a background in the entertainment business and she knows what happens to books, so her deal gave her a certain amount of control over the film. The end result is a film so empty and devoid of any sex appeal I was on the verge of reading it despite the many, many, MANY negative reviews saying how awful it was. My curiosity as how something so bland could be so successful consumed me, but then it dawned on me that’s probably why something that started off as Twilight fan fiction (it suddenly makes sense now, right?) could find such an audience. Because it was awful and simplistic, not despite it. Since when are we surprised that ineptitude soars while quality sinks? Surely not in this post-Twilight-Nicholas-Sparks age. But as empty as the books seemingly were they became even moreso when the opportunity to merchandise it took hand and the result is a movie that it so ironically chaste that beyond the nudity there are exactly two uses of the word fuck and absolutely no sucking dick. They wanted the built in audience these books contained, but at the same time wanted to keep them safe enough so as not to put off anyone and draw in even more people (preserving those marginal percentages that only business majors know or care about). Now that makes no sense given the audience would know exactly what and was isn’t in the books (“Where’s all the dick sucking!?! Where’s that tampon!?!”), but the end result is whatever tiny edge they had was dulled and you get something that looks like it escaped from the Lifetime network and into theaters. There is more graphic and honestly arousing sex on your basic cable show, much less pay cable. I mean, I know it’s the Pacific Northwest, but is it really so cool and temperate that no one sweats when they fuck!?! Maybe in the two sequels to follow (it made almost $100M in a weekend from a $40M budget with another $150M overseas) they’ll address it.

LONELY MOVIE WEEKEND CHOICE #2
Now, if opening 50 Shades of Grey on Valentine’s Day was perfect programming to grab the lonely, sexually frustrated female audience, then opening Kingsmen: The Secret Service was equally perfect counter programming to get the lonely, angrily sexless male audience. Both were counting on an audience that would be dateless this lover’s weekend and both were right and rewarded. The difference this is actually entertaining and delivered on what its source material promised: comedic, silly ultraviolence. This is based on a comic book series by Mark Millar and the best description of his work that I ever read was that it was something an angry 15-year-old would love, which is to say he understood the heart of superhero comics better than anyone else around him: angry virgins. This wasn’t a superhero comic but it still applies and carries over to the film. Our hero is a smart, capable guy, but the world is in his way (not his own personal choices). His chances to be better are derailed by the fact he’s such a good guy and had to take care of his mother, while she’s married to a guy who is a low level thug and beats her. Typical bullshit, geek self-serving-pity. Fortunately for him his father was a recruit of a secret intelligence agency and died in the field so one of its top agents feels a debt is owed and our hero is recruited to be James Bond times ten. His training begins just as The Kingsmen stumble upon a plot hatched by an insane corporate billionaire to save the world by killing most of the people one it. The violence is graphic but exaggerated deliberately to maximum silliness and there’s actually metatextual commentary on how dour modern secret agent films are, as opposed to the wonderfully silly ones with would be world conquerors in the conversation between the cool, bespoke secret agent Colin Firth and the eccentric megalomaniac (he plans mass genocide, but hates the sight of blood, and has an assassin sidekick with blades for legs) Samuel L. Jackson. Needless to say this is clearly a love letter to the crazier Bond films though believe it or not, even more British. The movie is actually partially driven by the class awareness that still exists in England to this day (both our hero and his dad are working class and their recruitment is considered an “experiment”) and ironically gives it a depth that it’s desperately trying to avoid in favor of simply being entertaining.

THAT 21ST CENTURY CAREER
The SpongeBob Movie: Sponge out of Water is down to number three, followed by American Sniper at number four and Jupiter Ascending down to number five and starring in this is Mila Kunis who must have thought she grabbed the brass ring when she got the lead in a Wachowski big-budget science fiction action film. Clearly she didn’t read the script, which showed her as a princess who constantly needs to be saved along with a dozen other problems. While on one hand she’s actually having a somewhat successful career going from Oscar nominated, overrated indie fare like Black Swan to empty big budget vehicles like Oz The Great and Powerful to crass comedies like Ted and Forgetting Sarah Marshall (hell, she was even in the remake of Annie), on the other hand none of those were truly starring vehicles for her. She was the female lead alongside Justin Timberlake in Friends with Benefits which tanked (ironically her fiancée Ashton Kutcher’s version with Natalie Portman was hit) and now this where she is flat out the title character. Clearly it did not go well and while The Wachowskis are at fault, it won’t be the same black mark on Channing Tatum’s career (also equally varied) as it will be for her. You know, ‘cause she’s a chick and it’s an action movie. Forget they don’t actually allow her to be an action star, which is odd for them. Trivia: she played the younger version of Angelina Jolie in Gia.

YOU KNOW NOTHING OF THE CONTRACT YOU SIGNED, JON SNOW
The Seventh Son is down to number six is Seventh Son and also in this for about 5 minutes as a previous Seventh Son is Kit Harrington, limited as to the roles he can take when not shooting Game of Thrones as his contract doesn’t allow him to cut his hair! This is how he winds up here and in that Pompeii movie last year. Though I guess he could play a musician…or a poet…or just someone pretentious in the present day.

THE OTHERS
Paddington is down to number seven, followed by The Imitation Game holding at eight and The Wedding Ringer down to number nine.

CINEMATICALLY TRASMITTED DISEASE
Finally, Project Almanac closes out the top ten at number ten and this is part of a small genre empire Michael Bay is clearly building. He’s producer on this as he was on Ouija and The Purge films. Because their budgets are so low they’re pretty much guaranteed to make money, which means they will continue. He’s like a rash. An itchy ugly one that spreads the more you scratch it.

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