THE MONEY MACHINE ROLLS ON

4 May

Tyrese-Gibson-Goes-Off-on-Fat-People-Look-at-What-You-Did-to-Yourself-2
1. Avengers: Age of Ultron/Disney Wknd/$ 187.7 Total/$ 187.7
2. The Age of Adaline/Lion’s Gate Wknd/$ 6.3 Total/$ 23.4
3. Furious 7/Universal Wknd/$ 6.1 Total/$ 330.5
4. Paul Blart: Mall Cop 2 Wknd/$ 5.6 Total/$ 44.0
5. Home/Fox Wknd/$ 3.3 Total/$ 158.1
6. Cinderella/Disney Wknd/$ 2.4 Total/$ 193.7
7. Ex Machina/A24 Wknd/$ 2.2 Total/$ 10.9
8. Unfriended/Universal Wknd/$ 1.9 Total/$ 25.2
9. The Longest Ride/Fox Wknd/$ 1.7 Total/$ 30.4
10. Woman in Gold/Weinstein Wknd/$ 3.5 Total/$ 21.6

WATCH ME GET MY GEEK ON!
Surprising absolutely no one, Avengers: Age of Ultron opens at number one and I found this to be superior to the original because it’s more of a movie unto itself and not so much concerned with setting up the next film. This is not to say it’s not setting up the next movie. Oh, no. They’re not afraid to let you know they’re saving shit for you to pay for later. But it’s less of an obvious placeholder. Scenes that showcase every character individually are less forced and even the sub-plots don’t drop like so many lead weights. And last but not least, there’s no 10-minute sequence where Captain America and Iron Man fix an engine. Seriously. I cannot believe they shot that. The movie opens in full swing with The Avengers going after Hydra, which if you remember where the bad guys in Captain America’s two movies because god forbid he fight a Nazi (yes, I will forever be annoyed by that). There they recover Loki’s scepter from the first film and from it Tony Stark creates an artificial intelligence known as Ultron, whom he intends to use to protect the world from the next invasion. Unfortunately Ultron more than has a mind of its own and thinks humanity is the problem and just plans to wipe us all out, Stark in particular. This sets up the basic plot of the film: superheroes vs. giant angry robot. With Ultron are two enhanced (because Fox owns the rights to the term mutant) people who also hate Tony Stark, Quicksilver and The Scarlet Witch making more of a fair fight and actually kicking Avenger ass. Ultron is longtime Avengers villain in the comic whom I actually have never cared for, but James Spader via writer/director Whedon has been improved immensely. Before he was just a one note bad guy while they’ve given him a much-needed personality, which is basically what if your angry, sarcastic teenage son had the power to wipe out the world? He hates Tony Stark but has elements of Stark’s personality and hates being reminded of that. You need these moments of humanity given 90% of the film they’re swimming in a sea of CGI and it gets a little tiring. Seriously. It’s fun to watch, but when it’s over you really don’t need to see any more of it anytime soon (which why I had Daredevil to watch, but we’ll get to that). Ironically the Summer Movie Season has more or less begun, so I guess I’ll be seeing more of it next week. And the week after that. And the week after that.

GONNA FINALLY SEE THAT KESSEL RUN!
Age of Adaline actually moves up to number two, a result I gather of women (or men) who just drew a line in the sand and decided not to accompany their men (or women) into seeing Age of Ultron (which would explain why the sequel failed to be top its predecessor). Basically, if they were going to watch some wacky fantasy movie, it was going to be something they were actually interested in with more kissing and less CGI. Also in this is Harrison Ford and playing him younger, Anthony Ingruber who basically got the job doing Harrison Ford impressions on YouTube. You damn kids today. Once upon a time you had to sleep your way into movies. Granted, it helps that he looks like Ford, but can also do him perfectly. If I’m at Disney I’m hiring this kid and just creating a new revenue stream of Young Han Solo movies. Tell me more people wouldn’t see that than the main Star Wars films themselves!?! And now that Lucas is gone there’d be a whole lot of shootin’ first!

WHATEVER HAPPENED TO THAT SINGING CAREER?
Furious 7 is down to number three and trying to get on the comic book money train is Tyrese Gibson. Not that I blame him, but I do not want to see this fool as any character I actually care about. Not to mention at 5’11 he’s too short to play the character he wanted, who was Luke Cage (who will have a series on Netflix like Daredevil, but we’ll get to that). That role went to Mike Colter from The Good Wife, who is 6’3”. Damn right. Now Gibson wants to be Jon Stewart, one of the Green Lanterns. Given how Ryan Reynolds crashed and burned, DC will probably go that way. I mean given how bad all their other decisions have been, I wouldn’t be surprised if Gibson got the job. Needless to say, I don’t give a crap about Jon Stewart. I mean, I didn’t care when Common’s talentless ass was cast as him for the aborted Justice League movie, so why would I start now?

THEY’LL PAY FOR THIS NEGLECT IN THE HIGH SCHOOL YEARS
Paul Blart: Mall Cop 2 is down to number four, followed by Home at number five and Cinderella oddly returning to the top ten at number six. I have no idea how or why. The number of screens actually dropped by almost a thousand and still it popped up. Again, I’m thinking somehow The Avengers had something to do with this. Short sighted fathers who dropped their daughters off here instead of taking them with their brothers to see The Avengers.

IT’S ALWAYS BETTER TO RULE IN HELL
Ex Machina is down to number seven, followed by Unfriended at number eight, The Longest Ride at number nine and The Woman in Gold at number ten and it’s gotta be humbling at home for Ryan Reynolds with Blake Lively’s movie getting more exposure than his. Especially when she’s the star of hers and he’s the co-star of Helen Mirren. Yeah, technically this did better, but is it better to the co-star in a success of the star of a disappointment?

YOU’D HAVE TO BE BLIND NOT TO LOVE THIS.
Since we’re discussing The Avengers and other comic book movies, it’s time I got to my long overdue discussion of Daredevil (told you we’d get to it). Simply put: it’s awesome. Seriously. Forget about that godawful movie with Ben Affleck that even he admits was crap. This. Is. Amazing. Netfilix and Marvel have pulled off something I quite frankly had my doubts about. I know it’s not saying much but this is best superhero TV show ever made. It is gritty and serious as a heart attack, but they make it work. It helps they have time. It’s not so much at TV show, but a 13-hour movie. Each episode builds on the previous episode to a great climax. Having been a fan of the comics this is based upon, my jaw dropped at some of the scenes. They’re making it clear that the comics are merely source material and they feel no obligation to follow them to the letter. Their changes are amazing and may have set the bar too high for them to follow, much less other shows that are coming set in this same world. One primary reason is the villain. It’s an old conceit that your movie can only be as good as its villain and Vincent D’Onofrio brings to life a great villain, The Kingpin. He’s not some two-dimensional bad guy, but a fully realized traumatized human being who has been consumed by his darkside, though he doesn’t admit it even to himself. The other saying is that a good villain is the hero of his own story and in this Wilson Fisk (never called The Kingpin, because what is this, a comic book?) firmly believes he’s saving the city. This city is the New York post-Avengers alien invasion. Hell’s Kitchen isn’t the new home of luxury high rises and nice restaurants that’s threatening to price me out of it, but the crime ridden HK of old thanks to the damage of the alien invasion The Avengers fought off. In a plotline all too real, criminals are making the most of all the new money coming in to redevelop the area. Having grown up there, Fisk thinks he’s saving his old neighborhood and the city with a small consortium of organized crime leaders, from Yakuza to Triads to Russian Mobs (clearly the Italians and Irish are old news). Unfortunately for him, Daredevil, aka, Matt Murdock also grew up in Hell’s Kitchen and is having none of it, going out every night dressed in black, using his hyper senses (developed when he was blinded by radioactive chemicals saving a man’s life) to find crime and beat the crap out of people committing it. They actually make you believe one unarmed guy can derail a business of armed gangsters. It’s fairly simple: you screw up their business enough and the partners start getting impatient and wind up finishing them off. They also do a great job of fleshing out the supporting characters. In the comics Vanessa, The Kingpin’s love interest, is a borderline idiot who has no idea he’s a gangster. Here she’s a woman knowing enough to bring a gun on her second date. She knows what he is and not only accepts it, but helps him somewhat. Karen Page is the secretary/love interest with little going on beyond that in the comics, but here she goes from being a damsel in distress to a pit bull determined to take The Kingpin down no matter what it takes. Daredevil himself had the sense of humor that comes and goes in the comics (depending on who’s writing) and takes a fairly realistic beating for someone fighting crime with no superpowers. When his ability to take a pounding without complaining is pointed out, he quips, “That’s the Catholicism in me.” Seriously, I cannot recommend this enough. It’s not perfect (Asians take it only the chin in all kinds of stereotypes and Daredevil functions a little too well despite vicious beatings). Let me put it this way: just make it to the hallway scene in episode two. That’s when I knew this was the real deal.

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