22 Apr

1. Think Like a Man/SGem                        Wknd/$  33.0            Total/$  33.0

2. The Lucky One/Warners                        Wknd?$  22.8            Total/$  22.8

3. The Hunger Games/LionsGate             Wknd/$  14.5            Total/$ 356.9

4. Chimpanzee/Disney                                Wknd/$  10.2            Total/$   14.5

5. The Three Stooges/Fox                           Wknd/$    9.2            Total/$   29.4

6. The Cabin In The Woods/LionsG         Wknd/$    7.8            Total/$   27.0

7. American Reunion/Universal                Wknd/$    5.2            Total/$   48.3

8. Titanic 3D/Paramount                            Wknd/$    5.0            Total/$   52.8

9. 21 Jump Street/Sony                                Wknd/$   4.6             Total/$  127.1

10. Mirror Mirror/Relativity                        Wknd/$   4.1              Total/$   55.2


Think Like a Man opens at number one and this is two steps forward, one step back; a double-edged sword, a left-handed compliment, a pyrrhic victory… Basically anything where a success is simultaneously a failure.  That a black film, based on a book by a black person directed by a black person opened at number one bringing in almost triple its budget is great.  Make no mistake about it.  However the film in question is based on a misogynist book by a moron and directed by the hack that brought the world the two Fantastic Four films.  This means talentless idiots have been rewarded for being talentless idiots and will be encouraged to continue profiting from their idiocy.  Oh, and Chris Brown is in it.  Yeah, exactly.  The only good thing is lots of great looking actors that I like now have a hit movie under their belts.  Now, hopefully they will move on to bigger and better things, none of them with the name “Tyler Perry” attached to them.


Speaking of talentless people making a lot of money, the second goddamn Nicholas Sparks-based movie this year, The Lucky One, opens at number two and as much as I dislike the man, I will give him points for honesty.  He flat out says he started doing this just to make money.  No genuine inspiration in the slightest and by god it shows.  He’s got a formula more dependable than Coke and he cranks it out in equal sugary amounts it seems.


The Hunger Games is down to number three, followed by Chimpanzee opening at number four and while I do like a little A&E, Nature Channel, PBS documentary I cannot stand the “humanizing” narration that goes on with the stuff that Disney puts out.  These animals are not people and you insult my intelligence by assigning human attributes to their behavior (even moreso by having Tim Allen do it).  If anything it shows some of the things we do are still pretty primal not that animals are acting like humans, even primates who share more commonalities with us than any other creature.


The Three Stooges is down to number five and this has got to be the surprise of the year simply by not utterly failing. I would have thought no one would go to see this, but it’s already made its budget back in two weeks.  Clearly I’m not the only one who thought that line about boogers from the commercial was funny.  And yes, the guy playing Larry is none other than Jack from Will & Grace.  Glad to see everyone is working. Grace is on Smash, Will is currently on Broadway and Karen shows up on sitcoms left and right.  No word on Rosario.


Cabin In The Woods is down to number six and having read the movie spoilers summary of this I’m soooo glad I didn’t see it because an entire movie being a meta-textual commentary on a genre would have pissed me off beyond belief.  In fact, this sounds like an abandoned Buffy idea that they expanded into a full-length film, much like the first Final Destination film came from guys who worked on The X-Files and so clearly was meant to be something that Mulder and Scully investigated.


American Reunion is down to number seven and when I summarized the careers launched by the first film I forgot to mention the writer/directors, the Weitz Brothers, whose careers show a frightening dissimilarity with the added cruel twist of the better looking brother being more talented.  Paul Weitz has laid such turds as Down to Earth (Chris Rock’s misguided attempt to remake Warren Beatty’s Heaven on Earth which itself was a remake of Here Comes Mr. Jordan). In Good Company (which helped lay to rest any thoughts of Topher Grace having a film career), American Dreamz, Cirque du Freak: The Vampire’s Apprentice and most recently, Being Flynn.  He got lucky once with About A Boy, but that was clearly a fluke…or the result of more influence by Chris Weitz based on what he’s done.  He’s now more famous for being Brad Pitt’s clueless neighbor in Mr. & Mrs. Smith, but also worked with his brother on Down to Earth and About a Boy. But that’s where they part as he’s faired a bit better letting you know who’s the Hall and who’s the Oates.  The Golden Compass should have been a hit but New Line sold off the international rights, so when it succeeded there, they reaped none of the benefits and so couldn’t bankroll a sequel.  He also hopped on the Twilight gravy train by directed New Moon and scored a critical success as well as a Best Actor nomination for his leading man in A Better Life just last year.  He was also the star of the indie hit Chuck & Buck.  Mom probably liked him better too.


Titanic 3D is down to number eight, followed by 21 Jump Street at number nine and Mirror Mirror closing out the top ten at number ten and while this has done better overseas, it’s still not a hit and the producers over at Snow White & The Huntsman are laughing their asses off.  And the cherry on top of this?  Brett Ratner is one of the producers and every time that fucker fails in any way is a victory for art and humanity.


I’m on a fashion trend with my Netflix choices because after watching Bill Cunningham’s New York, I watched The September Issue, a documentary about the making of the most important issue of the year for Vogue and ostensibly a documentary about Anna Wintour, the grand dame of the fashion being its editor-in-chief.  As you may know The Devil Wears Prada is based on her, the writer having been Wintour’s assistant briefly and as far as the movie depiction goes (I never read the book) it’s not that far from the mark, though at least onscreen Wintour never goes out of her way to be cruel or terrifying to subordinates.  But you can see the same kind of commitment in her that was in Meryl Streep to making the best possible magazine and her zero tolerance for fools or incompetence.  She even has a well-dressed male, aide-de-camp!  What wasn’t in The Devil Wears Prada was the other star of The September Issue: Gayle Coddington, the Creative Director who is more concerned with the aesthetics of beauty and art and is very vocal about disliking the use of celebrities instead of models (Coddington is a former model herself).  But the two Englishwomen form an excellent balance and seemingly dress for their respective roles, Wintour in perfectly fitting designer wear and the meticulous bowl cut she’s worn for 40 years, while Coddington is in a shapeless black sack of pure comfort with a wild, unkempt red bush on her head.  They clearly have a great deal of respect for one another’s abilities even as they parry back and forth over the identity of the magazine.  Coddington chafes as Wintour cuts her beautiful spreads down (while giving the lion’s share to Sienna Miller) and outright kills one only days before the issue is to close, requiring a down-to-the-wire reshoot.  But she was right in the end, as the reshoot is amazing and the pressure brings out the best in Coddington.  Wintour admits she doesn’t have Coddington’s eye and Coddington acknowledges Wintour was ahead of the curve in the use of celebrities, which sells the magazine and allows her any sort of venue at all. Honestly, I found it so interesting I could have watched another hour of this and there’s no higher praise for a documentary.


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